Although it’s been a while ago, Andreas Murkudis hosted a temporary pop-up store feauturing Rick Owens and Michele Lamy‘s furniture line. I wanted to see those designs for such a long time, and it was worth the wait. There’s something truly incredible in their raw beauty. When Lamy and Owens first started out making furniture, it was purpose-built; their marital bed was the first thing that they created, long before they thought that their work might evolve into the sort of thing to be exhibited at global art galleries, because “we don’t buy; we do,” as Michele told Another Magazine back in 2017. “We have always been this way, always building spaces; small or big. Rick with his studio, me with Les Deux Cafés…” Formed from basalt and petrified wood, crystal and oxbone and alabaster, such objects might easily appear sterile, but they are instead imbued with resounding warmth. “Part of the romance invested in the furniture is the look on the faces of the guys who work on it when she sweeps into their studios in the jewellery, furs and smoke – her love for them and their love for her is a big part of every piece,” writes Owens in their book dedicated to their furniture. Most beautiful things are made with love.
Photos by Edward Kanarecki and Owenscorp.
Continuing the Mastodon theme from his menswear collection, Rick Owens investigates his “uneasiness about environmental change” in the most elusive, and captivating way in his women’s show. And his response to climate problems, as he explained, is heading straight to his studio and drape. Drape, drape and drape – this word describes the clothes, which look eerie in their Dali-esque volumes, but surprisingly so soft that you want to touch them and wear them. Starting from the simpler white coats and dresses, the collection evolved in to something much more heavy – the duvet coats in chestnut-brown melted on the models’ bodies, while the velvet cape with a menthol green lining had this specific warmth which will appeal to many when the snows come. But the entire mystery behind the show was kept obscured under the surreal, fleecy cocoons, which to me, reminded bee-hives. By coincidence, Owens told the press during his menswear outing that his life-parter, Michele Lamy, kept a bee-hive at the rooftop of their home/office/boutique Palais Bourbon last summer, to help them survive the hottest summer of 2015.
Looking at the solemn faces of Rick Owens‘ models, who walked down the concrete runway in their furry, fluidic garments, it’s visible that the designer translates a hard topic into his creative vision. Owens called his new collection “Mastodon“, referring to the world’s global problems by creating a dark, apocalyptic story. The designer mentioned that his life-partner (and my fashion godmother) Michèle Lamy had begun keeping bees on the rooftop of their home in the heart of Paris in order to help them after 2015’s hottest summer – and he instantly thought about the endangered world. ” What about the ecological anxiety we are all feeling? What is the worst possible scenario?”
Definitely, according to Rick, it’s not that bright. Heavy, sheep-skin cocoon-like hoodies were styled with over-sized sweat-pants; black, aviator jackets looked quite mournful on the black and white background. The textures play an important role in this collection – “I want to say I vomited this out,” is how the designer summed up the way the strips of fur and wool bubbled around the bodies of street-cast models. Moreover, some of the looks basically focused on a long, flowing silhouette of a dress – however, the models’ heavy-metal inspired make-ups said a loud NO to any possible, feminine or even gentle side of a man. Even though some of the slouchy pieces felt comforting. “Hope for the best, but prepare for the worst” Owens added pessimistically.