Dance It Out. Simone Rocha SS25

When people see the collection I want them to have license to interpret it themselves” said Simone Rocha said of her spring-summer 2025 collection, adding: “I’d never be interested in fashion that’s defining a look or defining how someone should feel.” Her latest offering – striking a balance between experimental and wearable – did spark a spectrum of emotions. Just like dance. Michael Clark and Pina Bausch were cited as influences. Bausch’s Nelken (her carnation-strewn piece exploring extreme and traumatic love) had a significant cameo, lending its floral motif to this Rocha collection. Some of the models wore tutus topped by over-sized, languid jackets, with their hands crossed as if they were leaving a ballet rehearsal – or a bad relationship. The collection was also about transparency: sheer organza shirts for boys, barely-there, translucent dresses and coats for the Rocha ballerinas. Performative, but, intimate, multidimensional, yet light: Simone Rocha is finding great pleasure in playing with contrasts.

Need a Simone Rocha wardrobe update?

ED’s SELECTION:

Simone Rocha Cotton-jersey And Ruffled Tulle Mini Dress


Simone Rocha Embellished Merino Wool And Silk-blend Polo Sweater


Simone Rocha Lace-up Crystal-embellished Tulle Bustier Top


Simone Rocha Bow-embellished Faux-fur Pumps


Simone Rocha Crystal-embellished Tulle Midi Dress


Simone Rocha Webbing-trimmed Faux Pearl-embellished Shell Shoulder Bag

 

Collage by Edward Kanarecki.
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A Moment for Retrospection. JW Anderson AW23

Jonathan Anderson isn’t really a designer who takes a look back at his previous work, but for JW Anderson‘s autumn-winter 2023 collection, he had a moment of retrospection. He came about it through a collaboration, or rather a creative dialogue, with the Scottish choreographer Michael Clark, whose famed subversive performances blurred the lines between ballet, gay nightlife, and fashion performance in the early 1980s. The giant billboard graphic of a penis as the show’s venue was part of that conversation. “In September of last year, we had a conversation with Michael, we’ve been trying to do something for while – and while looking through his archive, I was like, ‘Well, I can’t look through someone else’s archive without looking through my own. And I decided to take one element from every single collection of the last 15 years and try to work out a way in which you would merge two archives.” Clark, he added, isn’t crazy about looking back, and nor is he – but he forced himself. “I wanted something which was about how do you kind of reconcile the past, and how do you deal with what you have done, because ultimately the job of a designer is going through a series of rejections of things. And it was really nice to kind of work out ways in which you could break everything. And maybe improve on them.” Fans of Anderson will now get a chance to get their hands on revisited reissues of his greatest hits, like the kangaroo-pocketed bustiers that now come in fake furry chenille. His big experimental voluminous shapes, coats in subverted country checks, and bound-arm knits came out, interspersed with tributes to his hero. At one point, a best-seller JWA anchor-logo sailor stripe t-shirt was simply over-printed with the name Michael Clark in luminous green lettering. The ability to create great merchandise while often doing things that will fire the internet at the same time has always been central to Anderson’s talent, and has sent him right to the top in Paris with his role at Loewe as one of the most significant designers of our times. It had been fun to look back, before moving on, he remarked.

Collage by Edward Kanarecki.
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