“We asked ourselves what feels modern,” Lucie Meier said, while discussing her and Luke Meier‘s spring-summer 2023 collection for Jil Sander. All of Milan has gone sexy, but the Meiers have a different take on modernity. “We looked at clashing glamour into very simple workwear, our fundamental very simple pattern cutting and then doing things that are more eccentric,” Luke added. That might mean something as straightforward as cutting cargo pants in silk satin or as extravagant as pairing a strapless confetti sequined evening dress with sneakers. The Meiers have always incorporated craft into their work, but whereas in the past macramé and crochet gave their clothes an earthy sensibility, this collection had a shiny gloss – the glam factor. A tank top and midi-kilt were embellished with cloud-shaped mirrors, and the lineup’s single print was lifted from the L.A. street grid after dark, the turned-on lights making a graphic pattern. A knit dress was made using thick yarn with baked-in sequins, and there were feathers galore: peeking from the hem of a sleeveless cotton dress, wrapped around the neck, decorating the large clutch that was one of their bags of the season. Most luscious was the group of finale looks, whose excesses of sequined knit fringe bounced like jellyfish as the models padded down the gravel runway that was actually a chic garden. The only thing that didn’t feel right was the abrupt rain.
Collage by Edward Kanarecki. Don’t forget to follow Design & Culture by Ed on Instagram!
The creative dynamic Luke and Lucie Meier have brought to Jil Sander isn’t just a reflection of the two of them sharing art and life, but also an echo of the big-picture conversation about the redefinition of identities around the intersection of masculine and feminine codes. “In our designs there’s always this tension between the masculine and the feminine,” they mused in their studio in Milan. “It’s always there in some form or another.” The husband and wife pair complement each other with the same easy flair that they give their experiments between rigor and plasticity, severity and fluidity. They describe their process as an exercise in “searching and finding that right pull, whether it’s an artisanal gesture breaking something very strict, or something soft being broken by something very rigid and structured. That play is always there.” For resort their search for a point of symmetric repose between opposites played out in what they called “deflating couture,” a turn of phrase defining sculptural, elegant volumes “collapsing” into softer, gentler, fluid shapes. Seen through this lens, their suiting consisted of sharp-cut, narrow-shouldered, and fitted jackets worn over ultra-voluminous trousers, almost like next-generation palazzo pants. The sartorial is a territory the Meiers navigate skillfully, favoring extreme precision in cutting and construction as well as a romantic feel for the handcrafted; a case in point was a sharp-structured, overcoat in a pale mauve, without lapels, fastened with a single hand-blown glass jewel button, and worn over a black tunic with a feminine ruffled collar. The play between fluidity and structure gave the collection character and appeal, and was consistent throughout. An elongated dress of voluminous couture construction was made in delicate white cotton voile, a rather humble material; straight-cut tunics and tops with plunging necklines were given a transformable twist with the addition of turtlenecks or t-shirts in contrasting colors worn underneath. The season’s version of the tuxedo had a similar versatile approach; it was proposed as a fluid combination of a pleated-bib black chemise and a pair of billowy, liquid trousers. You cannot take the sense of rigorous chic out of the Meiers.
Collage by Edward Kanarecki. Don’t forget to follow Design & Culture by Ed on Instagram!
In a season when designers are desperately targeting Gen-Z, Jil Sander’s Lucie and Luke Meier made clothes for grown-ups. That kind of commitment breeds loyalty in women of a certain demographic and income bracket who feel left out of the fashion conversation (and still love Old Céline). “We were thinking about elegance,” Lucie said backstage. “We really wanted to focus on sculptural tailoring, almost couture-like, but we like this new energy, a very cropped silhouette.” The Jil Sander woman is wearing a wool skirt suit, its jacket sculpted with an hourglass volume and the skirt just peeking out from beneath its hem, or a slightly longer, flippier skirt with a cape-like jacket. Completing the silhouette are Chelsea boots with gold hardware, flat and sturdy. Dresses with the same above-the-knee proportion and flat bows at the shoulders and waist called to mind Pierre Cardin, whose death in late 2020 has precipitated new interest in his brand of 1960s minimalism. There were longer, softer lengths as well, including on a group of black dresses whose special details – a deep-v neckline, say, or voluminous bell sleeves – gave them a lot of cost-per-wear value. The Meiers have made handcrafts (like macramé and crochet) an essential part of their Jil Sander aesthetic. This season they pared that back, featuring only one print of astrological signs on drapey stretch jersey or quilted satin, choosing three-dimensional fabrics with surface appeal, like the bouclé on a pair of short dresses and the finer gauge knit of a long dress with fuzzy mohair sleeves. The exception was the guipure lace they used for a trio of long dresses, including one in a sensational shade of marigold. The white and black versions were shown with tailored single-breasted jackets, which is indeed a very elegant, very grown-up way to approach black-tie.
