Heat Wave. Paco Rabanne SS22

We just wanted this super-genuine feeling of wanting the sun on your skin. Of being by the sea, and feeling the warmth and the happiness of it,Julien Dossena said of his spring-summer 2022 collection for Paco Rabanne. “Because all of those pleasures are what we’ve all been craving for so long. So I thought, let’s just go with it, and have fun with it.” Last week, he and the Paco Rabanne team were vividly capturing all those sybaritic sun-worshipping impulses atop the spectacularly-tiled hexagonal geometric Op Art Hexa Grace installation in Monaco. It made for a brilliantly-chosen platform for showcasing all of the glinting, sinuous glamour of the French jet-set “bohemian ’70s vibe” that he’s re-channeling for 21st century would-be hedonists of the post-pandemic world. Under the baking heat of the Mediterranean sun, out strode a collection Dossena aptly described as “compositions” or “assemblages” that were melded into silhouettes of dresses and skirts over flared trousers, all-over wallpaper and pansy prints, sarongs and scarf belts, and all kinds of inventive ways of reinventing the chainmail and metallic paillettes and sequins that made up Paco Rabanne’s identity in the first place. Amongst all of it was a print collaboration with the Victor Vasarely Foundation, the holder of the legacy of the artist who designed the Monte Carlo public art installation in 1979. “It felt culturally linked to Paco Rabanne” to do that, the designer remarked. Yet cleverly, Dossena’s knack for design takes clothes somewhere that’s never retro. In orchestrating his collections, he does things like wraps chains into necklines and around hips, adds asymmetric lashings of fringe, and knots and drapes crop-tops to reveal skin in ways that never happened in the 1970s. When he comes to quoting Vasarely’s Op Art, his print placement of the original’s circles and 3D illusion grids are set to flatter the body, mathematically graduated to narrow into waists. Besides, bucket hats were never the thing in the ’70s; they are now, but worked by Dossena into his ‘total print’ top-to-toe looks they’ve picked up a fresh sense of sophistication. Season on season, his instincts are steadily taking Paco Rabanne the brand to the place in the sun it rightfully deserves in the constellation of contemporary fashion.

“Live” collage by Edward Kanarecki.

The Triumph of Lazy Design (And Tone-Deaf Confidence). Celine SS21

While Raf Simons understands the youth and reflects its dreams and fantasies in the best way, Hedi Slimane‘s – another designer who’s obsessed with all things young – execution of this theme at Celine feels shallow and tone-deaf. Somehow, at Saint Laurent it worked well, but here, with every season, it just gets worse. Spring-summer 2021 collection, filmed in the Stade Louis II, a sport venue in Monaco, is an example of remarkably lazy design with over-exaggerated confidence. “With this collection Hedi wants to show, through the youth and optimism, the hope in this uncertain time”, said the brand’s press note. Sorry, but I found no optimism in a bunch of crop-tops with logo bands and un-inspiring denim pants (at worst, grey sweat-pants). This was an ode to the ‘basic girl’, and definitely not about the actual youth of today that’s vocal about voting, takes part in Black Lives Matter and women’s rights protests across the world or is socially engaged. The vague-ness of this line-up escalates with each look. She’s “always the Parisian, but with a new energy – she listens to rap/hip-hop music”. Oh, wow, sounds like an Emily in Paris. Princess Nokia’s “I Like Him” looped hypnotically as the models strode the circuit, which is the only thing I liked about this collection. But their Celine-logo baseball caps (I can’t stand that merchanside-driven part the most) and ‘so whatever’ styling was utterly depressing. The problem is that Slimane doesn’t evolve aesthetically, and his ‘youthfulness’ feels exhausted and irrelevant. It’s no longer an attitude, but a mad-priced costume.

Collage by Edward Kanarecki.

Fanaberie. Louis Vuitton Resort’15

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Nicolas Ghesquiere stays for good at Louis Vuitton- his latest collection was a first ever Resort collection presented on the runway. And as you surely know, it was in Monaco. The collection itself was a mash-up. The fabrics were mixed up (lace with knitwear), the colours were very radiant and vibrant and it all felt sweet and tasty. Ghesquière is still liking the fit-and-flare silhouette he introduced for Fall, but there was more diversity on the runway tonight. High-waisted, slightly flaring trousers will stir memories for fans of the leg-elongating pants he used to make at Balenciaga; on the other hand, embroidered slips with scalloped hems were among the least structured things he’s ever done. And because this was a Resort collection—in stores longer than any other season—the show ran the gamut, from a sheared fur coat to jersey T-shirt dresses. The handbag offering has grown, as well: The Petite Malle now comes with a chain handle, and he’s added a new, wide-mouthed bucket bag. In my opinion, it’s still not the fullest of what is hidden in Nicolas talent- but the collection has its strong points I like.

About the artist: Yves Klein was a French artist considered an important figure in post-war European art. He is the leading member of the French artistic movement of Nouveau réalisme founded in 1960 by art critic Pierre Restany. Klein was a pioneer in the development of Performance art, and is seen as an inspiration to and as a forerunner of Minimal art, as well as Pop art.








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Monaco by Juergen Teller


Here is your peek of Louis Vuitton Resort 2015 collection that was debuted in Monaco. Traditionally, the photos were taken by Juergen Teller and the moody cactis and and flowers make it all look more fluent. The collection was modern, innovative and smart- just like Nicolas Ghesquiere who is in charge. The full review will come later, so stay tuned!









Resort 2014 Dior Jewellery

Dior Resort 2014 1 The Dior Resort 2014 collection that was presented on a pier in Monaco impressed all- with it’s dynamic colours, easy forms and beautiful detailing. And thats all thanks to Raf Simons fashion genius. The jewellery that was seen at the show also caught my eye! No more diamonds, emeralds and other- the Simons version of beautiful jewellery is a minimalsitic mix of plastic, gold and pearls. The necklaces and bracelets look pretty flexible and elastic with their strong colours… and masking it still look very Dior. But more like the new Dior!dior-01 dior-03 dior-04 dior-02 dior-05