High & Low. Burberry SS25

While Burberry‘s financial performance is under scrutiny, it seems to me that Daniel Lee has found his ground at the brand. His last collection already had that “something”; spring-summer 2025 is a further exploration of Britishness (through a London lens) meeting modernity. A spirit of late 2000’s London style was palpable, especially in the imaginative clash of high and low: maxi-skirts worn with polos, utilitarian parkas with dazzling, embellished dresses. A cropped trench jacket styled with cargo pants was another highlight, just like Maya Wigram’s faded-green denim look. The storm flap, epaulettes, shoulder vent, Napoleon collar and belt of the house-archetype trench were intelligently applied across multiple garments including open-backed dresses, a popper-peppered twinset, and abbreviated, feather-collared jackets. This was a good show with good clothes.

Collage by Edward Kanarecki.
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The Well Of Loneliness. Erdem SS25

This season, Erdem delivered one of his best collections… ever. It’s just felt breathtakingly beautiful without being frou-frou. There was an aristocratic, yet romantically decaying quality about it. And between the lines, a meaningful context that didn’t make the spring-summer 2025 collection feel heavy with history as it often happens with Erdem Moralioglu’s work. The title page of Radclyffe Hall’s “The Well of Loneliness” was printed on cavas and sewn as a badge of honor to the cuff of every suit – with a monocle pinned to each of the lapels. The novel was notoriously banned by the British government in 1928 for its portrayal of a female character called Stephen and her lover Mary. “Radclyffe was born Marguerite, and went by the name of John,” said Moralioglu. “What I was most interested in was how intensely she was masculine, and how feminine Una was.” Una, Lady Troubridge, who mostly wore pretty dresses, was reflected in the flapper-ish eveningwear bedazzling with chandelier crystals and fragile cotton. Trouser suits were an ode to Radclyffe. The collection resonated with the audience, and marked another great moment of this London Fashion Week.

Collage by Edward Kanarecki.
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Cryptic. JW Anderson SS25

In his spring-summer 2025 collection, Jonathan Anderson dissects the meaning – and substance – of clothes. The cuts are in-your-face, the textures are exaggerated in their tactility, the shapes go from super-slim to super-big. “I think where we are today is that there needs to be a kind of narrowing of things while the world is transitioning. I think fashion needs to kind of refocus somehow, because we’re in a moment where we, the industry, have to look at ourselves.JW Anderson takes cues from surrealism, but with a realistic grit. Yet there’s a feeling of deliberate palette cleanse, a sense of reduction. “It’s more like this idea of starting from a blank page,” he said. “Where is the next decade going, and how do we work with it?” Cryptic.

ED’s SELECTION:

JW Anderson Layered Cotton Trench Coat


JW Anderson Embellished Suede Loafers


JW Anderson Pintucked Brushed-jersey Mini Dress


JW Anderson Hedgehog Resin Clutch


JW Anderson Embroidered Denim Mini Skirt

Collage by Edward Kanarecki.
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Styled Show. Puppets & Puppets SS25

Puppets & PuppetsCarly Mark left New York – a rather hostile city for emerging brands – for London, a place that’s resilient and way more supporting for creatives that think outside the box. There’s also an element of strangeness about Mark’s fashion (and accessories). The feeling of unexpectedness was delivered by the deliberately blunt clothes that were just… clothes. Boxy t-shirts, navy crewneck sweaters, skinny black jeans, plain lingerie sets and faux-fur trimmed hoodies. All that was styled with indie-sleazy fedoras (very girlfriend of an Arctic Monkeys member in the late 2000s), big sunglasses and gloves. Was Mark’s intention here an elaborate trolling exercise? Not quite.

Rather than think of a fashion presentation solely as a forum for presenting new designs, she sought to evaluate its merit as a conceptual and artistic medium. Her decision to present what she called “a styled show rather than a fashion show” was an exercise in distancing herself from a sense of obligation to create producible garments. Working alongside stylist Taylor Thoroski, looks leaned into Mark’s familiar style vernacular, drawing upon her own dress habits. “Something I’ve learned over the years is that the things that I put down the runway are stronger, in my opinion, when they’re in line with me,” she said. “I’ve been very into not having pants on in the past. So we were like, ‘OK, let’s keep going there.’ And I’ve been wearing really simple jeans,” she says, pointing down to a slim-fit H&M pair she was wearing. And that’s so refreshing to hear in 2024.

Collage by Edward Kanarecki.
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Dance It Out. Simone Rocha SS25

When people see the collection I want them to have license to interpret it themselves” said Simone Rocha said of her spring-summer 2025 collection, adding: “I’d never be interested in fashion that’s defining a look or defining how someone should feel.” Her latest offering – striking a balance between experimental and wearable – did spark a spectrum of emotions. Just like dance. Michael Clark and Pina Bausch were cited as influences. Bausch’s Nelken (her carnation-strewn piece exploring extreme and traumatic love) had a significant cameo, lending its floral motif to this Rocha collection. Some of the models wore tutus topped by over-sized, languid jackets, with their hands crossed as if they were leaving a ballet rehearsal – or a bad relationship. The collection was also about transparency: sheer organza shirts for boys, barely-there, translucent dresses and coats for the Rocha ballerinas. Performative, but, intimate, multidimensional, yet light: Simone Rocha is finding great pleasure in playing with contrasts.

Need a Simone Rocha wardrobe update?

ED’s SELECTION:

Simone Rocha Cotton-jersey And Ruffled Tulle Mini Dress


Simone Rocha Embellished Merino Wool And Silk-blend Polo Sweater


Simone Rocha Lace-up Crystal-embellished Tulle Bustier Top


Simone Rocha Bow-embellished Faux-fur Pumps


Simone Rocha Crystal-embellished Tulle Midi Dress


Simone Rocha Webbing-trimmed Faux Pearl-embellished Shell Shoulder Bag

 

Collage by Edward Kanarecki.
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