Men’s – Malibu. Saint Laurent SS20

Like other fashion shows presented in far flung destinations this month, Saint Laurent‘s spring-summer 2020 collection for the boys (and resort 2020 for the girls) had its ups and downs. Ups: the runway’s spectacular venue, which was an ebonized boardwalk runway atop a Malibu beach, against a stormy horizon. Keanu Reeves sat front row. Anthony Vaccarello‘s ideology behind the collection, which well related to Yves Saint Laurent. The starting point for the collection was Marrakech in the ’70s (Yves’ ultimate favourite place to visit) reimagined as 21st-century Los Angeles, a city that resides on Vaccarello’s own emotional landscape. While that’s some geographical leap, it’s not an unimaginable one; both locations have that certain bohemian, free-spirited, almost mystical escape. “You come to L.A. for vacation,” Vaccarello said. “You can disconnect from the rest of the world.” And finally, Mick Jagger. The Rolling Stones musician gave Vaccarello access to his vintage Saint Laurent, for inspiration. Yes, it all sounds dreamy. But again, the problem of clothes hits – they seem to lose their priority in such events. Except for the abrupt comeback of super-wide, super-fluid pants (in gauzy knit or a crushed pleated silk), billowing and flowing from a high and often belted waist, there was barely anything exciting about this rock & roll-ish wardrobe. It all was a remake of Hedi Slimane-era YSL. And I guess you really need that Malibu heat to grasp the essence of this collection, and not only the imagery.

Collage by Edward Kanarecki.

Wild Horses. Roberto Cavalli SS17

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Exactly a year ago, I was on fence with Peter Dundas‘ appointment at Robero Cavalli. Right now, I’m bewildered with myself, as I’m about to write an applauding review about his latest, spring-summer 2017 collection. It’s stunning, and so excessively Cavalli. And it’s crazy in love with rock & roll, sex and of course… love!  Dundas looks back at the hippie 60s and crazy 70s, delivering Mick Jagger’s shirts, sultry boheme dresses, chic denim flares and patchworked maxi-skirts. The clothes aren’t too inventive and they will definitely hit a specific niche of Roberto Cavalli customers (think extremely tall, Italian donna with bangs and a yacht), but they literally look like authentic artifacts coming from wardrobe of Janis Joplin, and other music icons. Peter, the ultimate Playboy of the fashion industry, visibly craves to live in those times, filled with sun-drenched journeys to Morocco and lots of champagne. But who doesn’t?

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