Swan Lake. Magda Butrym SS24

June 26, 2023 | Design & Culture by Ed

Magda Butrym’s elevated resort 2024 collection reflects the brand’s expanding vocabulary which is a clash of romanticism, femininity and assertiveness. Pure romance was conveyed in the pink column dresses with draped bustiers and shoulder-straps in rose-like shapes. Hot take on femininity can be seen in the gorgeous “revenge” LBD with v-neckline and the sheer knitted gown with hand-crotcheted inserts around the bust. Power-dressing – Butrym’s latest specialty that she keeps on refining – informed the oversized tailoring that took clues from masculine proportions, as well as in the all-leather separates (see the jacket with furry collar!). But the ultimate hero piece status belongs to the silver evening dress, wholesomely splashed with sequins and appliquéd with metallic florals. Magda Butrym wouldn’t be Magda Butrym without bold accessories with – you guessed it – flowers as the main characters. This time, the Polish designer mixes her signature blooms with XXL pearls, which appear on stiletto heels and in the Audrey Hepburn-approved chokers. As always, Butrym’s dream closet oozes with pure chic.

Collage by Edward Kanarecki.
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All The Beauty and The Bloodshed. Christopher Kane Resort 2024

June 22, 2023 | Design & Culture by Ed

Yesterday’s news of Christopher Kane entering administration and considering selling his namesake label make you realize that in this industry, truly inventive creatives have to struggle, while others get unlimited budgets and press just… because. It’s no news that running an independent creative fashion label in London is practically impossible, but the vision of Kane exiting fashion is just heartbreaking. His knack for wickedly original, sometimes even disturbing pairings of strange materials and references has earned him a reputation of a playful conjurer who with grace combines non-obvious sexiness with contemporary chic. Hopefully, the designer will find a financial solution similar to Roland Mouret, another significant London-based designer, and will continue designing under his own name with new, supportive partners behind his back.

If resort 2024 is actually the last Christopher Kane collection we will ever see, then it’s exemplary of the designer’s unique fashion vocabulary. This line-up is packed with chic-funny-simple evening ideas that look like a joy to wear. Should you detect a ’50s/’80s post-punk New Wave-ish vibe coming off it, you’re not wrong. As ever, behind every brilliant Christopher Kane party-trick, there lies something darker. This time, Christopher and his sister, Tammy, had been watching All the Beauty and the Bloodshed, the documentary about Nan Goldin that weaves her groundbreaking ’70s and ’80s photography into footage of her campaign of protest against the Sackler family’s sponsorship of major museums and galleries (The Sacklers own Purdue Pharma, a pharmaceutical company whose main drug is the opioid Oxycontin). It struck them that the connection between the forces of super-wealth at one end of society, and the most deprived at the other were stingingly present – in the clothes. It was the sight of the cocktail dresses, lingerie, and scrappy gowns worn by Goldin’s penniless junkie LGBTQ friends that resonated. “The reason they looked so amazing in their poverty is that they were wearing second-hand and discarded clothes thrown out by the wealthy – couture, designer clothes from the ’40s and ’50s”. For them, that fit with their childhood and teenage memories of seeing the deprivation of communities in the post-industrial Glaswegian conurbation they grew up amongst. It took them back to remembering the glamour of the neatly-dressed barmaids serving in Working Men’s Clubs in the mid-to-late ’80s—another source for the sexy synthetic fitted dresses they conspired on in this collection. The subversive references they use aren’t at all visible, of course. What Kane always does is to turn the brew of associations into relevant fashion. Really, not many contemporary designers have that skill.

Berlinesque. Anonymous Club Resort 2024

June 20, 2023 | Design & Culture by Ed

Shayne Oliver keeps on teasing the fashion industry with his next, creative steps. Since announcing the relaunch of Hood by Air in 2020, the designer has been teasing a number of projects: first was “Prologue,” the HBA capsule modeled by Naomi Campbell; then came a preview of his eponymous ready-to-wear label at New York Fashion Week in February of last year, followed by Anonymous Club, the elusive talent incubator he formally introduced last year. Coming soon is an art exhibition in Berlin, where he recently moved. These projects don’t abide by industry schedules. They arrive when Oliver is ready.

