Fucking Fabulous. Tom Ford AW23

We won’t get another Tom Ford by Tom Ford collection; he sold the company to Estée Lauder in a deal valued at $2.8 billion late last year. His newly-named successor, Peter Hawkings – who worked with Ford for over 25 years – will probably keep the brand in its familiar, glamorously elegant aesthetic, heavily scented with the intoxicating Fucking Fabulous fragrance. Tom opted out of a ceremonious, showy goodbye, choosing for his sign-off an Archive collection of his greatest hits instead. Clicking through them triggers many red carpet memories. There is Gwyneth Paltrow’s sensational white column gown and attached cape from the 2012 Oscars, and there is Zendaya’s hot pink molded breastplate and fluid skirt circa first-season Euphoria. The stretch sequin and mesh dress Rihanna wore on a 2016 issue of Vogue is also included. For his spring 2022 return to the runway post-pandemic, Ford considered the impact of social media on fashion. “Photogenic clothes today by their very nature mean that they are not at all timid,” he riffed at the time. That was never not true chez Tom Ford. As the worlds of fashion and Hollywood grow ever more intertwined, it seems too bad that the American designer who navigated both worlds with such control and assurance is stepping away. But if an era is ending, at least there’s the prospect of watching Ford’s cinematic vision unfold on the big screen sometime in the future.

Collage by Edward Kanarecki.
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NET-A-PORTER Limited

Red Carpet. Balenciaga SS22

Demna Gvasalia returned to Paris Fashion Week with his Balenciaga, and to all the others: game over. He won the week. Again, he’s a genius. “Well,” remarked Gvasalia, with a considerable amount of laconic understatement, “we needed something fun to happen.” For spring-summer 2022, he staged a fake red carpet celebrity-studded, movie-style premiere event and a real one. “I’ve wanted to do a premiere concept where the guests would be the show for many seasons,” he said. “It was nice to have a social occasion again. I hoped it would make people smile.” It was hysterical – in the best possible way. The regular fashion show audience was seated inside the Théâtre du Châtelet at 8 p.m., watching a big-screen livestream of the red carpet arrivals going on in a tent outside. Soon, it was clear that everyone was in on the joke: the familiar Balenciaga tribe of Demna’s house models, lining up to pose in character as celebrities; actual celebrities lining up to pose as models; celebrity models posing as celebrity models. Cardi B and Offset! Dev Hynes! Naomi Campbell! Juergen Teller and Dovile Dryzite! Ella Emhoff! Elliot Page! Isabelle Huppert! Live TV camera feeds zoomed in on faces, raked outfits, shoes, spiky boots, jewelry, and bags. Paparazzi bayed orders. Handlers moved people on in a perfectly performed real-not-real control of lens-hoggers. Inside, hilarity broke out. Numbered looks popped up on-screen. And everyone looked drop-dead glamorously amazing, each to their own, working gigantic gowns, severe-chic sequin columns, outsize black tailoring, skinny bodysuits, fan-pleated dresses, boas, oversized jeans, track pants, evil shades, angular printed-out loafers, monstrous cyber-goth platforms.

Eventually, Demna himself – in a full black face veil, hoodie, and jeans, brought up the rear. “It’s more like a music or movie business, in the way you can convey things,” he said. “I like exploring these borders.” That’s the attitude designers should have in 2021. What the Balenciaga audience didn’t know: the red carpet performance of the spring-summer 2022 collection was the buildup to an actual film premiere of The Simpsons/Balenciaga, in which Marge and Bart (not to spoil the plot) end up modelling in Paris. “Because I’ve always loved The Simpsons, for its whole tongue-in-cheek nature and the slightly romantic-naive side to it” he approached the producers without much hope that they would ever want to collaborate. “But in fact they did. They saw the blue show – the Parliament one – and liked it. Matt Groening’s been amazing,” he said. The fame of Demna and Balenciaga has spread all the way to Springfield. After this, who knows what worlds he’ll conquer next. Whatever he does, I’m in awe.

Collage – or rather fake magazine layout! – by Edward Kanarecki.

Tilda’s Cannes

I usually don’t do red carpet coverages, but Tilda Swinton (with a pinch of Timothée Chalamet) at this year’s Cannes Festival is an exception. It was a Swinton fashion week, if you ask me. This woman doesn’t only elevate each film she stars in, but she also serves looks like no one else. Whether it’s a custom, colorful ensemble by Haider Ackermann – one of her most frequent collaborators and, privately, best friends – or a Schiaparelli haute-shirt-dress, Tilda owned Cannes. Here’s a recap of her looks!

The Haider Ackermann look from Wes Anderson’s “The French Dispatch” premiere is everything. It included a cropped, pink satin bolero blazer and top, paired with an orange floor-length skirt. Never one to skimp on theatrical flair, Swinton wore sequin green sleeves underneath the blazer. Timothée in Tom Ford was a great addition.

Another Haider Ackermann look – this time, it’s all about impeccable, electric blue tailoring. Amazing.

Tilda fell in love with Daniel Roseberry‘s Schiaparelli, and this means we can expect seeing her in the Parisian maison‘s couture soon. For Cannes, she chose Roseberry’s haute classics. This crisp, white shirt(dress) is so chic.

Swinton in Virginie Viard‘s Chanel – I love. This white gown is so functional – perfect for the Cannes red carpet, yes, but I can also see it worn to the French Riviera beaches. It’s both elegant and easy, refined, yet approachable.

“Casual” done the Tilda way is going for over-sized Loewe by Jonathan Anderson.

Another Schiaparelli, another shirt, but a totally different vibe. Here, Swinton went boy-ish, and announced global peace with that beautiful, Picasso-esque dove illustration.

Maybe I’m not entirely a fan of this Chanel look, but then, here’s the ultimate, sophisticated pirate à la Parisienne mood.

HC: Red. Viktor & Rolf AW14

Viktor & Rolf HC RF14 0327

Viktor & Rolf thought of something so clear for today’s celebrities- red carpets. For their third haute couture show, they changed the whole runway into an endless red carpet. And, amazingly, the clothes were also red… and were made out of carpets, mostly. If you are interested how to knot your red, bathroom rug around your body, here is your perfect guide. Should I write more?

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Viktor & Rolf HC RF14 0037

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Viktor & Rolf HC RF14 0402

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