Men’s – Weary Warriors. Yohji Yamamoto AW15

January 25, 2015 | Design & Culture by Ed

Violent Darkness. The make-up faux scars on the faces. The winter guys from Yohji Yamamoto are not the ones you want to mess up with. That was a very classical collection courtesy of Yamamoto – “black says it all: don’t bother me, I don’t bother you” is the most famous quote and motto the designer cultivates each year. Black blazers, black pants, black shirts. Poetic, mysterious. And aggressive thanks to the imprint of fighting on model’s faces. Except the darkness, Yohji showed gleaming velvet suits with marble prints to make all more philosophical.

Innovative. Acne Pre-Fall’15

January 15, 2015 | Design & Culture by Ed

For pre-fall, Acne thought about experimenting with texture – lace mixed with knittwear, lurex combines with leather, patch-work – all of that brought an interesting fuse. The first look was all about “wild” knitted sweater which totally confused the proportions of the model. Also, there was the cute knitted hat in lilac – a must-have. The signtaure vests and coats are here, too, but in new colours. The only thing that disturbs me are the shoes…

Faux Nostalgia. J.W. Anderson Pre-Fall’15

January 9, 2015 | Design & Culture by Ed

Jonathan Anderson surprises. His SS15 was unexpectedly lady-like while pre-fall is very nostalgic – 60’s mini skirts, 70’s psychedelic prints and “granny” necklaces and bracelets. “Nothing works together,” he added gleefully during the presentation. “When something makes me uncomfortable, I resist the temptation to make it look good.” That’s visible- in this collection he mixes so many styles from the past, that the result seems to be modern, and surreal. A bit like the Soviet Russian architecture – at the first sight it seems to be modern, but in reality deep historical influences hide behind it’s walls.

Ukrainian Institute of Technology, Kiev

Presidium of the Russian Academies of Science, Moscow

Polythechnic Institute, Minsk

But coming back to the collection – “I’ve never been a designer designer,” he said. “I see it more as a look, what’s new right now.” And this—with its odd fabrics and peculiar proportions, cerebral and sensual—looks just that. New right now. But with faux cover which hides the old roots. The colours and textures combined with those curvy belts and emalia earrings makes me wonder. And I like when a collection makes me want to think, compare and research.

Never Gonna Love Again. Lanvin Pre-Fall’15

January 8, 2015 | Design & Culture by Ed

Lanvin’s pre-fall is so into Lykke Li’s I Never Learn album for me. The song Never Gonna Love Again matches perfectly Mica Arganaraz and Jamie Bochert in this gorgeous look-book. So dramatic, so chic, so elusive… over-sized suits, loafers, fluffy furs, maxi dresses and beautiful floral embroidery – and everything fulfilled with a dose of mysterious fog. Alber Elbaz just keeps his style. Non-chalant, but utterly dandy with a feminine twist. Baby can you hear the rain fall on me, never gonna love again, baby can you hear my heart cry tonight, I can’t keep running away, this time I can’t keep running away ’cause I’m never gonna love again.

Inteview with Abigail Doan

January 5, 2015December 14, 2019 | Design & Culture by Ed

In late January, I’ve met up with Abigail Doan (@lostinfiber) on Instagram – her moody, calm feed made me feel interested in her specific approach to art. As I learnt later, Abigail is an environmental artist and writer who divides her time between NYC, Eastern Europe, and Tuscany. Her work as a fiber artist offers a unique view into the materials, methods, and life cycle of handmade textiles, slow fashion garments, and related environmental issues. Doan’s most recent curatorial projects include Fete for the Senses as reviewed on Trendtablet, (Re)Fashioning Fiber in NYC, and Fashioning Self and the Environment at the Textile Arts Center in Brooklyn. And now, specially for Design & Culture by Ed, Abigail agreed for an interview… so here is our little collaboration!

How do you explain or describe your mood and approach to textiles and slow fashion garments?

I am first and foremost an artist expressing aesthetic ideas that share territory with art, design, fashion, and textile traditions. For this reason, I hesitate to categorize objects, as I am attracted to the material exchange between realms and the subtle details that are unexpectedly revealed. Slow for me is basically about cultivating a connection to place as well as an understanding of self in relation to the environment. Immersing ourselves in the art of slow fashion might allow for deeper connections, more efficient flow, as well as identification of softer tools for implementing change. Local wisdom is certainly part of this equation as well as increased sensitivity to the cultural experiences and conditions/talents of people’s globally. (here are her fashion inspirations from her tumblr)

Jalouse Magazine by Alice le Paige

Viktor & Rolf installation 1994

The Row Resort 2015

In three words, describe your work.

Connective, place-based, tactile.

On your Tumblr called Lost in Fiber, you show a lot of beautiful, cozy handmade textiles and artifacts. What is the idea behind posting these images?

I keep several Tumblr archives as a way to demonstrate visually intuitive connections between objects, places, textures, textiles, and sculptural wearables. Lost in Fiber is a new skin on a previous project that explored ideas related to fashioning self and the environment. The site’s featured images are meant to spark the imagination while also archiving ideas relevant to ongoing research and collaborations with others. I often intersperse images of my own work and travels in order to illustrate an overall narrative of creative process and like-mindedness.

While searching your site (and Instagram feed) I noticed not only NYC, but also places like Tuscany and Eastern Europe’s countries. What do they mean to you?

I have my principal studio in NYC but my family and I have ties to Bulgaria and Italy. I decided early on to try to live and work in these places so that my children would also cultivate connections and memories (nostalgia) for these landscapes and their unique histories. I recently returned to NYC after five years of living in Sofia growing a small family foundation that works to cultivate cultural outreach and educational efforts in Bulgaria. This was a tremendously valuable experience for me as it allowed me to further explore slow crafting methodologies in Eastern Europe as well as connecting with artists and designers in these regions who are (re)interpreting traditions and contemporary phenomena in eye-opening ways.

Last, but not the least, you have also another Tumblr called Thracian Threads and as I am Polish, I see a lot of Slavic inspirations behind it. Is it so?

Yes, it is true. Thracian Threads is a stash of images that I started collecting and documenting while living in Bulgaria and traveling to neighboring countries. I decided to focus on the idea of Thrace as a way to get back to some of the core traditions from the region and the rich history of these ancient crossroads, particularly in relation to costuming and the handmade. Thrācia in Latin is derived from thrāssō, meaning to trouble or stir in Ancient Greek. Let’s just say that I want to stir things up a bit – slowly, thoughtfully, and across our perceived time and space borders. This is what my currently project Lost in Fiber 2015 will be all about.

Thank you Abigail for this lovely interview. If you are interested in her art and want to immerse into her mood, check her sites:

abigaildoan.com
abigaildoan.tumblr.com
lostinfiber.tumblr.com
thracianthreads.tumblr.com
abigaildoan.blogspot.com