The message behind Raf Simons‘ SS16 is quite melancholic, but so, so true – everything passes away as time goes by. In this collection, Raf presented the difference in fashion that ruled at the times of his grandpa, and at the time of today’s youth – knitted polos versus hoodies, fancy coats contrasting with whie sneakers. But in reality, the hoods were the biggest clue, giving the models and the show venue an eerie atmosphere. Half of the models walked with heads wrapped in checked textile (vision obscured to the point where at least a couple of them pitched off the raised catwalk). Hoodies have become a contemporary emblem of teenager, but Simons made his hoods medieval in shape. Monastic. And that automatically created a connection between the brotherhood of a medieval monastery and the brotherhood of a 21st-century gang of boys. Also, I feel like this collection wanted to represent the topic of martyrs, which was briefly moved by the chains carried by the models which staggered through the runway. But this mystery can be revealed only by the designer.