Choices. Prada Resort 2020

Retro florals, smart layering, scarves bejewelled with XXL sequins, baroque pearl earrings, chunky hand-knit tennis vests, clashed prints. Carefree eclecticism that isn’t overly extravagant, but daringly fantastic for everyday. It seemed that Miuccia Prada resorted to simpler, easier codes of fashion, leaving the darkness of last season behind. But in a way, this was Prada’s defiance in the time of difficulties. The collection, staged in New York (just like last year), was pure joy, whether we’re speaking of a blue peasant shirt-dress with naive flower embroideries worn by Freja Beha or adorable, knitted striped beanies and socks in bold colours, paired with the most ‘unmatching’ looks. There were also looks that will comfort the safer Prada customers, like light, loosely tailored blazers and classic coats. For me, what stood out in this collection, was the number of possibilities, suited for many different personalities. While the last few collections from Prada had those two or three key looks that ruled the runway, and had a tendency to be polarised between super feminine and super dark, here the designer really emphasised that sort of off-the-fashion-show reality. Take what you love, mix it the way you feel like.

Collage by Edward Kanarecki.

Not Demanding. Miu Miu AW19

Miuccia Prada‘s latest Miu Miu collection didn’t really touch my heart this season. It maybe had to reflect today’s youth, ready to face the world, but to me it felt like a show done ‘last minute’ (I know it wasn’t, though). Bit of camo print there, florals here. Baby doll dresses and trekking boots aren’t a surprise anymore. The long cape-coats? Didn’t buy them, either. The collection had to feel spontaneous in a way, maybe grunge-y even, but there’s a difference between ‘cool eclecticism’ and ‘messy’. But if you put the clothes out of the show’s styling, you can see few great pieces. We’re all exhausted sometimes, and Miuccia definitely felt like it’s good moment for a non-demanding, commercial collection. That was Miu Miu’s primal idea, after all.

Collage by Edward Kanarecki.

Anatomy of Romance. Prada AW19

What Prada’s autumn-winter 2019 was like? Rebellious and romantic, dark and light, aggressive and soft. An entire anatomy of feelings and moods, masterfully presented through fashion. Miuccia Prada sent down a line-up of big, heavy boots mixed with ultra-feminine touches, like draped silk roses stuck on skirts and bags, rich crystal embellishments and very sensual cuts that made each of the wool black dresses a true show-stopper. Just like in this season’s menswear, Prada featured Frankenstein-inspired prints (specifically the film still motif of Elsa Lanchester and Boris Karloff in the 1935 movie ‘The Bride of Frankenstein’) and following her current mood for cult horrors, some of the models had literal Wednesday Addams’ braids. There was the usual clash between utility (this time it felt even military, noting all of the khakis and uniform silhouettes) and delicacy (classical, black lace appeared dozens of times, whether layered on Prada’s signature nylon or as see-through knee-length skirts and dresses). Quite visibly, Miuccia’s woman is full of contrasts, just like each of the looks that went down the runway: there’s tenderness, there’s fragility, but there’s toughness and assertiveness. Mrs. Prada is a genius – but that fact is nothing new.

Collage by Edward Kanarecki.

 

Tyrolean Romance. Miu Miu Pre-Fall 2019

I guess only Chanel’s metiers d’art show from 2014 and Miuccia Prada‘s latest Miu Miu look-book make Tyrol style look chic. The pre-fall 2019 collection nailed it with its Tyrolean references – think floral knits borrowed from the granny, corsets, lace collars, ornamented buttons and deep, forest green as the main colour. But when worn with polished, red platforms or a pair of military boots, the reference doesn’t feel too much. It’s a collection for romantics, who eat Mozart chocolates, hike in the mountains while it rains and drink Kirsch in the evening.

Collage by Edward Kanarecki.