So Donatella. Versace AW19

(I’m a rich bitch, I’m the upper class)
All of the day
(I’m the pearl to your oyster, I’m a babe)
I’m gonna smoke Marlboro Lights and drink Champagne
(I smoke Marlboro Reds and drink Champagne)

Who doesn’t want to be Donatella Versace, for even a day? This attitude, this aura! Like in Lady Gaga’s quite iconic song, this woman is pure charisma. So was Versace‘s autumn-winter 2019 collection, splashed in neon colours, filled with S&M details and lots, lots of lace, leopard fur (faux!) and bling. Shalom Harlow opened the show, Stephanie Seymour closed it, like in the days of Gianni. Donatella smartly mixes Versace’s archival codes with her own love for power dressing. And the t-shirt made in collaboration with Richard Avedon Foundation – feauturing Donatella herself photographed by the late master of image-making – is the show’s key message: this blond is the boss!

Collage by Edward Kanarecki.

Italy, Coming!


Sophia Loren by Richard Avedon.

Off to Italy for a road trip! Will be late with the rest of the spring-summer 2019 reviews, but no worries, some posts will be coming up in the meantime (like Lisbon guide or the Carla Sozzani exhibition in Helmut Newton Foundation in Berlin). Stay tuned.

Mr Porter US

#InstaLOVE – February 2018



I am an Instagram maniac and I openly confess that I spend too much time on filtering my feed. But it’s irresistible, when you have so many great accounts to follow! If you are ready for a dose of beautifully curated walls, inspiring photos and delightful shots – see my February recommendations!

@___joanneburkejewels____ / Based in-between Rome and London, Joanne Burke’s beautifully rare jewellery is like wearable art. Inspired with Ancient forms and motifs, the designer works with bronze and gold to create one-of-a-kind charms, earrings and necklaces. Note that her editions are very limited in stock – so if you want to put your hands on one of those charming, whimsical pieces, be fast! And, of course, her feed is equally dreamy.

@fjura_ / Fjura was stablished in 2005 by Simone Gooch in Sydney, and ten years later moved to London. The florist (who can fittingly be called an artist) is known for creating seasonal flower arrangements, whether in form of hand delivered bouquets or floral installations. Those are the most mesmerizing flowers out there. Can’t get enough.

@avedonfoundation / There’s no need to introduce Richard Avedon, one of the greatest photographers of humankind. I’m so glad Avedon Foundation exists on Instagram – it’s always a pleasure to revisit the master’s visuals, whether it’s Lauren Hutton in PVC or an unseen outtake.

@sarahandelman / Even thouh the cult Parisian concept store, Colette, closed its doors in December, it’s good to see through the eyes of Sarah Andelman, the co-founder. What is she up to next? Where will she go? I need to know.

@rarebookparis / I wrote about Rare Book Paris once… but it isn’t enough. The vintage books and magazines seller shared those incredible shots from an Issey Miyake catalogue recently. Too good.

AND, if you want to follow one more account on Instagram… why don’t you follow, ta-da, @designandculturebyed?

Visual Privilege of Polly Mellen


Twiggy photographed by Richard Avedon and styled by Polly Mellen, Vogue, July 1967.

After reading System’s incredible interview with 92-year old Polly Mellen (former fashion editor of Harper’s Bazaar, American Vogue and Allure), I realised how boring fashion is today. Those were the days, when Polly took Veruschka to Japan for five weeks and made the most expensive editorial in Vogue’s history; when Leslie Winer and Jean Michel Basquiat made out at Irving Penn’s studio; when Mellen and Avedon worked with Nasstasja Kinski, who willingly posed with a snake on her naked body. The way Polly describes this experience to Jonathan Wingfield is equally emotive: now, I don’t know if you’ve ever held a snake… it is so erotic, you cannot imagine, it’s like holding your lover’s penis, it really is. Truly, I found reading this feauture inspiring and gripping like an adventure book – Mellen’s life is, as she describes, a ‘visual privilege’.


Nastassja Kinski photographed by Richard Avedon and styled by Polly Mellen.


Veruschka photographed by Richard Avedon and styled by Polly Mellen, Vogue, 1966.


Veruschka photographed by Richard Avedon and styled by Polly Mellen, Vogue, 1966.


Jerry Hall photographed by Helmut Newton and styled by Polly Mellen, Vogue, October 1974.


Unpublished, photographed by Steven Klein and styled by Polly Mellen, 1997.