Traveller. Loewe SS18

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Doing a travel-themed collection is risky, because the designer might easily slip down the pitfall of clichés. But such terms like ‘oriental’, ‘cowboy’ or ‘tribal’ don’t match Jonathan Anderson‘s sophisticated line-up for Loewe“I want something that people will want to go and touch,” he told the press after the show. Actually, you really want to touch these clothes. The richness of textures is just insane. And it’s even more absorbing, when you realise that each piece has its story, an entire cultural identity behind it. Like a de luxe globe-trotter, the Loewe woman has African and South American traditional handicraft all over her wardrobe; the woven pieces were made according to traditional Peruvian techniques, while fringed sarong skirt seemed to come straight from Argentina. She’s been to Morocco, too, from where the season’s must-have elf-toed sneakers origin – Anderson based the idea on woven sandals coming from that country. Again, another designer would carelessly go a step further and touch the soft topic of cultural appropriation. Anderson plays fair, he finds inspiration and does it with great respect.

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Collage by Edward Kanarecki.

Humanly. JW Anderson SS18

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Big changes were foreshadowed at J.W. Anderson‘s spring-summer 2018 collection minutes before the show kicked-off. No claustrophobic corridor venue, but a circular runway with an art installation in the heart of it. The clothes’ aesthetic was far different, too. Criss-cross bungee cord and textured linens gave the collection a… leisure-y attitude. Wait, leisure at J.W. Anderson, where it’s always about the explosion of off-beat references, complexity and radiant colours? Yes, that’s happening. Kitchen implements on the catwalk and tablecloth-inspired homespun textiles with the brand’s logo – that was Jonathan Anderson‘s appreciation of ‘at home’ feeling, where everything is intimate and close to your comfort zone. Quite unexpected from a designer, who is known for twisting, collaging and reshaping ideas of fashion, always in a hurry. Just like in case of his last, very laid-back fashion show for men that we’ve seen at Pitti Uomo, Anderson takes a break and wants to clear his (and yours) busy mindset. “Media makes us hysterical. We have to go back to what we know to be humanly grounded,” the designer noted backstage of his show. If you’re still unsure or uneasy with realising Anderson’s new, ‘domesticated’ direction, the Hessian-topped espadrille boots that bottomed nearly every look will get you grounded for summers to come. Or the loose mint-green dress. To my own surprise, I’m really seeing Anderson’s clothes somewhere on a beach or in a well-kept garden of a, let’s say, art-curator (who simply needs to chill sometimes, too).

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Collage by Edward Kanarecki

Men’s / Strip Everything Back. JW Anderson SS18

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Looking back at J.W. Anderson‘s memorable man-skirts or heavy boots covered with studs and flowers, you would never believe that the designer might suddenly do something so… simple. “No-fuss fashion basic-ness. Trying to strip everything back.” This is how Jonathan Anderson summed up his spring-summer 2018 collection presented at Florentine gardens of the Villa La Pietra (as a special guest of the season’s Pitti Uomo). And then he added, “I think this is the first season I’ve tried everything on myself. It was like going back into yourself.” Even the jeans are cut in the way he really likes it. And I like this type of cut, too – slightly baggy, cropped. Also, who doesn’t love a pair of off-duty Converse? Anderson collaborated with the sneakers brand for the upcoming season. Multicoloured heart patches bring on the hippie mood of carefree, summer nights. Chunky knits and tattered-looking jackets will be the perfect choice for a breezy beach day. Sometimes it’s worth going chinos and loose t-shirts, to just settle down and chill.

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Collage by Edward Kanarecki.

In the Dark. Loewe AW17

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In a completly darkened venue, Jonathan Anderson presented his autumn-winter 2017 collection. But darkness doesn’t neccesarly mean ‘dull’ for the creative director of Loewe. Quite opposite: Anderson sent down a line of sublime and feminine dresses, whether in pastel pink polka-dots or with shoulder-exposing sleeves. Then, those haphazard, yet elusive details that always catch one’s eye at a Loewe show: toast print on a hat, a kitty cat handbag. Trompe l’oeil effect in a number of his clothes was, just like the venue, an intriquing game with the viewer. “The collection is a continuation. Where will she go next? How does she survive?” If wearing a Loewe rabbit fur coat is the answer, I’m totally fine with that.

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Focused. JW Anderson AW17

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Jonathan Anderson‘s  collections at his namesake label are all about random ideas matched together in the most unpredictable ways – once it’s a medieval dress in tie-dye, then an over-sized crotchet knit. This season I haven’t felt that experimental spark, which makes J.W. Anderson so peculiarly elusive. Maybe that was the aim? Even though some of the skirts had ostrich feather inserts, while the jackets were over-small, Anderson’s autumn-winter 2017 wasn’t that impressive as usual. It rather felt like a season off; a fur coat, easy everyday dresses, floral motifs.

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