The Look – Salvatore Ferragamo Resort 2020

In these very uncertain times, it’s worth trying to slow down and relax… and who wouldn’t love to stay home while wearing this gorgeous, over-sized jumpsuit from Salvatore Ferragamo‘s resort 2020 collection? In keeping with the elegant, streamlined approach Paul Andrew has introduced at Ferragamo – he calls it “sartorialism with a casual edge” – the designer as well emphasizes a workwear-inspired silhouette. Perfect for home meditating, lazy yoga or even reading a book on the balcony, no?

Collage by Edward Kanarecki.

Slowing Down. JW Anderson AW18

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The autumn-winter 2018 collection from J.W. Anderson was the first time the eponymous label showed womenswear and menswear together. Jonathan Anderson just felt it’s the right time to decrease the number of collections per year and… slow down the pace. This certain ‘chill’ has its reflection in the collection’s mood, which is a compelling set of over-sized, laid-back knits, ruffled blouses in paisley and maxi-dresses. In other words, nothing ground-breaking is going on in here – but does it make this collection less intriguing? Absolutely no. There was something very sensual about this offering – the subtly sheer pants and trench coats worn on bare body are just that.

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Collage by Edward Kanarecki.

Humanly. JW Anderson SS18

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Big changes were foreshadowed at J.W. Anderson‘s spring-summer 2018 collection minutes before the show kicked-off. No claustrophobic corridor venue, but a circular runway with an art installation in the heart of it. The clothes’ aesthetic was far different, too. Criss-cross bungee cord and textured linens gave the collection a… leisure-y attitude. Wait, leisure at J.W. Anderson, where it’s always about the explosion of off-beat references, complexity and radiant colours? Yes, that’s happening. Kitchen implements on the catwalk and tablecloth-inspired homespun textiles with the brand’s logo – that was Jonathan Anderson‘s appreciation of ‘at home’ feeling, where everything is intimate and close to your comfort zone. Quite unexpected from a designer, who is known for twisting, collaging and reshaping ideas of fashion, always in a hurry. Just like in case of his last, very laid-back fashion show for men that we’ve seen at Pitti Uomo, Anderson takes a break and wants to clear his (and yours) busy mindset. “Media makes us hysterical. We have to go back to what we know to be humanly grounded,” the designer noted backstage of his show. If you’re still unsure or uneasy with realising Anderson’s new, ‘domesticated’ direction, the Hessian-topped espadrille boots that bottomed nearly every look will get you grounded for summers to come. Or the loose mint-green dress. To my own surprise, I’m really seeing Anderson’s clothes somewhere on a beach or in a well-kept garden of a, let’s say, art-curator (who simply needs to chill sometimes, too).

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Collage by Edward Kanarecki

By The Sea

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How big, how blue, how beautiful
How big, how blue, how beautiful 

Now there’s a few things we have to burn
Set our hearts ablaze, and every city was a gift
And every skyline was like a kiss upon the lips
And I was making you a wish

Florence + The Machine How Big, How Blue, How Beautiful

I’ve spent my May Day by the Baltic sea, on a remote, wild beach… and I felt like in heaven. So quiet and peaceful. Relax – reading Vivienne Westwood’s biography, drinking lemonade taken from the hotel and feeling the breeze in my hair. Priceless!

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Photographs by me

Stillness and Comfort. Céline AW16

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Fashion is in hurry, and nobody knows where is it heading to. But Phoebe Philo, just like a few other designers, says “no” to see-it-now, buy-it-now trend, which has stormed such brands like Proenza Schouler or Paco Rabanne. The autumn-winter collection from Céline has a message – calm down. Appreciate the quality, the time. The way these clothes fit on your body. “I came about it through wearing it,” she said. “It’s always that.” This time, the designer who understands women’s daily needs best, focused on her all-time favourites, from over-sized pants and voluminous tunics to suede vests and seasonless coats. Satin gave the dresses a flowing, fluid-like texture, and the fleecy, black “bubble” tops with an armhole had this sophisticated, yet effortless mood about them. The soft, pillow bags looked dreamy, and they will definitely have room for everything needed, and unneeded.. Strangely, though, this collection doesn’t look like a winter one (except the caramel shearling coats and tweed mini-dresses) – there were classical sandals on bare feet, and a lot of subtle flesh exposing. However, on the other side of the globe we’ve got summer, always. And Céline is an internationally wide-spread brand.

The collection, in fact, is full of clothes which can be worn without much consideration or (again a cliché) effort. They are the house’s strengths, and a woman who adores Céline and Philo’s touch will surely have her wardrobe completed with these everyday basics. “It’s a busy world, and I find I have this idea of stillness with Céline”.

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