Pragmatic. Lemaire AW26

January 23, 2026 | Design & Culture by Ed

On the stage of the Opéra Bastille, the Lemaire troupe emerged in small configurations, each representing different themes and attitudes across the collection. One model moved a chair; another wandered into the audience; and then there was dancer Julie Anne Stanzak, who gleefully leapt and twirled in a floaty yellow dress while clutching her pumps. Theatrics aside, this was a quintessentially Lemaire collection, defined by “a very pragmatic approach to clothes,” as Christophe Lemaire and Sarah-Linh Tran stated. It is grounded in the everyday – somewhere between the utilitarian and the functional – yet at the same time unmistakably chic. Whether a quilted skirt that converts into a cape, a sculpted bag shaped like buttocks, or the dramatic insertion of impressionistic colour layered into earthy tones, Lemaire’s pieces are designed to be worn, loved, and lived in.

Collage by Edward Kanarecki.
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Big Time Sensuality. Lemaire SS25

June 22, 2024 | Design & Culture by Ed

Lemaire‘s spring-summer 2025 collection was galore of understated sensuality. Soft tailoring revisited in light, supple fabrics, workwear imagined in refined materials, loose-fitting cuts following fitted lines and slender attitudes that enrich the wardrobe with a new sense of seductiveness. Christophe Lemaire and Sarah-Linh Tran played with sexy straps: they transformed outerwear into nonchalantly gestured shoulder accessory; they were integrated with knitted mini-dresses in form of garters that held up matching thigh-highs. I love to see these cheeky moments the brand surprises its loyal fan-base with (remember the butt bags?). The designers indulged in more quirky, flirty details, like the beaded body jewelry adorning a fluid dress or a guy’s cowboy black shirt pierced with small rings.

Here are couple of great Lemaire pieces you can shop now…

ED’s SELECTION:

Lemaire Western Striped Cotton, Silk And Linen-blend Shirt

Lemaire Croissant Small Paneled Leather Shoulder Bag

Lemaire Oversized Layered Ribbed-knit And Washed Cotton-poplin Jacket

Lemaire Wool Midi Wrap Skirt

Lemaire Leather Sandals

Collage by Edward Kanarecki.
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Layers of Honesty. Lemaire AW24

January 18, 2024 | Design & Culture by Ed

Christophe Lemaire and Sarah Linh Tran just can’t help layering. But no one does it like them in this business. They manage to extract a certain poetry in the way they layer knits, flowing silks and outerwear. For their autumn-winter 2024 season, the Lemaire designers explained they sought a more intimate encounter with the clothes while wanting to welcome people into their “environment” – metaphorically, as their brand’s soul, and literally, as in their newly-opened headquarters. “Humbly and honestly,” said Tran. “For us, it’s a beautiful story of building a collective with strong values and a passion for doing good things,” added Lemaire. “Not so many independent brands in Paris have a studio, an atelier, all the departments in one building, so we wanted people to feel all of this.” The show’s staging comprised a raised, circular runway conceived by artist Fran Cottell. As the models (diverse in age and background) entered from the courtyard, they made the loop with clever yet natural choreography – lingering long enough to have their doubled-up, tone-on-tone jackets noticed; twirling to accentuate the movement of a ballet-style wrap skirt; proceeding with purpose in a relaxed, cacao-colored suit or total look in limestone. One model wearing black stirrup leggings, a sheer overskirt and block heels had a pair of derbies swinging from her bag. Somehow in Lemaire, effortless and impeccable coexist.

Collage by Edward Kanarecki.
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Take It Slow. Lemaire SS23

June 23, 2022June 23, 2022 | Design & Culture by Ed

The Lemaire spring-summer 2023 presentation was a beautiful, harmonious scene. “It’s always nice to see people when they are in between things,” Christopher Lemaire said. “And people are very much themselves,” Sarah-Linh Tran added. Outside this presentation at the Musée des Arts et Métiers were clustered lots of fashion folk with no time to spare, waiting to go upstairs to see models in Lemaire acting as if they had time to kill. On the staircase a brace of male models idly swayed on their heels in top to toe monocolor stone, one wearing a crisp trench over full white pants in cotton and a split-upper slipper, the other a wide blouson over a collar-popped shirt and a multi-pleated silky pant with the same shoes. A female model in a culotte-integrating version of the outfits we’d just seen stood on the landing above. Up into the hall, there was a guy leaning on a window frame in brown blouson and work trousers with a bag strapped around his shoulder and a mini torch on his key fob. Across from him a woman in an interestingly halter-wrapped shirt and brown five pocket pants read a battered Luis Bunuel paperback. Further along another woman wore a dress and a guy wore a camp collar shirt that were both in the same hibiscus print. A female slept on a bench, warmed by the shafts of sunlight through the window, and cushioned by her softly blushing shirting and crisp cotton pants. A guy leant against a table in more pared down brown workwear reading Le Monde. At the end of the room, Ana Roxanne played mood music on multiple instruments and we saw more model groupings wearing super attractive printed pieces by the Indonesian artist Noviadi Angkasapura. This was a refreshingly straightforward collection that put the clothes on a pedestal of reality.

Collage by Edward Kanarecki.

Travel Somewhere. Lemaire AW22

January 21, 2022 | Design & Culture by Ed

I have such a sweet spot for Lemaire. I’ve said it plenty of times, and I will say it again: this is the brand that utterly satisfies me in the context of my personal, day-to-day style. Christophe Lemaire and Sarah-Linh Tran just never disappoint me. For autumn-winter 2022, the designers-slash-life-partners turned to the idea of “traveling somewhere” – something we all fantasize about in our harsh, pandemic reality. The destination was purely imaginary, an Impressionistic landscape painted on a 30-meter backdrop by the playwright, scenographer, and theater director Philippe Quesne. It proved a strong foil for what Lemaire described backstage as a nomadic tribe, and the show notes called “an urban horde of modern-day hunter-gatherers.” “Dressing up is a little bit like traveling,” Christopher mused. “You get dressed up, you go to someone, or you have a destination in mind.” Hence a collection composed of thoughtfully layered pieces that neatly spliced ease, movement, and a sophisticated take on functionality. Softly tailored outerwear in the form of a tobacco trench, a coat that can be worn like a blouson or a gilet, a black overcoat with a white lapel and lining, and an elevated take on the denim jacket looked like they could walk straight off the runway and into the streets of Paris to take on a life of their own. A blouse with a red marbled print – the result of a collaboration with theartisan Frédérique Pelletier – brought a bit of psychedelia to a lineup focused on elevated effortlessness. Discreet luxury is, after all, Lemaire’s home turf. Presenting men’s, women’s, and unisex looks on a diverse cast further underscored the designers’ interest in fashions as worn out in the real world, as opposed to on glossy paper, Lemaire allowed. “We can only do half of the job,” he observed. “The rest is the way people move, how they embody that style, and personality.”