The Ultimate Show. Tom Ford SS11

I’m currently reading André Leon Talley’s phenomenal “The Chiffon Trenches: A Memoir“, and I came across his account of Tom Ford‘s first runway collection coming from his own, name-sake label. The author recalled the event in the most ethereal way. And as it happened about ten years ago (and this is the reason why it’s the first proper post of 2021!), I was surprised I didn’t really have any image in my mind from that spectacular line-up, until Talley noted the whole event was kept mostly in a secret, and the only photographer allowed was Terry Richardson. Thankfully, some photos and this delightful video coverage are present on the web. So, spring-summer 2011 was Ford’s first big come-back to runway after his days at Gucci and Yves Saint Laurent. At the beginning of September, 2010, under the cloak of secrecy, he hosted an intimate cocktail party-slah-fashion-show at his menswear store on Madison Avenue. Luminary friends such as Julianne Moore, Lisa Eisner, Rita Wilson, Marisa Berenson, Daphne Guinness and Lou Doillon all sashayed down the runway, as did Ford model favorites Daria Werbowy, Liya Kebede (who Ford made a supermodel), Amber Valletta and the late Stella Tennant. Somehow, he even got Beyoncé to shimmy down the runway in a body-clinging, sparkle-laden gown. “Beyoncé in real life is actually quite quiet and very sweet,” Ford told Harper’s Bazaar back in the day. “But she can really turn it on.” Ford controlled the entire presentation, as in the days of intimate salon presentations, right down to the music volume, introducing every girl by name and describing her outfit in detail. For added amusement, he catcalled a few of them, teased Eisner for walking too quickly, told model Joan Smalls she might have turned him straight, and then told Beyoncé she definitely did. While many thought the show was a flashback to Parisian couture shows, Ford said the impetus for the show’s format was much more curious and much more camp. “I was on the train from London to Paris, and all of a sudden it just popped into my head: I’m going to do the Don Loper fashion show from ‘I Love Lucy’,” Ford explained. That particular episode, shot in Los Angeles with real Hollywood wives (Dean Martin’s and William Holden’s among them), is a classic: Lucy wants a covetable Don Loper dress she can’t afford. But lo and behold, Loper is doing a fashion show (which he narrates himself) and asks Lucy to model. She sits by the pool too long in hopes of achieving a perfect California bronze but ends up badly sunburned, “and she gets a tweed outfit and she can barely walk. It’s all very cute and everyone claps,” explains Ford. Of course, his 2010 version was more sexy than cute, and instead of claps he got a standing ovation. The casting was intentional. “I chose these models because I knew them. I designed these things thinking of them,” he explains. Following the Oscars, he thrust himself into designing the collection, using a mental list of about 30 women he would love to dress: “women I find inspirational and who are archetypes,” Ford says. “My collection each season should have something that a woman in her 60s, who is still stylish and lived through the Charlie era, could wear, so Lauren Hutton gets that look. There’s something someone of Rachel Feinstein’s size should wear and something for someone who is extravagant and shops at a bunch of vintage stores, like Lisa Eisner, should wear.” The incredible, magnetic Tom Ford.

Collage by Edward Kanarecki.

Bad Gal. Emilio Pucci SS14

Slide1-kopia 2Peter Dundas said backstage the Emilio Pucci SS14 show that he was strongly inspired with the hottest musicians of the moment- he lately dressed for scene and day Rita Ora, Rihanna and Beyonce, that are all known for wearing dresses with sexy cuts, coloyrful prints and of course… a nice price tag. But this is not it. Peter Dundas simply copied Balmain and Tom Ford into his collection! Just look- the shiny jackets, printed parkas, luxury sportwear with sequins, super high heels, gowns with silver sleeves… These are just few things that are taken from Oliver Rousteing and Ford’s mind. And that’s pretty rude in fashion world. But… the collection was quite cool. The best thing were these rock ‘n roll hair styles on models and the closing by Malgosia Bela!

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Malboro Girl. Altuzarra SS14


Slide1-kopia 2Altuzarra woman is a strong business-cowgirl from the famous Malboro cigarettes advertisements. Yes, but didn’t it bored Joseph Altuzarra who repeats the same scheme from last Summer? Last year was like totally the same- cuts in skirts, tribal accents, shiny fabrics and this rodeo feeling. And after his amazing Winter collection I expected something much more sophisticated, interesting. But unfortunately, Altuzarra wanted to be more classic in his way. But is that alright for this young New York based designer? From Indian colonist costumes we move to super futuristic furs and then we comeback to the same prints with other ideology? I am very dissapointed with that collection. Sorry Altuzarra.

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✈ Kinetic Travel at Chanel ✈

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A destroyed theatre, with smashed windows and peeling walls, was filled with scruffy, pre-war chairs where the guest would seat. Something is going to happen. Then something amazing happens, that even Rihanna and Natalia Vodianova gasp with excitement. From under the dark curtain thats hanging above the scene, a 3-D installation of metallic skyscrapers and blue sky are coming out. And it’s of course all in Grand Palais!
“It’s a new world” Karl Lagerfeld says, thinking of Singapore, where his Chanel resort was presented. The damaged theatre, as Karl said suggested Coco Chanel coming back after war, looking in Paris for something beautiful and quiet- rebuilding the fashion house. It is like a closed chapter of Chanel that Karl wanted to show. Now a new one, modern and elusive chapter is opened for the Parisian house. But the show was very dynamic, models ran the catwalk like on the olympics. Yes it sounds all very cosmic, but the clothes weren’t at all crazy. Tweed suites in new silver colours made from different weaving methods; dresses that were called kinetic by the designer, had a eerie silver polish.
There is also a pretty dangerous trend upcoming in jewellery- putting small diamond rings on all fingers in the hands, but- not in the typical place for wearing rings, but nearly on the nails! This bling looks really nice and modernistic, but feels a bit uncomfortable. Never wear it to a fish restaurant wee you may eat some crabs or shrimps; don’t wash your hands in it because you don’t really want to take out your diamonds from the sink. That’s why this trend in jewellery is super unpractical but super fashionable!
New models were tapped to the show- mostly Asian newcomers and rest was the it girls- Ashleigh Good, Jamie Bochert, Lindsey Wixson and Joan Smalls. There seems that a strong change is coming up to Chanel from the Eastern part of the world- time will show.

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