Showtime. Andreas Kronthaler for Vivienne Westwood AW22

March 8, 2022 | Design & Culture by Ed

There are a lot of dramatic moments this Paris Fashion Week. Some directly refer to the atrocities going on in our world (Balenciaga), some deliver Old Hollywood glamour through an alien lens (Rick Owens). Andreas Kronthaler isn’t keeping it quiet either. Vivienne Westwood’s life partner and creative right hand delivered a bracingly engaging collection that was loaded with bold character. For this entertaining line-up, the designer said in his show notes that he’d wanted to pay tribute to the world of theater, plus express lightness. He also had worked “to find the muse in me.” One distinctly Andreas touch was the dandy-ish gentleman in the severe checked loden-cut coat – so too were the handsome boys in silky ruched dresses. Caped hoodies and ruche-backed tracksuits provoked the jotting “medieval athleisure” (the clothes alluded to various historical periods, creating a sort of anachronic, wearable puzzle). Crystal-fringed, 1970s-style silver sports shorts, corseted strumpet dress and track pants decorated in a rough-edged harlequin diamond pattern looked cool right away. Usually, Kronthaler’s collections feel as if somebody visited the attic, opened a dusty chest standing there, and played dress-up with all the treasures that were inside. This season it’s no different, but the amusing theatre theme makes it feel less haphazard and more convincing – especially the vintage-y vibe factor of these runway „costumes”. Westwood herself was hauled onstage as the curtain drew back and Kronthaler’s cast took in the lengthy applause. Flowers were thrown and bouquets exchanged. Then, Westwood did some hauling of her own, pulling granddaughter Cora Corré out of the crowd. A lovely family moment.

Collage by Edward Kanarecki.

✈ Kinetic Travel at Chanel ✈

July 3, 2013May 13, 2014 | Design & Culture by Ed

A destroyed theatre, with smashed windows and peeling walls, was filled with scruffy, pre-war chairs where the guest would seat. Something is going to happen. Then something amazing happens, that even Rihanna and Natalia Vodianova gasp with excitement. From under the dark curtain thats hanging above the scene, a 3-D installation of metallic skyscrapers and blue sky are coming out. And it’s of course all in Grand Palais!
“It’s a new world” Karl Lagerfeld says, thinking of Singapore, where his Chanel resort was presented. The damaged theatre, as Karl said suggested Coco Chanel coming back after war, looking in Paris for something beautiful and quiet- rebuilding the fashion house. It is like a closed chapter of Chanel that Karl wanted to show. Now a new one, modern and elusive chapter is opened for the Parisian house. But the show was very dynamic, models ran the catwalk like on the olympics. Yes it sounds all very cosmic, but the clothes weren’t at all crazy. Tweed suites in new silver colours made from different weaving methods; dresses that were called kinetic by the designer, had a eerie silver polish.
There is also a pretty dangerous trend upcoming in jewellery- putting small diamond rings on all fingers in the hands, but- not in the typical place for wearing rings, but nearly on the nails! This bling looks really nice and modernistic, but feels a bit uncomfortable. Never wear it to a fish restaurant wee you may eat some crabs or shrimps; don’t wash your hands in it because you don’t really want to take out your diamonds from the sink. That’s why this trend in jewellery is super unpractical but super fashionable!
New models were tapped to the show- mostly Asian newcomers and rest was the it girls- Ashleigh Good, Jamie Bochert, Lindsey Wixson and Joan Smalls. There seems that a strong change is coming up to Chanel from the Eastern part of the world- time will show.

HC: ATELIER VERSACE AW13

July 1, 2013January 21, 2014 | Design & Culture by Ed

Naomi Campbell walked down the runway like only Naomi can, in a jacket held together with crystal hooks and eyes. Underneath she wore a black lace bra, inspired with Madonna, and she was flashing a substantial swath of upper thigh. That was amazing. The icon in pretty new, fresh form, was mind blowing. The collection of Atelier Versace by Donatella Versace was all about bright past. First of all you need to know, that Donatella is recreating only two years, after a long break when Gianni died. This is like a renaissance. I should say, that for real Atelier Versace is now and then two much better than all these Chanel and Dior Haute Couture… All the Sergeenko’s, Valli’s, Jarrar’s need to hide and will never be as good as Atelier. Gianni is dead, but Donatella lives, and she really makes the label up. This is fantastic. I love it. Really.
This collection wasn’t about shitty minimalism but is propagated by Dior, or cheap looking wedding dresses by Chanel. The details- crystal hooks, fur, amazing tailor ship, best quality. And a cat suit that plunged down to Lindsey Wixson’s navel was paneled from lace, net, and handwoven leather. That piece was the least thirties-ish of the lot, but all of the models wore real diamond jewelry designed by Versace. I feel the Gianni spirit here!!!