EXCLUSIVE: Matthieu Blazy’s Chanel Resort 2026

Even though Chanel presented its resort 2026 collection last spring at a fashion show staged on the shores of Lake Como, the brand has now released an updated, tightly edited lookbook—one clearly marked by Matthieu Blazy’s very visible touch. It is a far cry from the post–Virginie Viard studio work: no more dorky-looking dresses that dominated the brand over the past few years. What emerges instead is a vision of a truly contemporary woman wearing Chanel.

Relaxed styles, conceived from morning to evening, revolve around the eternal little black jacket, worn either with a matching tweed mini-skirt or with flared jeans – naturally, with flats. Although the look is instantly familiar, the jacket’s lines feel sharper and cooler. A creased velvet slip dress, finished with a camellia brooch, appears easy and chic when paired with mid-heeled two-toned pumps. The super-soft cardigan-jacket in the creamiest shade of ecru? It recalls the best of Karl Lagerfeld’s finest collections, like the spring 1999 couture line-up where he did similar fitted styles with plunging necklines.

This lookbook, arriving under Blazy’s creative direction, reads as a smooth foretaste of his debut runway collection, soon to hit stores. The pajama shirt hints at the forthcoming Charvet collaboration, while the boxy grey suit feels like a simpler, more day-appropriate version of the show’s opening look. It is refreshing to see Matthieu Blazy’s vision of the Chanel woman outside the context of runway spectacle – just highly-aspirational ideas for how to wear the brand in 2026.

Collage by Edward Kanarecki.
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New Look. Dior Pre-Fall 2026

Jonathan Anderson’s new look for Dior continues to intrigue – and puzzle. Women’s pre-fall 2026 is already his fourth collection, which sounds quite absurd given that the first Dior pieces designed by Anderson will only start hitting stores in January at the earliest. But this is how the industry works. We’ve seen his neo-preppy menswear debut over the summer, followed by pre-fall just over a week ago. His women’s debut during the last Paris Fashion Week still leaves me on the fence, even though certain details are gradually growing on me. The lookbook released this week seems to reveal more about how Anderson envisions the Dior woman, stripped of runway spectacle and contrived styling. READ MY FULL REVIEW HERE.

Collage by Edward Kanarecki.
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Beauty, Awaken. Lanvin Pre-Fall 2026

Nearly a year has passed since Peter Copping’s debut at Lanvin. In that time, he has managed to reawaken the beauty of a brand that had been in a coma since Alber Elbaz’s glory days. For pre-fall 2026, the creative director of the oldest operating French maison pursued a refined elegance that feels comforting in its powerful discipline – while also delving deeper into Jeanne Lanvin’s history.

Not many people know that Venice holds a particular significance in the house’s chronicles. It was here that Jeanne traveled with her niece, Marianne, buying fabrics and visiting glass workshops. Archival photographs show Madame Lanvin in a white jacket and a black skirt falling just below the knee – a silhouette she favored whenever she visited the city on the water. That ensemble found its way into Copping’s pre-collection, looking contemporary and desirable.

Alongside creative meditations on Mariano Fortuny’s pleats and Murano glass beads, Copping also introduced striking double-flared silhouettes, ornamented capelets, and tweed tailoring featuring a skirt pinched with a brooch. One velvet column gown in ink black is dramatically gathered by a modernist, brooch-like embellishment. This one felt absolutely Parisian, “chic ultime“.

So far, Copping is offering Lanvin a truly exquisite vision.

ED’s SELECTION:

Lanvin Scarf-detailed Velvet And Gathered Chiffon Blouse


Lanvin Asymmetric Wool Skirt


Lanvin Pleated Chiffon Gown


Lanvin Double-breasted Satin-trimmed Wool Blazer


Lanvin Cat Leather Clutch


Lanvin Scarf-detailed Satin-trimmed Velvet Midi Dress


Lanvin Leather Ankle Boots

Collage by Edward Kanarecki.
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Boys. Dior Men Pre-Fall 2026

Jonathan Anderson’s pre-fall 2026 collection for Dior Men reads as both a continuation and a clarification of his debut collection from the summer. And you know what? I like it. Anderson is betting big on a neo-preppy sensibility: oversized “Delft” cargo shorts, a frat-boy color palette, and a distinct Ralph-Lauren-ification of the Dior universe. What I loved most in this line-up is the way he transformed the “Bar” jacket – rendered here in Donegal wool – into a new menswear classic, something that can be effortlessly worn with faded jeans and a lived-in suede cross-body bag. Another look – a floral jacket layered over a blue striped shirt and paired with pink trousers – plays deliberately with the boundaries of good and bad taste in menswear. There’s an intriguing dialogue between high and low in Jonathan’s approach to Dior, and it makes the language he’s still in the process of defining sound increasingly compelling.

Collage by Edward Kanarecki.
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Archetypes. Alaïa Resort 2026

You know, I’m rather on the fence about Pieter Mulier’s Alaïa. The brand’s contemporary creative director has a tendency to cover women in overworked constructions – something Azzedine himself avoided at all costs in his masterful work. Mulier did exactly that with the Gaudí-esque forms and alien-like tubes in his autumn collection, but for spring he shifted toward a more “less is more” approach.

The resort 2026 collection – his first “official” pre-collection, titled “Archetypes” and conceived as a more accessible entry into the Alaïa wardrobe – lands somewhere between these two extremes. There are moments of uplifting lightness, like a truly fabulous vivid-pink, long double-satin bias-cut dress that is “very easy to look at, extremely difficult to make.” There’s also an architectural, high-necked tiger-print coat that’s pure chic. But then come the heavy-looking jackets with armadillo hoods and over-styled layering that somewhat disturb the sense of zen. Meanwhile, the shearling jacket with a peplum recalls Phoebe Philo’s instantly sold-out piece from last season (not the first time Mulier has been seen taking notes from other designers).

Collage by Edward Kanarecki.
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