Unpressed. Auralee AW26

For a more restrained vision of masculinity, lets turn to the Japanese label Auralee. Ryota Iwai, together with the talented stylist and art director Charlotte Collet, is clearly hot on the heels of Parisian minimalists such as Christophe Lemaire. Yet he has no interest in rehashing what’s “good taste.” Quite the opposite: he pairs colors that supposedly shouldn’t go together, deliberately disrupts proportions, and leaves both suits and jeans unpressed. READ MY FULL REVIEW HERE.

ED’s SELECTION:


Auralee Men’s Blouson Tweed Zip Jacket



Auralee Men’s Baby Suri Alpaca Sheer Knit Crewneck Sweater



Auralee Men’s Wool Straight-Leg Trousers



Auralee Men’s Wool Knit Shirt Cardigan



Auralee Men’s Short-Sleeve Cotton T-Shirt

Collage by Edward Kanarecki.
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Coming Of Age. Dries Van Noten AW26

Julian Klausner delivered his strongest solo outing at Dries Van Noten to date. The autumn–winter 2026 menswear collection radiates the youthful spirit of student days, when anything seems possible: drifting from one party to the next, cramming for exams at the last minute, and handing in papers a day past the deadline. The naturally cool spontaneity of a vintage-inspired striped sweater paired with a kilt, a hilariously kooky chullo-like beanie, and lace-ups with thick socks peeking out is intoxicatingly inspiring. So, too, is the campus-inflected layering: oversized capes worn over prim, uniform-like tailoring and neatly knotted neckties.

Yet this was not a collection about preppiness. I found it beautifully folkloric instead. Nordic knitwear patterns clashed with subtly faded, sensational Polaroid-like florals on satin trousers and raincoats. These are life-affirming clothes – and styling cues – that make you feel young again, no face-lift required.

ED’s SELECTION:


Dries Van Noten Double-breasted Embellished Striped Wool And Linen-blend Coat



Dries Van Noten Nylon and Leather Low-Top Sneakers



Dries Van Noteb Pine Straight-Fit Flocked Denim Jeans


Dries Van Noten Hen Oversized Graphic T-Shirt



Dries Van Noten Velen Embellished Jacket



Dries Van Noten Rock The Myrrh Eau de Parfum

Collage by Edward Kanarecki.
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The Coolest. Ralph Lauren AW26

I suppose Ralph Lauren had a good laugh watching the resurgence of preppy style. It’s everywhere: from Bode to Michael Rider’s Celine, from ERL to Jonathan Anderson’s Dior. This season, the American king of cool – and of all things preppy – was essentially saying, “hold my cup.”

John Wrazej, the brand’s senior creative director for men’s Polo, RLX, and Purple Label, arrived in Milan to show how it’s done. The collection felt both familiar and sensational, as if all your Bruce Weber dreams had finally come true. A fascinatingly recut remix of the lodestone mid-century navy blazer and grey flannel Ivy League uniform – seasoned with Bengal-striped shirts and wide paisley ties – has rarely looked this hot.

Tailoring was characteristically cut in a carefully baggy silhouette: the Hayworth, designed to echo the inclination Lauren’s team observed among young collectors of the brand’s vintage pieces. The collection then shifted into a gentleman-adventurer mode, with highlights including a cream shearling utility parka and a tuxedo-black airman’s jumpsuit worn over an evening shirt and tie, cinched with a hand-tooled Western belt. And my personal favorite? A British Army–inspired red coat worn with ripped jeans and opera shoes.

ED’s SELECTION:

Ralph Lauren Men’s Stewart Leather Single-Breasted Sport Coat


Ralph Lauren Men’s Merino Wool Maxi-Check Overshirt


Ralph Lauren Men’s Cashmere and Silk Polka Dot Handkerchief

Collage by Edward Kanarecki.
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Shape-Shifter. Hed Mayner AW26

If you’ve been reading for a while, you already know I’m a Hed Mayner fan. My admiration for the Paris-based designer was fully cemented after visiting his showroom last year and trying on some of his unbelievably well-made garments. Many people associate him solely with oversized silhouettes, but Mayner’s world extends far beyond that. His clothes are charged with gesture – they quite literally enhance the wearer: their mood, their attitude, their presence.

Mayner is also a master at exploring the possibilities of silhouette. In an hourglass-shaped Hed Mayner coat, you command true presence – and look striking while doing so. The same can be said for an overscaled leather jacket, reworked suit trousers with exaggerated pleats, or a perfectly judged vintage-inspired bomber.

This season, the designer officially welcomes women into his world, offering meaty velvet dresses and sequinned silver frocks that somehow fit seamlessly into his universe. But what I loved most about the autumn–winter 2026 collection is its sense of continuity. You can spot echoes of last winter’s offering – fringed scarves, utilitarian blousons – reminding us: why change something that’s already great?

Collage by Edward Kanarecki.
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Swaggering. Soshiotsuki SS26

Menswear fashion month kicked off with its brightest emerging star: Soshiotsuki, the Tokyo-based brand rooted in 1980s-inspired sartorial craftsmanship, recalling the glamour and prosperity of Japan’s Bubble Era. Back in September, following Giorgio Armani’s still-unbelievable passing, I wrote that Soshi Otsuki was the designer the Italian mega-brand should consider in the near future. With his guest show at Pitti Uomo and his autumn–winter 2026 collection, he confirms that belief.

The LVMH Prize winner delivered a line-up that sharpened his tailoring ideas while expanding the vision of who the Soshiotsuki man is. One look featured a trompe l’œil jumpsuit combining a button-up shirt and trousers – a moment that recalled Phoebe Philo’s early Céline collections and sparked a question: why has no one adapted this idea to menswear sooner? Another highlight was the sashiko suit and jeans, created in collaboration with Proleta Re Art, a Japanese brand known for its painstakingly hand-stitched fabrics reinterpreted through streetwear. The silver-fox model seemed to gaze beyond in that grey, distressed-looking suit.

Then there are the details that make Soshiotsuki stand out even among affluent-men favorites such as Zegna or Berluti. Extra fabric is built into the inside placket of a shirt to suggest a tucked-in necktie, while trousers are given reams of belt loops or draped with so many pleats that they hang like curtains. The effect? A dapper, swaggering handsomeness – intoxicating, like the smell of smoke in a high-end izakaya.

Collage by Edward Kanarecki.
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