Lightness. Chanel SS26 Couture

January 28, 2026 | Design & Culture by Ed

Matthieu Blazy’s debut Chanel couture collection was yet another triumph of beauty during these utterly mind-blowing days in Paris. The sense of haute lightness he managed to carry into this line-up – something one so often longed for during Virginie Viard’s tenure, and even at times during Karl Lagerfeld’s – is nothing short of unbelievable. Near-transparent organza trousers played trompe-l’œil with denim. Flapper dresses were so airy they seemed like mist. “Ghost” 2.55 bags floated like medusas suspended in air.

Blazy did not lean heavily on Coco Chanel’s biography; instead, he returned to her attitude toward “clothes for women to go to work, to go to a play, the cinema, whatever,” as he put it. The oversized mushroom setting at the Grand Palais? I loved Tilda Swinton’s interpretation: symbols of ideas that magically grow after the rain. And you could see just how deeply obsessed she was with the collection – her eyes truly went starry at the sight of the dégradé velvet pyjama in shades of royal blue.

Can we also take a moment to appreciate the black suits, finished with quartz buttons and striking brooches? Just incredible. So Chanel, 100%. This was an elaborate take on contemporary couture – one that makes you daydream.

Collage by Edward Kanarecki.
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EXCLUSIVE: Matthieu Blazy’s Chanel Resort 2026

January 17, 2026 | Design & Culture by Ed

Even though Chanel presented its resort 2026 collection last spring at a fashion show staged on the shores of Lake Como, the brand has now released an updated, tightly edited lookbook—one clearly marked by Matthieu Blazy’s very visible touch. It is a far cry from the post–Virginie Viard studio work: no more dorky-looking dresses that dominated the brand over the past few years. What emerges instead is a vision of a truly contemporary woman wearing Chanel.

Relaxed styles, conceived from morning to evening, revolve around the eternal little black jacket, worn either with a matching tweed mini-skirt or with flared jeans – naturally, with flats. Although the look is instantly familiar, the jacket’s lines feel sharper and cooler. A creased velvet slip dress, finished with a camellia brooch, appears easy and chic when paired with mid-heeled two-toned pumps. The super-soft cardigan-jacket in the creamiest shade of ecru? It recalls the best of Karl Lagerfeld’s finest collections, like the spring 1999 couture line-up where he did similar fitted styles with plunging necklines.

This lookbook, arriving under Blazy’s creative direction, reads as a smooth foretaste of his debut runway collection, soon to hit stores. The pajama shirt hints at the forthcoming Charvet collaboration, while the boxy grey suit feels like a simpler, more day-appropriate version of the show’s opening look. It is refreshing to see Matthieu Blazy’s vision of the Chanel woman outside the context of runway spectacle – just highly-aspirational ideas for how to wear the brand in 2026.

Collage by Edward Kanarecki.
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Bonkers. Chanel Pre-Fall 2026

December 3, 2025 | Design & Culture by Ed

And just like that – Chanel is back on track, baby. Matthieu Blazy’s sophomore collection for the French maison – and his first Métiers d’Art outing – is a confident step forward compared to the escapist debut we saw back in October. Blazy took New York’s subway by storm yesterday, orchestrating a life-affirming, uplifting, Lagerfeldian mise-en-scène. Yes, this one felt like one of the great Karl shows, pre–Grand Palais galore: simple, swift, witty. Real. READ MY FULL REVIEW HERE.

Collage by Edward Kanarecki.
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The Debut! Chanel SS26

October 11, 2025 | Design & Culture by Ed

Last season, everyone seemed to be asking the same question over and over again: “What do women want?” Whether designers provided the answers they needed remains unclear. This season, however, another crucial question arises for designers: are their clothes life-affirming? Does wearing this dress or that jacket offer the wearer an emotionally – or even spiritually – uplifting experience?

We’re living in a world where you can literally buy anything – and, amusingly, where anyone can call themselves a “designer.” That’s why those showing at Paris Fashion Week should truly consider: is this pairing essential? Am I contributing something meaningful, something with a genuine point of view, to an already overcrowded table? And perhaps most importantly: will this piece of clothing actually spark joy?

This brings us to the most anticipated debut of the season – among more than a dozen others: Chanel by Matthieu Blazy. This is a collection whose perception entirely depends on how you approach it. If you came expecting a pared-back, 1990s-inspired Chanel in the spirit of Karl Lagerfeld, then you were likely overwhelmed by the tactile exuberance of feathers, beading, and embroidery that Blazy – and the house’s métiers d’art – delivered. If you were hoping for a radical departure from Virginie Viard’s Parisian femininity, you might again be disappointed. That woman is still present – but she now looks far more contemporary, less of a cliché. And if you were a fan of Matthieu’s days at Bottega Veneta: bingo. His Chanel debut stayed within a familiar orbit (pun intended, given the space-inspired show setting), yet it was elevated by the unparalleled craftsmanship that only this house can offer a designer. READ MY FULL REVIEW HERE.

Collage by Edward Kanarecki.
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Taste. Bottega Veneta Resort 2025

November 2, 2024 | Design & Culture by Ed

Matthieu Blazy brings something growingly rare in fashion today: clothes that spark not just joy, but happiness. His recent collections for Bottega Veneta ooze with unabashed dolce vita; they make you want to live life colorfully and boldly. This is also the case with resort 2025 line-up, which is beautifully eclectic and full of playful idiosyncrasy. “There was no big concept,” Blazy said of this pre-season collection. “It was more about: How can we put things together and when it comes to the individual ingredients, does it make your heart beat?” That might be the exact answer why Bottega – of all the Kering brands – performs so well. It makes the customers’ hearts beat. When I visited the brand’s newly-refurbished store on Avenue Montaigne in Paris last month, I was more than pleased with the actual emotions the brand’s garments and accessories bring, but also with their non-conformity and exquisite craftsmanship. The resort collection captures that perfectly – and feels like a delightful menu of unpretentious, wholesome meals that please all the taste buds. The food affiliation isn’t a co-incidence. “I rewatched a lot of Anthony Bourdain. There are a lot of parallels between the pleasure of cooking and the pleasure of putting things together on the silhouette. What I really wanted to do this season, it was pure pragmatically epicurean. I just took everything I like. It was like in Italy, when the ingredients are good, you don’t need to do too much with it,” Blazy summed up. How that translates to the clothes? Head-to-toe, saturated colors; experimental intrecciato patterns; extremes of full silhouettes; fish-prints (inspired with the late Gaetano Pesce’s art); massive, artisan knitwear. And plenty of individual taste.