Men’s – Quite Clean, Really. Givenchy AW19

Clare Waight Keller nails it lately at Givenchy. Her men’s autumn-winter 2019, presented for the first time separately from women’s, proves that she feels more and more confident in creating a guy’s wardrobe. “I went into my own self, really, back into the ’90s, and how I felt when I was really young, how we’d dress on not a lot of money. At Givenchy we have young Parisians from schools here, and there’s this same perverse poshness, wearing tailoring in a really sharp way, with a shirt or T-shirt,” she said during the intimate presentation that took place in Paris today. “Quite clean, really.” Polished, slim-fit trousers and leather jackets dangerously looked like Hedi Slimane’s Celine, but the other part of the collection – the more elegant – is where you can completely loose your mind for. This tailoring. See the flared trousers, that came in deep red, cerulean blue and dark purple. Waight Keller attributed them to the “softness and fluidity I like for men”. Some looks had a sensually highlighted waist, something that’s having a graceful return to menswear. There was lots of elevated sportwear, but nothing will beat this one, simple look made up of a white shirt, just partially tucked into the waisted suitspants. Less is more is a cliché, I know, but in case of Waight Keller’s Givenchy, it’s just right.

Collage by Edward Kanarecki.

Confidence. Chloé Pre-Fall 2019

It’s clear Natacha Ramsay-Levi feels more and more confident with every season at Chloé – and that works. The designer continues to play with the label’s horse motif, as well as experiments with the monograms from the maison‘s archive. But there’s much more to it in her pre-fall 2019. You can see brilliant tailoring and outerwear. Dozens of whimsy, breezy dresses that are distinctly Chloé, but as well very Natacha – especially, when styled with heavy boots she adores so much and revisits each time. It’s impossible not to fall in love with the richness of textures, fabrics and prints. Take the ‘clashed’ floral dress worn over a turtleneck blouse or the velvet flares styled a parsley pussy-bow top and a corduroy, riding jacket. New bags are here, too. If one can’t really afford to plunge in Chloé, then at least the designer shares a number of truly inspiring tips on how to dress next autumn. It’s all about a Victorian-era inspired shirt, a splash of print kept in a warm colour palette and a pair of gorgeous, polished boots.

Collage by Edward Kanarecki.

Pertinent. Givenchy Pre-Fall 2019

Clare Waight Keller continues to thrive at helm of Givenchy, and the pre-fall 2019 collection of hers proves that very, very well. For the collection, Clare chose the myth of Icarus as her message and included various allusions to deities, minotaurs, the sky, and the sea. “Mythology always seems to capture people’s imagination. There’s a dreamlike element, but it’s also grounded in something pertinent,” she explained. However, the designer didn’t go too literal with it.  The ostrich-feathered tunic and the wing-like protrusions of a yellow minidress might have nodded to the mythological fallen hero. But then, you can equally treat them as some very, very chic eveningwear. The line-up, featuring Waight Keller’s favourite model, Veronka Kunz, and other Givenchy muses, was all about simple cuts that brought a sharp, distinct look. The exaggerated, short blazers or voluminous faux fur coats are my highlights.

Collages by Edward Kanarecki.

The Look – Céline SS18

Phoebe Philo‘s swan song collection for Céline keeps getting better and better and better with time. Just see the look above. It’s so chic. The seguinned turtleck dress, a pair of voluminous boots in ecru, a vintage-looking back and the trench coat (carried in a such a soigné manner). This entire outfit is perfection.

Collage by Edward Kanarecki.