Layers. Proenza Schouler Pre-Fall 2022

“These are urban clothes for intelligent women of today, like all our collections,” said Proenza Schouler‘s Lazaro Hernandez, “but there are frivolous elements.” For pre-fall 2022, the frivolity came in the form of ostrich feathers trimming the hem of bike shorts and full-leg pants, and beaded crochet bisecting a bubble-hem, halter-neck dress. Hernandez and Jack McCollough also worked with animal print, a motif they’ve more or less avoided until now, thinking it too obvious. One pretty draped dress in white was built with a leopard underlayer visible at the cuffs, hem, and unbuttoned sleeves, like a game of peekaboo. The intelligence and urbanity came via their exploration of silhouette. Pre-lockdown, their jackets were oversized, often with pronounced, masculine shoulders. Post-lockdown, their tailoring has grown narrower, partly out of instinct and partly as a result of client feedback. A bi-stretch crepe jacket buttons high and off-center, hugging the torso, and the matching pants are leggings-slim with zips at the back of the ankles to create kick-flare shapes. A tuxedo jacket worn with a shibori-treated turtleneck and big, fluid blue velvet pants has a swaggering ease. Elsewhere they managed the neat feat of making a white shirtdress feel languid by cutting it loose and adding ruching to the hips. Two other dresses conjured a similar dressed-but-effortless mood for evening; an emerald green knit style was gathered with a jeweled brooch at the waist, and a white sequined column was belted in front with a dramatic, look-at-her cape in back.

Collage by Edward Kanarecki.

Femininity Spectrum. Area Resort 2022

“It’s about femininity in all its forms,” said Area’s Piotrek Panszczyk of the New York-based label’s phenomenal resort 2022 collection preview with Vogue. “From hard-core sex kitten to something daintier with pink, daisies, and crystals.” That might sound impossibly broad, but reaching out to all the hot girls, quirky chicks, and vampish women is something Area has specialized in since the brand was founded in 2013 by Panszczyk and Beckett Fogg. The collection spans racy lingerie dotted with crystal bows, chic ivory suiting dangling with crystal fringe, and kitschy denim punctuated with massive brass studs. It’s a lot of look and a lot of drama for a ready-to-wear offering – but Panszczyk affirms it sells. Party options are many this season, with Area creating its own lace from crystal patterns, drawing inspiration from medieval armor for giant studded leather bows and bustiers, and ingeniously embellishing a black minidress with bright red press-on nails for a “rhinestoned at the nail salon” bit of camp. A growing denim offering adds to the label’s ready-to-wear expansion, as do its popular platform clogs and square-toed mules, now adorned with sweet little daisy charms. With the collection landing on Area’s e-commerce site right now, it seems like only a matter of time before bombshells from Miami to Macau start trying out the brand’s manic new femininity.

Collage by Edward Kanarecki.

Salt Water. House Of Aama SS22

House of Aama’s mother-daughter duo Rebecca Henry and Akua Shabaka describe their vision as “folkways, Black experience, timeless garments.” Their collections merge spirituality, craft, and pragmatism with signatures ranging from corduroy suits to soft pussy-bow blouses and Victorian dresses. But Henry and Shabaka aren’t just in it for the clothes; they’re as passionate about storytelling and sharing knowledge, particularly about the lesser-known histories of Black people in America. In 2017, they designed a collection in homage to Creole spirituality, largely influenced by Henry’s upbringing in Louisiana, and for their first official New York Fashion Week show, they recalled the beach towns that African Americans established in the early 1900s. Built along Midwest lakes and California coasts, the resorts were a joyful respite at a time when most beaches were not yet desegregated. In the fittingly tropical, low-key atmosphere of the Freehand Hotel, Henry and Shabaka’s spring-summer 2022 show nodded to that era with circle skirts, crochet tanks, scarf prints, and beachy stripes, with a retro playlist to match. The duo recut their halter dress in luminous charmeuse and their unisex jumpsuits got a nautical twist with sailor buttons and rope belts. Faded sweatshirts, silk shirts, and a “tattoo” mesh were printed with hand-illustrated ships and anchors as well as African deities and scenes from “Camp Aama,” the fictional resort Henry and Shabaka dreamed up as they designed. Henry proudly pointed out that the tattoo motif, along with every other print, fabric, and illustration, was custom-developed by their team in Los Angeles. It’s a significant point of difference for their brand; in 2021, it’s much more common for a young designer to purchase pre-made textiles. By creating everything from scratch, Henry and Shabaka guarantee a more personal, idiosyncratic touch in a market where so many collections look signature.

Collage by Edward Kanarecki.

Saunders Studio

After closing his London-based fashion brand a couple of years ago, Jonathan Saunders, the acclaimed Scottish designer, had the time to rethink how the industry works and whether he still wants to play along its rules. Now based in Brooklyn, Saunders focuses on his other big passion – design. Saunders Studio was founded in 2019 with the objective of creating a brand that blurred lines between genres of design, with an emphasis on color, innovative materials and a graphic sensibility. The designer has recently introduced a line of homeware, producing artful and emotive pieces to add a characterful touch to interiors. The collection draws on Saunders’ distinctive use of vibrant tones and geometric motifs, honed through his study of printed textiles at London’s Central Saint Martins. Innovatively crafted pieces, from fringed cushions and colour-contrast blankets to twisted candles, are the first items available to buy in his on-line shop and on Matches Fashion. Of course, there is also the incredible, fluffy-like-marshmallow knitwear – something I always adored the most in his eponymous fashion label days. All sweaters are knitted in New York from chunky merino yarns, occasionally set with contrasting tasselled patch pockets. Can’t wait to see what’s coming next from Saunders!

Collage by Edward Kanarecki.

Chic Adaptability. The Row Pre-Fall 2022

This is one of these The Row collections that are just… perfect. And extremely relevant. Ashley and Mary-Kate Olsen have never been the type to discuss the deeper meaning of their collections, and they’re not about to start now, but the opening look of their pre-fall 2022 offering definitely meets the turbulence of our current moment. It’s a grain de poudre jacket worn backwards, its single button fastened mid-spine and its lapels framing the shoulder blades. “Adaptability” is definitely one of their running themes here. Other tailored jackets can be worn inside-out, and on the accessories front there are reversible tote bags and cotton voile “protectors” for leather styles. After a season of more oversized, relaxed shapes, the waist has come back into focus for the Olsens. Their elongated and slightly nipped jackets cut an elegant line, and many of the looks are accessorized with leather belts featuring useful add-ons for cell phones and ear buds. Elsewhere, there are generous, pillowing volumes, as in the red nylon cellophane top and skirt of look two, which are cut with bubble hems to accentuate their material’s airy lightness. Extending a newfound interest in color, they showed metallic viscose knit separates in bright lilac or red worn layered and even wrapped around the head like scarves, and a trench in a crimped aqua tulle, shown with a matching bag. They also embraced humor. A couple of shrunken T-shirts (paired with excellent boned-waist trousers) are scribbled with children’s drawings; officially they’re part of The Row’s kid’s line, but they’ll be sold in women’s sizes too. The final look is the other side of that reversed jacket. It’s a back-to-front world, but The Row can help you hold it together.

Collage by Edward Kanarecki.