Naughty Boys. DsQuared2 AW25

February 26, 2025 | Design & Culture by Ed

Yesterday in Milan, Dean & Dan Caten celebrated 30 years of DsQuared2: three decades of naughty bravado, sultry hedonism and campy glamour. Their autumn-winter 2025 fashion show, which had everything from a Doechii performance to Naomi Campbell finale walk, was a glorious look-back at the Canadian brothers’ all-time favorite runway characters. There were cowboys, lumberjacks, bombshells, BDSM aficionados, high-octane starlets. It all ended with Brigitte Nielsen dressed as a police officer, arresting the Catens – who, dapper in tuxedos and towering platforms, broke free from their cuffs, kicking off a raucous after-party. Fun fact: the Dsquared2 line-up included collaborations with Magliano, Vaquera, and Bettter, all of whom were welcomed into the Catens’ archives to rework past designs. The brothers still know what’s up.

Collage by Edward Kanarecki.
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Dirty Glam. DsQuared2 AW24

January 13, 2024 | Design & Culture by Ed

No one does a show in Milan like Dean and Dan Caten. Their autumn-winter 2024 DsQuared2 show was about the idea of twins. Who better than the Canadian brothers should have a say in the representation of “the two sides of the coin,” as they said backstage? Drawing upon their own reality of being a sort of day-and-night double version of each other offered the Catens the occasion for an entertaining show – fun, uplifting, with the right amount of camp and lots of maximalist mashed-up styling. The cast was obviously made of sets of twins, one of which was dressed in Dsquared2’s typical grungy daywear; upon entering a “makeover machine,” the other twin emerged glammed up in the evening version of what the first was wearing. The set, a shiny white box, served as glossy backdrop for the finale coup-de-théâtre, with the Catens taking their bow – Dan looking macho in fitted black jeans and an alluring see-through glittery chiffon shirt, and Dean playing the diva in a flame-red hairdo and black corset dress slashed at the front revealing a great pair of legs, teetering with consummate confidence on ultra-high stilettos. They brought the house down. As for the clothes in the co-ed show, there was great outerwear of the outdoorsy, furry, and fringed variety; fabulous distressed and patched denim; fair isle knits, cargos, destroyed tees, trapper hats, and sequined chaps, all jumbled together and styled with slinky abandon. For evening, black dominated, with body-skimming and plunging necklines for the girls, and sultry slim tuxes with femme undertones for the boys. Haley Wollens’ styling makes DsQuared2 look hotter than ever. Fashion for the Catens is going in just one direction: sexy, sassy, with humor to spare, and entirely guilt-free.

Collage by Edward Kanarecki.
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Floating. Mugler SS24

October 5, 2023 | Design & Culture by Ed

Nature is healing: Mugler is back on the Paris Fashion Week schedule. For spring-summer 2024, Casey Cadwallader – inspired by his love of ocean life and its sci-fi creatures – transformed his runway into an aquarium. To create the effect of garments floating through water, large industry fans were situated along, and at the end of, the runway – with silks and chiffons trailing behind the models like some magnificent jellyfish moving through the ocean. Anok Yai nailed it in her ethereal finale walk. The look worn by Mariacarla Boscono was a black, wasp-waisted body plate made of a wet-look resin. Blazers were structured, square and cropped. On body suits, sequins combined with tinseled feathers – reminiscent of the most elaborate fish in the sea. Denim arrived in the shape of a standout jacket with a corseted-waist. Body-con dresses were present, none more striking that Amber Valletta’s cut-out atop of a corset dress. And while some garments were sheer, most were transparent, with extra pieces dangling from their uneven hemlines to create the illusion of seaweed. “I think I’m interested in the ideals and goals of performance and transformation – the idea of clothing that allows you to become a different version of yourself, or one of the many versions of yourself that you like to inhabit,” Cadwallader told the press. “I think that Mugler’s theatricality is quite deep actually – it’s not just about how it feels for the audience to watch a good show, but instead about how the garments shape and provoke and inspire the person wearing them. Who they become when in them. It’s really about the power of clothing, the impact of fashion.” Noted.

