Cowboy, Reconstructed. Greg Lauren SS23

Greg Lauren started the spring-summer 2023 collection by thinking about the cowboy: the archetype, the myth, and the real deal. It’s not all boots, denim, and big hats (though there is plenty of that). Instead, his collection, titled “Re-construct”, taps into his muse’s renegade spirit. “There’s something at the core of the idea of the cowboy that resonates with people that has to do with individualism, and the idea of the figure that doesn’t conform and has the courage to draw their own path,” he says. That individualism expresses itself in unexpected ways. The spring 2023 lookbook opens with a pale pink trucker jacket. It’s made from scraps of fabric that were discarded to make last season’s pink tuxedos. Through a process called stitchwork, these teensy bits of fabrics are patched together to make a textile that can be used to make a pink jacket for a cowboy. There’s a nice cyclical energy to that, which Lauren clearly relishes, after all, repurposing pre-loved materials is what put him on the map. The most interesting developments here are the contrasts. Consider baggy cargo pants and a relaxed blazer made out of herringbone fabric, or the many jackets with tails Lauren created this season out of denim, ivory satin, and, spectacularly, leather. Lauren had fun picking apart black- and white-tie dress codoes, playing with ways to make a tuxedo jacket or tails casual through fabrics. Make no mistake, it’s still elegant. The craftiness running through the collection – the continued collaboration with Gee’s Bend quilters, the top made of vintage Cub Scout shirts, the stitch work fair isle sweater – only underscores the designer’s maverick qualities.

Collage by Edward Kanarecki.
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Tinged With Sass. Blumarine Resort 2023

Nicola Brognano slightly shifted the Blumarine look for resort 2023, “toning down the bling”. What stayed firmly in place, however, was the Y2K inspo that triggered the attention this brand has been getting lately. Sticking to your guns is always a good move if a designer wants to cut a consistent position in the fashion firmament. That’s what Brognano seems to be consistenly pursuing. The designer, who by his own admission has no affinity for talking about inspirations or references, said that he now has a tougher, less pretty image of the Blumarine woman in his mind. To summarize: her mood as of now is more street than saucy, more femme than Lolita. No surprise though that Brognano’s take on streetwear is tinged with sass. New additions to the Blumarine wardrobe were sexy ribbed tank tops with a refreshed goth logo; cool ultra-cropped sweats with hoodies layered liberally over or under those tank tops; oversized poplin shirts turned into outrageously-mini ruffled dresses; and various iterations of the multi-pocketed cargo pants that have become one of Blumarine’s signatures. They were proposed in liquid satin in a bright shade of turquoise, worn with a matching belted duster, and a barely-there bra showing vast expanses of bare midriff, while in their newest version they came printed with a camo motif that was actually a trompe l’oeil rose. Amping up the collection’s more urban, utilitarian vibe, the ubiquitous cargos morphed into motorcycle pants in pale denim-colored distressed leather, or were worn under maxi crocheted cardis and long slouchy chiffon slipdresses. Brognano offered proof of a versatile approach, and that he has enough nerve to play with Blumarine’s range with confidence.

Collage by Edward Kanarecki.
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Lady Chic. Thom Browne Resort 2023

Marisa Berenson came running into Thom Browne’s salon-like spring 2023 menswear show. Farida Khelfa and Dree Hemingway followed, and Sasha Pivavorova emerged last, rushing to get to her front row seat. The women wore fantastical suits from Browne’s resort 2023 collection, a small preview of what is being released this week, almost a month after Browne’s sexily tweeded guys hit the catwalk. “I knew the collections were connected,” Browne said, “but I didn’t realize how well it was going to work.” The women had the kind of bravado required to pull off a mannish floral jacquard blazer or a pastel color-blocked midi skirt suit. “They are women who have lived interesting lives,” Browne said of his muses, who also include artist Anh Duong and photographer Cate Underwood. “Accomplished, strong, and iconic in their own way.” That’s the Browne promise: even for those of us who live the most normal of existences, his clothes offer the opportunity to feel extraordinary and unique. There’s no way to slip into a white suit embroidered with children’s storybook scenes and not experience an almost instant mood lift or to pack your things into a giant sunflower backpack and not smile. This season, Browne has supersized some of his proportions and continues to play with pleated skirts, allowing his sometimes overly strict vision to attract people with different body types and ways of life. Still, the classics are always Browne’s favorites. “It’s true to what I did 20 years ago and it still feels so new and strong,” he said. “It shows there is still a way for us to go forward.” Going forward, trying new things, and pushing the boundaries of what is possible in fashion – well, that’s just the Thom Browne way. It’s no wonder that many are drawn to his unconventional approach. “The love you see in these pictures,” he said, “was free.”

Collage by Edward Kanarecki.
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Hotness. Magda Butrym Resort 2023

Unabashedly feminine and sexy, Magda Butrym‘s resort 2023 party-ready pieces sit in a league of their own – and continue to evolve in her new collection. The Polish designer delivers new off-shoulder necklines and the return of her signature, hot-red rose appliqués, now on separates, rendered in crochet and denim, and adorning an elongating pink number that exudes high statuesque glamour. She also introduces more coverage – most notably on a crystal-flecked long-sleeve gown in scintillating pale beige. The tailoring is sharp as usual, this time in an array of colours, from bold magenta to deep black. The pink long-sleeve floor sweeper with a dramatic side slit and floral-detailed high neck is the Aphrodite of Butrym’s latest eveningwear. These are clothes to dance in, all night, in the moonlight. No wonder why the collection is titled “Super Moon”.

Collage by Edward Kanarecki.
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Entrancing. Area Pre-Fall 2022

The eternal flora and fauna theme were Piotrek Panszczyk’s most obvious starting point for pre-fall 2022, taking hot pink duchesse satin and creating static floral poufs that could be sized up or down to create a crop top and mini skirt or an entrancing dress. Flowers also appear as spiked crystal tops and pasties, as sunglasses, as earrings, and as crystal pants that wind up the legs. Since Area’s last collection, its showgirl potential has become more fully realized; these experiments in fluttering crystal seem destined for Beyoncé, Olivia Rodrigo, Precious Lee, or any of the other larger-than-life women that swear by the brand’s devilishly saccharine clothes. Careful to not give it all away in a pre-collection, Panszczyk has balanced it out with sharpened tailoring in black, white, and brown houndstooth boasting crystal trim, as well as an extended section of leopard print pouf skirts and teensy bustiers. The disparate harmony of a blazers-to-pasties collection is justified by the Area books. According to Panszczyk and Area’s co-founder Beckett Fogg, the customer wants a crystal-strewn tee as much as she wants a Vegas-worthy headpiece. For seasons, Area has been reckoning with these two poles, daily use versus drama, but it seems the brand is on its way to a single more unified vision of something “dainty, natural, sultry, and thorny.” Per Panszczyk, “sexiness is just a byproduct of wearing Area.”

Collage by Edward Kanarecki.
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