Who would have ever, ever thought that Mary Kate and Ashley Olsen will come so far to become the Jil Sander, Helmut Lang and Margiela-at-Hermes of today? Since Phoebe Philo is no longer at Céline, it can be safely said that The Row automatically becomes the official successor label for minimalism (and pure luxury) lovers. I’m writing that ecstatically: the autumn-winter 2018 is undoubtedly the best collection the twins have delivered up to date. Just look at the refined outerwear and khaki raincoats; the delightful, ecru gown with a highlighted waist; masculine blazers – actually, to die for – and knits made of the best possible cashmere (to be worn over and over for ages). Oh, and I nearly forgot to mention, that a selection of rare Isamu Noguchi sculptures were there during the runway show, standing and observing the serene walk of such women as Karen Elson, Ajak Deng or Yasmin Warsame. Although New York fashion week is still on, I think the Olsen’s have. Ultimately. Won. My. Heart.
Mary-Kate and Ashley Olsen presented one of the most refined collections for autumn-winter 2017, reaching the feeling of Calvin Klein’s early minimalism and Helmut Lang’s authentically raw, New York coolness. For pre-fall 2017, the twins continue their exploration of austerity and softness, offering a selection of The Row classics. The 90s rough modesty is perceivanble thanks to Zoë Ghertner’s images of Erin O’Connor, who poses in thick grey coats, black turtlenecks and delightful slim maxi-dresses. As soon as colder days strike, those timeless pieces will be there to serve.
Mary-Kate and Ashley Olsen‘s The Row lead the coat game for autumn-winter 2017. Their newest collection was virtually all about coats, whether we’re speaking of a timeless mac or a floor-sweeping ensemble. We’ve already got used to The Row’s remarkable cashmere and over-sized knits, which rather associated with the term “cozy”. Or flowing silk dresses for summer. But this season felt austere. That was pure minimalism, with no place for romance (heavy Dr. Martens prove that). The level of minimalism which was presented by the Olsen sisters matched Helmut Lang’s and Calvin Klein’s shows in the 90s – and that’s an achievement.
You need to be a great observer to notice those tiny, yet meaningful words embroidered on the shirt’s sleeves. ‘Hope’, ‘dignity’, ‘freedom’ – I doubt this word pool needs much of explanation, noting current political situation in USA. The Row women (like Jamie Bochert, Kristen Owen, Angela Lindvall) marched around the concrete show venue like soldiers, or even, modern-day angels.