There’s always been a puritanical quality to the work of Lucie and Luke Meier, but in this Jil Sander collection, it transitioned into a more articulated kumbaya. That sensibility was carried by crochet wrapped around necks and heads and spliced with oversized blazers and tuxedo jackets that couldn’t have made for a bigger contrast. “We liked this really elegant, masculine silhouette, but with a sensual side to it, as well,” Lucie Meier said after the show. “We start a lot with tailoring, just to see what we really want to do and say and what we care about. But this time, we worked it into typically feminine techniques as well,” Luke Meier added. The meeting between crochet and strong tailoring made for expressions that were more focused on trend and statement pieces than previous proposals from the Meiers, whose collections usually feel more centered around the idea of a wardrobe. Backstage, Lucie pointed as to why: “You kind of miss people who really dress up and have a kind of eccentricity,” she said, referring to the way the pandemic has cramped our collective style, or at least our opportunity to show off said style. As a symbol of “personality and individuality,” Luke said, the designers scattered astrology prints and zodiac embroideries around the collection, intensifying the hippie energy of it all, only to contrast it with the rigidity of sharp lapels poking out from layers under jackets, and suit trousers tucked into hard, pointy Santiago boots with metal heel caps. It was a bold proposition for post-pandemic self-expression, but one the aspiring street style stars of fashion week will no doubt embrace.
The celebration of individuality is what drives creatively Luke and Lucie Meier at Jil Sander. “For us it’s really important, the idea of working around the character,” they told Vogue during a preview of the pre-fall 2022 line-up. “The person in its humanity and uniqueness is at the center of our creativity.” What the Meiers have brought to Jil Sander is a progressive yet thoughtful approach, articulated with intelligence in a narrative both consistent and nuanced. Their repertoire is expanding; whimsy and eccentric flair now embellish their disciplined, exacting range. “We’re not considering stereotypes, rather multifaceted attitudes and personalities. Human beings are complex animals,” they said, suggesting that inspiration finds its way through a texture of emotions and connections, leaving excessive analyzing in the background. “We’ve been thinking a lot about our friends, people we know, even ourselves, all the different emotions we’ve been through. So it just felt right to be almost more impulsive, to indulge the spur of the moment, enjoying a certain freshness and lightness.” The collection was bookended by two similar looks, both two-piece propositions – a sharp-cut top/skirt ensemble in ivory double-faced matte viscose knit, compact and sculptural; and a turtleneck/skirt combination in off-white ribbed wool. Beautifully embroidered with sequined crochet intarsia at the collar, on the sides, or at the hem, they draw attention to the decorative as a subtext to Jil Sander’s sartorial clarity. “Both looks have a chandelier kind of shape, they look rather decadent. It’s nice to offer something special, less ordinary.” The offering’s standouts exuded the boldness and confidence of one-of-a-kind pieces. Among the noteworthy examples: an exquisite bias-cut evening dress in soft undyed silk in a pearly shade of ivory, its skirt opening up in a corolla shape garlanded with long silky fringes; a cocooning wrap coat in spongy wool in a delicate hue of eau-de-Nil, jacquarded with a curlicued abstract motif, a bavolet at the back sporting twirled fringes made from the yarn; and a sharp-cut skirt suit in black double-faced wool, embroidered with an inserted guipure piece breaking the severity of the design. And of course, lets not forget about the teddy-bear boots. Those will sell out fast. “It’s about eclectic elegance and strong individuality,” is how the designers summed up this brilliant collection.