Collage by Edward Kanarecki.
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Raunchy Hot! DsQuared2 SS24

June 17, 2023June 17, 2023 | Design & Culture by Ed

Nobody serves raunchy hotness (and sex) in Milano like DsQuared2‘s Caten twins. The backdrop scenario from yesterday’s spring-summer 2024 fashion show: a penthouse overlooking Miami Beach where porn star Rocco Siffredi was (pretending to) film (what else?!) a porn movie starring Julia Fox enjoying herself (euphemistically speaking) with an unidentified partner on a four poster bed hidden from view (barely) by a screen. Guests attending the show were treated to the aforementioned vignette serving as the catwalk’s backdrop, with an aside of moaning by Donna Summer’s “Love To Love You Baby.” Everyone familiar with Dean and Dan Caten knows their irrepressible naughty, funny streak. But here they surpassed themselves. “It’s steamy. Sexual versus proper. WASP-y country club versus raunchy. Privileged upper crust trying out adult entertainment,” they chanted in unison. “Elites meet snob. Snob meets knob.” The collection was a barely-there rendition of the Catens’ 2000s mash-ups, reduced to a minimum of body coverage. Yet the humor made the bawdiness of the show outrageously entertaining. After an endless parade of preppy-golf-tennis wear hybridizations with plenty of exposed underwear (for guys) and a series of almost-in-a-state-of-undress minidresses, one skimpier than the other (for girls), out came Fox, clad in a virginal white lace babydoll, all frills and ruches (an homage to ’90s porn star Cicciolina perhaps?) But the cherry on the over-the-top cake was the finale, with Rocco Siffredi taking to the catwalk and opening his blue blazer to reveal a red T-shirt emblazoned with the acronym V.I.P. – Very Important Penis. I’m here for sex and fun having a big return to fashion, and DsQuared2 leads the game.

Bodies, Bodies, Bodies. Mugler AW23

January 28, 2023 | Design & Culture by Ed

Back in the 80s and 90s, nobody did a (fashion) show like Thierry Mugler. In 2023, Mugler, the brand, lead by Casey Cadwallader, delivers an equal level of showmanship. “We’re showing during couture week because we’re bad. At Mugler we do whatever we want,” the designer stated before the choreographed mayhem kicked off. “We’re quite an outlier in the way we do things,” he added. What went down: a runway frenzy that idolized the talents and bodies of models and friends of the house simultaneously merged with live-captured dolly footage of said models and friends, which was consumed on a vast screen erected at the top of a set of stairs. And all over the internet, obviously. Crews of men on movie dollies slid on tracks filming the wildly whooped-at cast: Arca, Ziwe, Mariacarla Boscono, Shalom Harlow, Eva Herzigova, just to name few. There was hair swishing galore. A synchronized handbag-swinging lace-bodysuited dance troupe occupied some center steps. Then one by one, each Mugler supermodel climbed aboard another dolly, on which they could pose around a pole for the return journey. This second crew had a low-down camera which zoomed up crotch-wards, deploying a technique which might be termed up-skirting – had there been any skirts in evidence. Magnified on the monolithic screen, these oooh-aaah fragments were flashed in a live-streamed mix. What about the fashion content? Categorizing it as a collection of leather and lace doesn’t quite cover it. One thing to be said: Whether manifesting as baggy-topped leather chaps suspended under a hip-grazing heavy-duty chrome-zippered bodysuit, or a bisected one-leg, one-sleeve motorcycle suit, or indeed anything Cadwallader did with stretch black lace – it all miraculously stayed in place. And that is quite a technical achievement. It’s tricky to compare Cadwallader’s Mugler with Manfred Thierry Mugler’s original haute couture extravaganzas. In 2023, as far as being inclusive to bodies and identities, Cadwallader for sure outdoes the master. But Mugler was the outlier in his time: the man who foresaw fashion shows as cinematic spectacles. It’s a great continuation of the legacy.