Wild Horses & The Sea. Chloé SS01

In the yesterday’s Insta-episode of “Never Worns” by Liana Satenstein (I highly recommend following her @schmattashrink!), she talked to journalist and fashion critic Alexadner Fury about his museum-worthy archive collection, and vintage trends that might be big soon. He mentioned Stella McCartney’s Chloé as a fashion moment that just waits to become sought-after on the market. I personally love Stella’s era at the French brand from the early 2000s, and I wish she did more of that carefree, sexy, trippy thing at her brand now. So, 20 years ago, the designer certainly did not disappoint her legions of fabulous young fans. For spring-summer 2001 season, in addition to delivering sexy new T-shirts and plunging bathing suits (with playful pineapple motifs – this sent shock-waves in Paris that day and eventually ended up being a feminist moment), McCartney explored grown-up territory, of course according to her signature princess-at-a-party style. Perhaps drawing inspiration from Elsa Schiaparelli’s inventive chic, McCartney worked graphic horse prints (borrowed from Stubbs and Géricault) into loosely structured diagonal-seam dresses and beautiful jackets with a softly draped triangle shoulder. Skirts were long and relaxed, perfect when paired with lightweight, flouncy off-the shoulder tops. Wide-brim hats and dainty pillboxes with a tulle overlay gave the look a touch of ’30s sophistication. More casual pieces included sexy jeans with zipper pockets and metallic horses galloping along the backside, and a T-shirt with strategically placed banana appliqués in the front and the words “Keep your bananas off my melons” in the back. This was one of the most memorable Stella-at-Chloé collections and one that confirmed her talent and potential as a major designer. I feel like those are clothes we want to see, love and wear in 2021 (or in post-COVID era that will eventually arrive, right?). Slightly hedonistic, beach-perfect, wild like a graceful mustang and simply sparking joy.

“Live” collage by Edward Kanarecki.

#TBT: Dolce & Gabbana’s 2001


Actually, Dolce & Gabbana used to great fashion before it became commercial, millenial-loving (duh) trash. With a backdrop of blossoming trees and lace curtains, Stefano and Domenico‘s glitzy glamour met power-dressing and… Madonna! I guess the fans of Material Girl went through an orgy after they saw those heavily beaded T-shirts with the musician’s most iconic album covers (as pictured above in Steven Meisel’s advertising campaign starring Gisele Budchen). But in 2001, Dolce & Gabbana brought some of the most chic suits to their runway, as well as Monica Belluci approved sheer eveningwear. Those were the times.


#TBT: Helmut Lang SS01


Helmut Lang’s show began innocently enough, his trademark sleek trousers, body-conscious tops and functional overcoats redone for Spring in nubby silk-knit burlap. The looks were pure Helmut: functional, urban and modern. But then, gradually, a wave of sexual innuendo began to escalate. A tape-like strap was strategically placed on a semitransparent top; a bikini bottom was paired with a deep-plunging tank. Finally, a procession of crisscrossed, bondage-inspired dresses and tops whizzed through the audience. Lang, the designer who pioneered androgynous, uniform dressing, had designed a brilliant collection that could go from a Tribeca loft cocktail party to an alleyway midnight rendezvous west of Times Square. Slide2