A year after its first drop, Oliver is back with the second installment of Anonymous Club, and with it some newfound structure. “I’m working to create more clarity, that’s part of what this campaign is about,” he said. He was referring both to this lookbook, shot at Schinkel Pavillon, which features the designer Stefano Pilati, a Berliner for the last couple of years, and to a campaign the label dropped last week on Instagram, which stars Telfar Clemens, Raul Lopez, and Patia Borja, who also appear in this slideshow as cutouts. “Anonymous Club is about friendship and camaraderie with people that share like-minded ideas,” Oliver said. The lineup itself is a tightly edited collection of staples with the Shayne Oliver twist in a limited color palette consisting of black, beige, and neon green. There’s the pagoda shoulders Oliver often presented at Hood by Air, his usual club-ready leather jackets and trousers, and a run of oversized utility jackets. More interesting are a t-shirt with its shoulders raised to hide the neck but sloped to the regular shoulder apex, and a flared skirt with two jacket sleeves as part of the front drape. To Oliver’s credit, as pervasive as the Hood by Air aesthetic he and Lopez introduced a decade ago is today, his clothes are imbued with a certain authenticity. The show-stealer in this lookbook is a three-headed chihuahua, a reference to Cerberus, the hound of Hades in Greek mythology that guards the gates of the Underworld. Oliver explains it came from a dark place: back in the HBA days, he felt in need of a watchdog to look over ideas and protect the “naive period in the creative process.” He feels similarly about Anonymous Club now. “Sometimes some aspects of things need to be protected for it to blossom into something,” he explained.

Eye To Eye It Lasts. The Elder Statesman Resort 2024

June 14, 2023 | Design & Culture by Ed

It’s back to groovy basics at The Elder Statesman. “Resort is holiday, so we tapped into a lot of our heritage, traditional kind of motifs,” Bailey Hunter, the brand’s creative director, said. “Florals, tie-dyes, stripes – all the things that we’re known for, we reinvented them in a way; and we’ve used a lot of new woven materials that we’ve brought into our library.” Materials – and yarn, especially – are king at Elder Statesmen. But the brand keeps on evolving into other categories. The yellow suit that opened the lookbook is a cashmere-cotton-wool twill made in Italy that feels like the softest and lightest denim. Another suit – the brand calls it “relaxed tailoring” – is made from Italian 50/50 cashmere and wool and comes in three colors: rose hip, dark green, and bark, in both men’s and women’s styles. A highlight of the collection was certainly the wool donegal made on a vintage loom in Italy in colorblocked squares of gray, navy, and wine. In the lookbook it appears as a wrap skirt secured with an oversized safety-pin and styled with a cashmere hand-painted crewneck sweater. Together, they’re youthfully punky and quite timeless.

A collaboration with Uggs is The Elder Statesman’s first foray into footwear. The clogs, mules, and boots made from patchworked sheepskin and decorated with “darning”-style embroidery are sure to become must-haves when they’re released later this year. A sporty tank and mini skirt made from hand-knit alpaca and cotton in various shades of blue, a wave patterned knitted cashmere shirt and pants, and a pair of knitted striped cargo pants in mixed bouclé yarns were more proof that the knitwear experimentation here is unparallelled. The bouclé cargos were worn with a black sweater featuring an intarsia illustration of eyes and the phrase “eye to eye it lasts,” a design that came from Greg Chait’s, the brand’s founder, grandmother Thelma. Chait said, “I feel like [the phrase] is about the collection.” Hunter finished the thought: “It’s about how it’s a lot better to see things in person, and see how everything feels.”

Restrained Elegance. Ferragamo Resort 2024

June 12, 2023 | Design & Culture by Ed

Maximilian Davis seems to be on his way of grasping what his Ferragamo is all about. The Milanese way of dressing has made an impression on the young designer, and he translates it through a contemporary Hollywood lens (the heritage brand has an important history with the entertainment industry and shaping its original stars’ style). Davis picked up on the sense of restrained elegance, but he was also perceptive of that subtly seductive side. What he brings to today’s version of Ferragamo is a sort of rigorous sensualism, pivoting on exact, modern tailoring inflected with a luxe indulgence. Worryingly, the resort 2024 offering dangerously reminds of Bottega Veneta – both Daniel Lee and Matthieu Blazy-era – in a couple of places. Still, Davis has an affinity for the label’s timeless codes, to which he’s adding clarity and edge, leaning on the craftsmanship and resources the house can provide for high-end execution. That fashion temperatures now are lowered to minimalism’s cool weather also seems to work in favor of his Ferragamo treatment. For resort, his tailoring was slim and straight-cut or nip-waisted and sculpted, sustained by compact fabrications. A standout in the outerwear offer was a strong-shouldered yet hourglass-y black city coat with Davis’s signature askew buttoning; smooth and velvety to the touch, it was actually made in flocked denim. Like other staple pieces in the collection, it was offered for both genders. What makes Davis’s approach individual are the subtly “perverse undertones,” as he calls them, that he adds to his collections. Here some of the looks were teamed with shiny black patent leather stretch boots with a curved high heel, giving off a fetishistic edge. That’s a signifier the designer should definitely focus on, and implement more confidently in his work at Ferragamo.