Sterling Ruby’s Calvin Klein

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Collages by Edward Kanarecki (the above featuring elements from Sterling Ruby’s art).

Raf Simons‘ take on Calvin Klein is the biggest momentum going on in New York’s fashion, whether we’re speaking of his brilliant autumn-winter 2017 show or the visionary advertising strategy. As if that wasn’t enough to make a dusty brand take-off right away, there’s also the Madison Avenue flagship re-designed by Ruby Sterling, which reopened last Saturday.

Raf and Ruby are long-time friends and have collaborated on many projects – from a capsule collection of parkas and sweatshirts at Simons’ eponymous menswear line to fabrics for Dior’s haute couture show in 2012 (the Belgian designer designed womenswear at the French house for three years). Simons and Sterling’s paths cross again, but this time in form of a three-floor store covered in glowing yellow paint and the artist’s custom-made installations. As Ruby described his work in the past issue of 032c, his art is something cartoonish and illustrative, yet contains dark gothic humor of it. Knowing Simons’ signature style, that’s quite a match. Also, the artist often uses motifs connected to Americana – a theme Raf frequently relates to while working at Calvin Klein, the all-American fashion powerhouse. It’s worth adding that aong the clothes and accessories with CK tag, you are able to buy vibrant Italian glassware, Homer Laughlin coffee mugs and Rose Cabat’s ceramics in Raf and Ruby’s brand new empire.

But if you’re not planning New York in near future and have no chance to get hold of Simons’ Calvin Klein garments, better get hold of those yellow sleeves, this jacquard blouse or that very in-demand turtleneck. Just saying.

Stay or Go. Rosie Assoulin Resort 2018

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Whether you’re staying at home or going out – Rosie Assoulin‘s collections are always a pretty good idea. For resort 2018, the designer has a truly inviting offering of clothes you want to wear, when everything starts to bloom and you feel like living again. From the spring-ready green coat and adorable bucket bags to pink overalls and striped pajama pants in navy, everything is insanely beautiful and most of all, wearable. Off to your local bodega or a gallery opening, these clothes perfectly balance between utility and this kind of arty edginess (take the fluroscent pleated gown, for instance). If you’re not entirely the ‘active’ type, no problem – Rosie has the super-slouchy knit awaiting your cozy day at home. Bon weekender!

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Collage by Edward Kanarecki (backdrop: Edouard Manet’s ‘Luncheon on the Grass’).

I’m Mrs Power. Thom Browne Resort 2018

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Thom Browne does best tailoring-with-a-twist in New York, that’s sure. For resort 2018, however, the designer decided to leave surrealism for the main collection and rather focused on some of his most empowering looks to date. Those intriguingly cut suits, mid-lenght pleated skirts, cropped pants are elevating the meaning of corporate dress-code to another dimension. Crisp, white shirt is Browne’s brand essential, so no wonder why nearly every single look has something to do with it. But the Thom Browne woman isn’t only a lover of not-that-ordinary uniforms. Let’s not forget it’s a resort. A splash of yellow, blue and red is warmly welcomed in form of shirtdresses and light blazers. The designer has your back for black-tie events, too: PVC pencil skirt with a matching jacket; trompe l’oeil gown with over-sized shoulders; remarkably big, fur coat in deep black (of course). Love it all.

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Collage by Edward Kanarecki.

In Motion. Marc Jacobs Resort 2018

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For resort 2018, Marc Jacobs wanted to convey the feeling of movement, which is so vibrantly present in the designer’s latest obsession: Robert Longo’s drawings of dancing figures. In fact, those clothes won’t look as good on a rack – they were designed to be worn, with grace. The little black dress is pure chic, and Marc might want to consider going this  path of gorgeous dressses. Pencil skirts in pastel blue, lilac and pink are trimmed in plastic beads, making them ready for any night-out. To keep it downtown and Jacobs’ way, denim and slouchy knits were styled with more ‘event’ pieces.

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Collage by Edward Kanarecki.

Comme Des Garçons at The MET

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Autumn-winter 2000

Today, Rei Kawakubo‘s revolutionary and incomparable contribution to fashion will be honored at The MET ball, ahead of the exhibition opening this Thursday. Only the second show dedicated to a living designer in the institution’s history (the first was Yves Saint Laurent in 1983), it’s a testament to the radical experimentation with garments of the 74-year-old, whose dedication to ‘the art of in-between’ has earned her a cult fandom. Forget the celebs, who I doubt will wear any Comme Des Garçons with passion tonight (really, don’t make me laugh, Katy Perry). Here are my seven alternative red carpet looks, coming straight from Kawakubo’s universe.

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Autumn-winter 2012 – This collection shaped my love for fashion. That’s a fact.

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Autumn-winter 2017

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Spring-summer 2015

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Autumn-winter 2016

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Spring-summer 1997

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Spring-summer 2017

All collages are by Edward Kanarecki, the author of the blog.