I’m still in absolute awe. Salvatore Ferragamo‘s spring-summer 2020 collection for men (and resort 2020 for women) was the best thing I’ve seen for a while in fashion. It was that good. No fashion show has ever been allowed in Florence’s Piazza della Signoria before. The view had to be really, really impressive, noting that the models walked in front of David. Plus, comparing to other shows we’ve seen this month, this one had a real sense behind the location: Florence is the company’s home. Now, fashion. Paul Andrew and Guillaume Meilland have already proved that they’re a good match for Ferragamo in their previous. But this one was their best. I fell in complete love with all the jumpsuits the designers sent down the runway – especially the one in deep purple, with a zipper and a belt at the waist. The perfect balance between utilitarian and Italian elegance. Something you would love to wear to your vineyard in Tuscany. I adored all the leather pants and shorts, too. The colour palette, mainly mint, lavender and ochre, was a dream. There’s beautiful tailoring as well as pajama pants. While using the so-called “rave” sunglasses sounds like trying too hard to impress the younger audience, here they looked properly cool. Just wow.
Collage by Edward Kanarecki.
Like other fashion shows presented in far flung destinations this month, Saint Laurent‘s spring-summer 2020 collection for the boys (and resort 2020 for the girls) had its ups and downs. Ups: the runway’s spectacular venue, which was an ebonized boardwalk runway atop a Malibu beach, against a stormy horizon. Keanu Reeves sat front row. Anthony Vaccarello‘s ideology behind the collection, which well related to Yves Saint Laurent. The starting point for the collection was Marrakech in the ’70s (Yves’ ultimate favourite place to visit) reimagined as 21st-century Los Angeles, a city that resides on Vaccarello’s own emotional landscape. While that’s some geographical leap, it’s not an unimaginable one; both locations have that certain bohemian, free-spirited, almost mystical escape. “You come to L.A. for vacation,” Vaccarello said. “You can disconnect from the rest of the world.” And finally, Mick Jagger. The Rolling Stones musician gave Vaccarello access to his vintage Saint Laurent, for inspiration. Yes, it all sounds dreamy. But again, the problem of clothes hits – they seem to lose their priority in such events. Except for the abrupt comeback of super-wide, super-fluid pants (in gauzy knit or a crushed pleated silk), billowing and flowing from a high and often belted waist, there was barely anything exciting about this rock & roll-ish wardrobe. It all was a remake of Hedi Slimane-era YSL. And I guess you really need that Malibu heat to grasp the essence of this collection, and not only the imagery.
Collage by Edward Kanarecki.
I’ve been on fence with Alexander Wang lately – his fashion week schedule skipping and temporary identity crisis not only seemed to make him less visible (especially here in Europe), but also… less relevant. But something has sparked in his spring-summer 2020 collection he showed a few days ago in New York (three months ahead of all designers who are based in the city). It was really, really good. It was Alexander Wang we all loved years ago. It was badass, cool, energetic. And, smart. This season, the designer paid tribute to three designers who changed American fashion in the late 20th century, and whose aesthetical impect is still perceivable across the world. Donna Karan. Her stretch jersey bodysuits and big shoulders were the epitome of power dressing in the 1980s, and Wang included all of her signature codes in the opening looks. Calvin Klein. Denim, sex, but also minimalism – all these three couldn’t be missed by Wang, and he pulled them off just the right way. Ralph Lauren. The eternal flannel plaid, suede fringes, corduroy, ribbed knits and luxe cowboy look were all here. Those three designers not only reshaped American fashion, but also made their own take on athleisure go global. Most of today’s 30+ designers in the U.S. were growing up with those names, and Wang’s sporty sensibility is especially built on their foundation. Admitting this so loudly is more than excellent I think.
Collages by Edward Kanarecki.