América. Willy Chavarria SS25

In New York, brands either do clothes for the sake of clothes or create fashion that has a meaning (but then the “clothes-making” part often stumbles). Willy Chavarria is a rare example of a designer who does both seamlessly, creating garments that are amazingly tailored but also give you real food for thought. In his spring-summer 2025 fashion show, the models walked out, in a single file, with the American flag as the monumental backdrop. What came across was a voluminous yet exact silhouette that was a callback to the uniforms of the American working class – hotel workers, concierges, construction people, foremen. And so there were balloon sleeves on classic zip-up jackets, tonal shirt and tie combos, cotton duck work fabric turned into tailored Victorian jackets with princess sleeves or baggy cargo skirts, and really good denim pieces . Many of the looks were accessorized with a set of keys – and a little crucifix – dangling from a belt loop. Within the context of the show it seemed like a plea for America – or rather “América“, as the collection was titled – to be more like the promised land everyone imagines it to be. “This [season] is all about power to the people,” Chavarría said. “It’s this country through the voice of the immigrants, and the people who make this motherfucker run.”

Collage by Edward Kanarecki.
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Apparent Ease. Alaïa SS25

Alaïa was another show in New York that left me somewhat hungry for more. Pieter Mulier‘s took the Parisian maison to Guggenheim, as a contemporary (and very high-gloss) hommage to Azzedine Alaïa’s 1982 show at the Palladium nightclub. The spring-summer 2025 collection referenced a couple of the master’s knock-out designs: think 2001 couture asymmetric draped number hanging on one strap or the cut-out bustiers that became the brand’s signature (Mulier was evidently inspired by the forms of Frank Lloyd Wright-designed building). The Belgian creative director also invited some ideas that were born in New York: bandeaus and haute “sweatpants” were riffs on Halston’s 1970s jerseys, sculpted puffer jackets were obviously inspired by Charles James, one of Alaïa’s favorite designers. There was lightness and apparent ease about this collection that was absolutely luxe in its execution. And it was an experiment for Mulier, who has created a sort of well-tested comfort-zone in Paris when it comes to his sublime shows there. I just wish he dared to push it a bit more than just referencing familiar and pretty well-known codes of both Alaïa and New York fashion.

Here are some Alaïa goodies you just don’t want to miss.

ED’s SELECTION:

“Peter Lindbergh. Azzedine Alaïa” book


Alaïa Balloon-Leg Pleated Trousers


Alaïa Dome 32 Top-Handle Bag in Leather


Alaïa Leopard Jacquard Boxy Bodysuit


Alaïa Goldtone Layered Leaf Necklace



Alaïa Perforated Leather Ballerina Flats

 

Collage by Edward Kanarecki.
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Proper. Proenza Schouler SS25

Proenza Schouler pre-opened New York Fashion Week. This was a smart move: the spring-summer 2025 collection would have a really hard time fighting for attention in the midst of all other shows and presentations that are coming up in New York this week. Lazaro Hernandez and Jack McCollough don’t play around with gimmicks, and they are in a continuous process of stripping down anything superfluous about their brand. But the problem is the minimalism they are pursuing for spring feels so generic and safe it could easily be a COS or Arket runway. The clothes looked good – especially the over-sized shirt-dresses and slouchy tailoring – but they were bare of feelings a high fashion brand like PS should spark. Also, I’m not sure who the Proenza Schouler woman is, especially when she’s wearing all these 2015-ish stripes and fringes.

Collage by Edward Kanarecki.
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Gohar World (Surreal) Edit

Founded by sisters Laila and Nadia, Gohar World‘s surrealist tableware celebrates “time, tradition, and humour.” Each playfully shaped piece is designed in the label’s New York studio and crafted by family-owned ateliers around the world. Here are my favorite items from the brand’s line that will elevate any food-related celebration!

ED’s SELECTION:


Gohar World Set Of Two Pearl-embellished Cotton-lace Coasters



Gohar World Set Of Three Silver-tone Lemon Squeezers



Gohar World Hands Set Of Four Lace-appliquéd Cotton Napkins



Gohar World Seafood Fantasy 30-piece Dinner Set



Gohar World Hands On Host Faux Pearl-embellished Apron And Gloves Set



Gohar World Wrought Iron Egg Chandelier



Gohar World Swizzle Murano Glass Cocktail Sticks



Gohar World Host With The Most Metallic Apron And Pearl Jewelry Set



Gohar World Bow-embellished Satin Baguette Pouch



Gohar World Pumpkin Porcelain Tureen

 


Gohar World Sea Creatures Set Of Four Mother-of-pearl Spoons



Gohar World Set Of Two Silver-tone Dessert Coupes

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Lived In Americana. Coach Resort 2025

I never really cared about what’s going on at Coach, but the resort 2025 lookbook has sparked my interest. Finally, a brand in New York that fills the blank space that Raf Simons left after creating the ambitious – and sadly aborted – Calvin Klein 205W39NYC project. Stuart Vevers similarly plays with the codes of Americana in a loveworn, weathered, and lived in way, with bits of cinematic, even horror-y drama. Vevers’s rather winter-ish resort collection is stuffed nostalgia-tinged fuzzy-soft cozy cable knits and full tweedy skirts with huge taffeta bows, rocking a Victoriana-goes-1950s vibe. Note how the oversized Argyle check knit polo shirts are designed to layer up at will, one of the many pieces in Vevers’ line-up denuded of gender specificity. Likewise the jewelry: diamanté bows and chandelier earrings to pin here, there, and everywhere, and single earrings with a delightfully kitschy quality to them – pumpkins, candy canes, essentially the John Waters-approved inventory of holiday tree decorations. For layering up with those sweaters Vevers suggests a ratty tee emblazoned with Popeye; it was inspired by a black and white image of Debbie Harry back in the day wearing a t-shirt with the pipe smoking, spinach loving cartoon character. Popeye isn’t the only pop cultural icon in play here as the designer was also looking at images of Twin Peaks stars Madchen Amick and Lara Flynn Boyle between takes, in their homespun, 1950s-esque looks warped by David Lynch.

Collage by Edward Kanarecki.
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