Fire. Miu Miu RE16

IMG_1873

Paris was on fire yesterday! And not just because of the weather. Miu Miu had its Resort 2016 staging in a “Miu Miu Club” and Miuccia Prada truly outdid herself. The models, which looked like cool girls who “club” on Friday nights, wore layers of polos, python leather jackets and circle-shaped earrings which brought the mood of 80’s. And, yes, the logomania is on. The elongated t-shirts and cowboy boots had big, neon coloured MIU MIU all over them. Also, there was a throwback to Miu Miu’s summer 2010 collection – naive, youthful prints of cats and swallows were on mini-dresses and A-lined skirts. Fun, fun and fun. That’s how Miu Miu is described by Signora Prada. Definitely, today’s fashion needs some fun. And Miuccia approves.

_MON0020

_MON0039

_MON0124

_MON0141

_MON0178

_MON0313

_MON0379

_MON0583

_MON0736

FullSizeRender

Le Marais

DSC01605

Le Marais spreads across the parts of the 3rd and 4th arrondissements and its always full of life and happiness. I love those small details which are seen here, like the cute bouquets of flowers standing on the outdoor-cafe tables or messy, wax marked furniture in old galleries. And of course, the tiny flower shops bring on the romantic mood which is so, so typical for this aristocratic district. Here are few of the moments I captured during my long walk around Le Marais.

DSC01602

FullSizeRender

DSC01604

DSC01608

FullSizeRender-kopia 8

Men’s – Kissy Boy. Dries Van Noten SS16

_DRI0115

Dries Van Noten knows how to steal a woman’s heart (and man’s too). He proves that once again in his newest collection for summer 2016. Marilyn Monroe and Salvador Dali. Two major inspirations combined in one collection. And with such a grace! Over-sized shirts with minuscule red lips embroideries, Marilyn Monroe’s face on coats and t-shirts, knits with lobster image – and all of that kept in a very romantic, super Parisian way. Dries remade the famous clichees (sorry Marilyn) into something new and surprisingly fresh. Keeping his signatures present throughout the collection.

_DRI0161

_DRI0191

_DRI0245

_DRI0327

_DRI0543

_DRI0651

_A2X0160

Men’s – Naive Years. Prada SS16

_MON0062

Youth and naive were the main keywords behind the recent Prada collection for men (and women). Miuccia Prada made everybody confused this time, bringing on the wardrobe of messy, skinny boys, which wear over-sized socks, “poor looking” sweatshirts and turlenecks-under-shirts. I am not just uncertain about what it all means (the rabbits and rockets on knitwears, the post-Soviet attitude kept all around these clothes), but whether I actually like or dislike the collection, as Prada bases her ideas on the power of ‘ugly’, transforming it into something strangely desirable. By that, I mean the clothes from SS16 are not beautiful at all – they are definitely ugly. The way the models wore the jackets; the perverse short shorts; even the creepy colour palette made it all look like a wardrobe of a crusty. It felt like seeing a Gosha Rubchinkiy show, but sponsored by a major luxury house.

As usually, Miuccia did not forget about girls. In this collection, almost 50% of the models were girls. And their outfits did not really differ from the boys. Slouchy, over-sized rain coats; mini python skirts; same, pixellated prints on knits, which told a story of naive childhood, where the boy dreams of being an astronaut while the girl is pretending to be a bunny. However, the collection definitely told a more “parental advisory” kind of story – one of the main inspirations behind the women’s collection was the famous film, Female Trouble by John Waters. The cat-eye makeup and kitten heels with socks instantly transported us back to Chicklette and Concetta, the symbols of bad-girl defiance from Water’s 1974 work of genius. These troublemakers have made their presence  in Miuccia’s world more than once (Miu Miu SS15, for instance). As you see, there is always a kind of pleasure while interpreting Miuccia Prada’s collection – even though some are definitely not in my taste. This collection represented a mingle of many topics and ideas – childhood, femininity, fake modesty and of course, ugliness. All of those often appear at Prada, but they are always presented in a new, reflection-causing way.

1125822

1125806

_MON0190

_MON0240

_MON0467

_MON0605

_MON0811

1125818

Massimo’s House. Emilio Pucci Resort’16

emilio-pucci-004-1366

It’s been a while since I have written anything about Emilio Pucci. I won’t hide it, the Peter Dundas era always not significant for me. His super sleek Pucci women felt so unexciting, that there is no wonder why he left the house to move to Roberto Cavalli (burp). But the first collection by the new creative director, Massimo Giorgetti, has something that caught my eye. The designer of ultra-trendy MSGM, brought some eccentric vibe into the heritage house of kaleidoscopic prints and luxury goods – amazing fringe coats, youthful florals and eye-killer colour combinations. Giorgetti’s side-buttoned blouses – a nod to the Pucci printed silk scarf—sat strangely on the body, while his one-shoulder deconstructed button-downs featured peculiar, exaggerated sleeves. Giorgetti has a sense of measure about eclecticism: his women didn’t look odd, but rather like the Clueless characters which suddenly appeared in Milan.

emilio-pucci-006-1366

emilio-pucci-009-1366

emilio-pucci-014-1366

emilio-pucci-020-1366