Power. Saint Laurent AW20

Here’s one of the most brilliant collections coming from Anthony Vaccarello for Saint Laurent. There was power, there was vibrance, there was colour – something I missed or didn’t really feel in his last collections. And, it didn’t look like Hedi Slimane’s Celine. The opening look laid bare exactly what he was thinking of for the season: an haute bourgeois red tartan double-breasted blazer, gilt-buttoned, velvet-collared, atop a matching jabot neckline blouse, hair swept back, substantial gold and jet earrings, and… black latex trousers. And there was plenty more of tailoring: exquisite jackets, impeccably cut, double-breasted, many with those same gilded buttons, in ochre cashmere, pearly gray flannel, jaunty navy wool, natty brown houndstooth – and all worn with those same dominatix, all-gloss pants. What was new and completely refreshing was the way Vaccarello chose to riff on the lush sensuality that Monsieur Saint Laurent was such a master of. And what else was new, yet very Yves: the uninhibited sense of color, with Vaccarello working his way through the classic YSL palette – fuchsia to purple to emerald to hot pink – and showcasing it his own way through that extremely non-classic latex. But when styled with YSL’s Le Scandale-inspired fur coats, it all made even more sense. Backstage, Vaccarello acknowledged the #MeToo climate, and spoke of celebrating a woman’s power and her own sense of self. Ever since his arrival at Saint Laurent, Vaccarello has endorsed a woman’s right to express her own physicality, and her sexuality, any way she wants.

Collage by Edward Kanarecki.

Between Morocco and California. Saint Laurent Resort 2020

The theme behind Anthony Vaccarello‘s resort 2020 line-up for Saint Laurent is parallel to his spring-summer menswear show staged on one of Malibu’s beaches. For both, Vaccarello had been thinking about how Morocco’s glittering hippie/boho enclaves of the late ’60s and early ’70s (distinctly Yves) are mirrored by the today’s free-spirited California. So, a black velvet smoking jacket, worn with a long black leather skirt with a fastening running down its front; a gold sequin lace camisole with white jeans; a pleated lurex skirt styled with boots, a barely-there tank-top and a big, heavy pendant… in terms of fashion, there’s nothing innovative (or even fresh) in Vaccarello’s “day-to-day” vision of a wardrobe. It nods to Yves’ eternal chic, yes, feels very California, yes, but in the end it still  looks like Hedi Slimane’s work for the house from the (not so distant) past. Really, how do clients choose between a denim, maxi-lenght skirt from Slimane’s Celine offering, and a nearly identical one with a Saint Laurent tag?

Collage by Edward Kanarecki.