Beam me up, beam me up, beam me up town… don’t why, but got this Midnight Magic tune in my mind when I see this Saks Potts look from spring-summer 2019 (styled with the so-cheesy-it’s-chic yellow hat).
Collage by Edward Kanarecki.
The Want: It’s one of the first designs by Daniel Lee for Bottega Veneta. ‘The Pouch’ is an oversized clutch made with soft folds of the brand’s handwoven intrecciato leather that envelope the bag’s frame and create a voluminous, rounded shape. Bottega Veneta’s heritage of leather craftsmanship, refreshed and revised with modern sensibility. If only the price tag wasn’t that painful…
Photo by Edward Kanarecki.
The Want: Lucie and Luke Meier‘s spring-summer 2019 collection for Jil Sander was a subtle nod to Japan’s love for clean lines and minimalism in general. The fusbett slide in super-soft nappa built on an ayous clog lightened with cork might look tricky at a first glance. But imagine how these shoes will elevate every single outfit you wear this summer.
Photo by Edward Kanarecki.
Pierpaolo Piccioli’s couture for Valentino is the only couture that matters. No crazy venues that attempt to distract you from noticing how plain the collection is (I see you, Dior and Chanel). Just pure, joyous, glorious haute couture that enchants and truly impresses. And makes Celine Dion cry. This spring-summer 2019 collection, reserved for the richest and most extravagant women on our planet, was a triumph of audacious colour, beauty and glamour. But also, it was a major model casting breakthrough, with completely diverse models that made the garments even more exquisite. The designer embraced black beauty, having Adut Akech open the show (in a brilliant, pink ensemble) and Naomi Campbell close (in a gown made out of translucent organza in the shade of Chocolate Dahlia). There was Liya Kebede, there was Lineisy Montero, there was Ugbad Abdi. Runway icons, veterans, and newcomers. The entire scene looked like a fairy-tale… that really took place. This couture collection again proved that colour is crucial for Pierpaolo, especially in terms of couture. “You don’t invent beauty, but you can invent new harmonies for colour”, the maestro said backstage. Just read the following: a coral coat worn with a chocolate crepe blouse and emerald gabardine pants. Lilac serape topped a pair of orange pants. Turquoise lace and tangerine silk faille. Green sequins. Pale mauve. Matisse blue. All that worked with voluminous ball gowns that took hundreds of hours to create at Valentino atelier in Rome. Unquestionably, Piccioli is a couturier of Garavani’s heights. And it’s a blessing for today’s fashion to experience his genius.
All collages by Edward Kanarecki.