New York. Givenchy SS16

012_AG15850

Having Givenchy in New York is unusual – this historical, French house in the Big Apple. Riccardo Tisci‘s plan to expand the brand in America is already taking a spin, as the first Givenchy flagship has just opened. The show (which quested about 1000 people – fashionistas, editors and real people, who caught their free tickets) was artistically directed by Marina Abramovic on Pier 26 with a stunning view on Manhattan. The clothes were interesting, too – satin tops and dresses were sexy while lace details gave the entire collection a romantic mood. Tisci also brought some haute couture to NYC – the eveningwear was mesmerizing. Tulle in the shape of alligator skin on a body-dress was an absolute favourite. Of course, Riccardo’s Givenchy wouldn’t be Givenchy without some splendour – the model had nose-rings and crystals “attached” to their faces, looking like princesses from the Arabian Nights. In comparison to the last few collections of Givenchy, this one was a really, really good one. And it feels like Riccardo Tisci again looks towards the clothes, and not celebrities.

Slide1

Slide2

_A2X1030

Slide3

Slide4

_A2X0611

Eclectic Girl. Gucci Resort’16

gucci-001-1366

Yesterday’s Gucci show was not only a surprise due to its appearance in New York. It was intriguing. And Alessandro Michele knows that. The new designer, who left the sex-drived Tom Ford and Euro-sleek Frida Gianini behind, makes Gucci a brand, which is rather all about eclecticism and vintage. The word “eclectic” came up constantly when Michele was talking about the collection backstage. He also talked of “love” fuelling the collection, which incidentally appeared on a sweater in French –”aveugle par l’amour”. So hippie and optimistic, which is what Michele’s vibe is all about. “I’m inspired by a lot of things – from the street, antiques, vintage wardrobes. It’s impossible to explain the exact point of inspiration. It’s about being free to love, free to express, free to show who you are through the way you dress,” said Michele. “Luxury means that you show the way you dress with eccentricity. It’s almost like a new kind of jetset – instead of roaming around the world, you’re roaming with your clothes.” As you see, even the approach to luxury, which is up to now an essence of the brand, has changed.

But coming back to the venue matter. Gucci chose a gallery space in New York’s Chelsea, furnished with Persian rugs. As a remix of orchestral soundtracks started up, the garage doors to the gallery were raised up and the models walked in from the street, where outside Glen Luchford was shooting a film. And the street is certainly where Michele sees his eclectic cast existing. No wonder why the clothes might (or even should) remind you of Williamsburg’s thrift shops and Milanese flea markets, where the clothes are all about kitschy embroidery and cheesy patterns. But in case of Alessandro Michele and his mesmerizing Gucci affair, it was all about hand-made embellishments (the snake!), gold glitter on the shoes, soft lace and imperial Astrakhan jackets.

 Although the collection might seem to have many overkilling details, I am happy Michele is in the game. I am a bit fed up with all that “ugly chic” and minimalism which is practically everywhere. I felt a lack of beauty, romance and that 70’s freedom in fashion for a while. However, the new Gucci delivers that in a very proud, brave way. Interesting how the retailers are going to deal with all that sheer artistry.

1122723

gucci-008-1366

1122724

gucci-010-1366

1122734

gucci-012-1366

1122713

gucci-017-1366

1122709

gucci-028-1366

1122710

gucci-030-1366

Warping Romantic. Burberry SS15

Slide10

This season, Burberry’s creative director Christopher Bailey clashed reality with pure romanticism, pairing trainers with tulle and Birkenstock-style sandals with cropped box-like jackets in soft lilac suede. In my opinion, it all felt tasteless and ugly. Like if Bailey took a long trip to the teen wardrobe of Carrie Bradshaw and still didn’t come back.

Slide11

Slide12

Slide13

Slide14

Love Affair. Marc Jacobs AW13

Slide1-kopia 2

Marc Jacobs fall was a melancholic and beautiful love affair. It was inspired with The Film Noir and it was dipped like in a opium perfume. It was lady like and very sexual, delicate but with power. It was glamorous and sensual and it was totally taken out from iconic imagery of Lauren Bacall in her 1940’s finest. Luxury mink stoles, silk pajama’s like tops, pencil skirts, silky trousers, clingy knits, overcoats and wide lapels and T Strap heels (that are toatally in fashion this season) were presented.

20130215-020343 PM.jpg20130215-020351 PM.jpg20130215-020409 PM.jpg20130215-020358 PM.jpg20130215-020435 PM.jpg 20130215-020825 PM.jpg 20130215-020840 PM.jpg 20130215-020935 PM.jpg 20130215-020947 PM.jpg

The setting was also glamour and romantic. The moonlight and a dark, musky atmosphere… It was like the models came out from ultra luxury club, still have a scent of Yves Saint Laurent Opium perfume.

20130215-021357 PM.jpg 20130215-021408 PM.jpg 20130215-021416 PM.jpg20130215-021427 PM.jpg 20130215-021517 PM.jpg 20130215-021527 PM.jpg 20130215-021544 PM.jpg 20130215-021553 PM.jpg 20130215-021602 PM.jpg 20130215-021609 PM.jpg

That was a really amazing ending of New York fashion week. All the collections that I wrote about were so unique and creative- however I should say mostly everything was very classical (the only collections that I didn’t like was Michael Kors.  Donna Karan, Calvin Klein, Oscar de la Renta in collab with John Galianno that was too heavy and artificial as for the master of femine master and other  designers like Ralph Lauren were also poor for me). And now, readers we are going to… Milan!