Astier De Villatte

World renowned Astier De Villatte create their charming, one of a kind ceramics, pottery, candles and glassware in an antique Bastille workshop in Paris. Best known for their 18th and 19th century inspired handmade ceramics, Astier de Villatte have been making their ceramics here since 1996. Founded by Benoit Astier de Villatte and Ivan Pericoli, they continue to follow in the tradition of the great 18th century Parisian ceramic studios. Drawing inspiration from the history of decorative arts, folk art and abandoned objects, their team of twenty ceramicists make every piece of pottery by hand. Using traditional techniques passed down through the generations, everything in their exquisite range is totally unique. Sculpted out of black terracotta, each ceramic is then finished with a milky glaze to emphasise the character and imperfections of the clay. No two Astier de Villatte products are the same. Alongside their ceramics, Astier de Villatte make scented hand care products, incense and candles. Their Serena Carone mugs (see the above photo) are on my wishlist.

173 rue Saint-Honore

All photos by Edward Kanarecki.

(P.S. If you are inspired by my Parisian coverage, I’m really happy about, but please have in mind that now isn’t a safe time for any sorts of travelling. Stay at home!)

Betty Catroux at Musée YSL

When walking down the streets of Paris, you just can’t miss the street posters promoting the current exhibition at Musée Yves Saint Laurent. A naked woman sits on a sofa, with her icy blonde hair and big sunglasses. It’s of course the iconic Betty Catroux. In 2020, the YSL museum is devoting a special exhibition to Catroux, the one and only Saint Laurent “female double.” The pieces displayed in the exhibition come from a major donation Betty Catroux has made to the Fondation Pierre Bergé – Yves Saint Laurent back in 2002. The museum gave Anthony Vaccarello (Saint Laurent’s creative director) carte blanche for curating this event. The designer approached Betty Catroux’s wardrobe from an aesthetic perspective by selecting the pieces that best reveal her unique personality and ongoing influence on the label’s signature style. “She lives and breathes Saint Laurent. An allure, a mystery, an almost nefarious aspect, an elusive yet desirable nature, all that underlies the house’s aura, and you understand the magnitude of it when you meet Betty.” That elusive aura is perceivable all over the space. Approximately fifty designs show the extent to which Betty Catroux embodied Yves Saint Laurent’s physical ideal and an attitude echoing the “masculine/feminine style” that he was developing when they first met at the nightclub The New Jimmy’s in 1967. Yves immediately fell in love with her androgynous look, which was radically different from the usual codes of femininity and seductiveness and remains the subject of ongoing fascination. Below are some photos I took during my visit. To read more about the museum, here’s the post I wrote about the place when I was here about a year ago.

All photos by Edward Kanarecki.

(P.S. If you are inspired by my Parisian coverage, I’m really happy about, but please have in mind that now isn’t a safe time for any sorts of travelling. Stay at home!)

Daniel Arsham at Galerie Perrotin

Although Daniel Arsham‘s exhibition “Paris, 3020” at Galerie Perrotin closed few days ago, I think it’s still worth writing about it. For his solo exhibition, the renowned, contemporary artist presented a new suite of large-scale sculptures based on iconic busts, friezes and sculptures in the round from classical antiquity. Over the past year, Arsham has been granted unprecedented access to the Réunion des Musées Nationaux – Grand Palais (RMN), a 200-year-old French molding atelier that reproduces masterpieces for several of Europe’s major encyclopedic museums. Arsham was able to use molds and scans of some of the most iconic works from the collections of the Musée du Louvre in Paris, the Acropolis Museum in Athens, the Kunsthistorisches Museum in Vienna and the San Pietro in Vincoli as source material for this new body of work. Interested in the way that objects move through time, the works selected by Arsham are so iconic that they have eclipsed their status as mere art object, and instead have embedded themselves into our collective memory and identity. Ranging from Michelangelo’s Moses to the Vénus de Milo, each item was cast in hydrostone to produce a perfect to scale replica of the original sculpture, a process that shares formal qualities with historic wax casting. Arsham utilizes natural pigments that are similar to those used by classical sculptors, such as volcanic ash, blue calcite, selenite, quartz, and rose quartz. From that, individual erosions are chiseled into the surface of the hydrostone, a nod to the sculpting techniques of the Renaissance sculptors. Finally, Arsham applies his signature tactic of crystallization (which has distinct, organic appearance). Making use of classical and ancient objects, this new body of work experiments with the timelessness of certain symbols, furthering Arsham’s previous investigations into “objecthood”.

76 rue de Turenne

All photos by Edward Kanarecki.

(P.S. If you are inspired by my Parisian coverage, I’m really happy about, but please have in mind that now isn’t a safe time for any sorts of travelling. Stay at home!)

Paris in Bloom

Paris is blooming! No other tune comes to my mind when I think of the beautiful, Parisian spring. “Heaven Scent” by Soulwax and Chloë Sevigny is the ultimate mood.

Send me your majestic rain of roses
So that I may share your grace
Bless me with blooms of lily
Blooms of violet
Blooms of buttercups
Blooms of lilac
Blooms of jasmine
Blooms of hyacinth
Blooms of honeysuckle
Blooms of magnolia
Blooms of gardenia
Blooms of tuberose
Let fall from Heaven, please,
The Shower of Flowers
Let me be anointed with the splendor of their perfumed essence
So that I may see the face of God
In all people, and in all experiences.

All photos by Edward Kanarecki.

(P.S. If you are inspired by my Parisian coverage, I’m really happy about, but please have in mind that now isn’t a safe time for any sorts of travelling. Stay at home!)

Saint Tropez

Everybody’s heard of Saint Tropez, but the stereotype we all know is quite misleading. It’s imagined to be a sort of place you learn about through the amniotic murk – an iconic coastal town barnacled with Mediterranean hedonism. But to be honest, in fact this place is rather calm and peaceful. At least off-season. With its rolling countryside, long, golden beaches, and breathtaking light, Saint-Tropez is one of the French Riviera’s most gorgeous destinations. This picturesque peninsula on the Côte d’Azur still embraces its history as a quiet fishing village and artists’ enclave – it lured painters such as Henri Matisse long before it was made famous by legendary beauty Brigitte Bardot, who has called it a “little nook of paradise.” Here are the two places I’ve especially loved in this town:

The Dior Villa. If you read my site for a while, then you know I’m not a Dior person (especially Maria Grazia Chiuri’s Dior). But somehow, in Saint Tropez, it all clicked – the intricately embroidered eveningwear, the pearl jewellery, the glassware… this is the French way. And of course loved the delightfully furnished store, which as well serves coffee in its yard.

13 Rue François Sibilli

Lots of huge, old cypress trees and yes, Brigitte Bardot is everywhere…

L’Atelier 55 specialises in vintage, restored design and it has a branch of stores located in Paris, Megève and other French destinations. Their boutique in Saint Tropez is kept in matching, Mediterranean style and its filled with original 1960s posters, Pierre Jeanneret armchairs and plates illustrated by Jean Cocteau. The staff here knows pretty much everything about 20th century French design, so you can always treat this place like a sort of encyclopedia. And if you’re planning to move to Saint Tropez… you know where to get your furniture!

29 Boulevard Louis Blanc

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All photos by Edward Kanarecki.