Sweet, Sweet Home. Celine SS26

It’s no longer about appointing a big, legendary name – or, conversely, a total newcomer – to lead a fashion house. In Paris, two striking examples of homecoming designers are taking the industry by storm. First came Chemena Kamali, returning to Chloé after years away and revitalizing it into every girl’s dream once again. Then came Michael Rider, making his comeback at Celine. His debut yesterday felt like a sweet reawakening.

It might be pure coincidence that both designers once worked under Phoebe Philo, who, back in the day, led these two Parisian brands. Or maybe not.

Now, back to Rider and his debut – it awakened something in me. Feelings and emotions I used to experience every season when Celine was still Céline came rushing back. That certain unexplainable spark – one Philo has yet to fully rediscover at her namesake brand (don’t get me wrong – I love it, stan it, and support it wholeheartedly, but you know what I mean??). After the dull, pale, underfed, and frankly uninspired Middle Ages of Hedi Slimane’s reign at Celine, Rider’s confident, bold, and vibrant entrance just feels so right.

The American designer – who cut his teeth at Nicolas Ghesquière’s Balenciaga, then with Phoebe Philo at Céline (one of his greatest hits was the Yves Klein dress from spring-summer 2017, and a photo of him during the fitting is circulating on social media), and later as creative director at Ralph Lauren – very cleverly distilled Celine’s legacy into a single collection and made it feel entirely his own… READ MY FULL REVIEW HERE.

Collages by Edward Kanarecki.
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Sublime. Giorgio Armani SS26

It seems that the new generations of designers are becoming passionate about my work, and I must say that this is a source of pride for me because it means that I can speak to young creatives who probably weren’t even born in the ’90s. This also means that the authenticity that I have always put into what I do is still reflected today,” Giorgio Armani mused after his spring-summer 2026 menswear show. As his brand celebrates 50th anniversary this year, there’s literally nothing more valuable for a designer who created such monumental heritage as being relevant and appreciated after all those decades. Italian menswear and womenswear owe a lot to Armani, and it’s good to see him being very rightfully embraced and applauded. The latest collection coming from the maestro was sublimely Giorgio, through the filter of Pantelleria, the volcanic island where he has summered for years. Matte black leather used in outerwear and everyday suiting echoed the island’s raw stone landscape, while a wide palette of marine blues and bougainvillea purples and pinks referred to the sights of Mediterranean nature that enchant the designer every single time he steps on the elusive, distant island. Dreamy and undeniably handsome were the quilted-collar jacket and double-zip gilet looks in treated linen that followed the North-African-inspired palm motif. Also especially strong were the accessories, running from wave-shaped woven rattan shoes to beautifully canvas satchels. Long live Giorgio. And kudos to Leo Dell’Orco, the long-time head of Armani’s men’s style office.

ED’s SELECTION:

Armani Prive Cuir Zerzura Unisex Perfume


Giorgio Armani Men’s Upton Double-Breasted Suit


Giorgio Armani Men’s Pleated Virgin Wool Trousers


Giorgio Armani Men’s Jacquard Swirl Crewneck Sweater


Giorgio Armani Men’s Silk Denim Effect Button-Down Shirt


Giorgio Armani Men’s Asymmetrical Lyocell Bomber Jacket

Collage by Edward Kanarecki.
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Marinière. Officine Générale SS26

For spring-summer 2026, Officine Générale‘s Pierre Mahéo was thinking about turning the essence of Parisian style to a wardrobe ready for sea-side summer. It’s defined by pajama-inflected tailoring, with scrunched sleeves and nonchalantly rolled cuffs, but most of all, per usual with Mahéo, a deep dive into ultra-light materials, like lightweight “parachute” poplin, seersucker, and, for men’s and women’s suiting, a breezy blend of cotton and linen. In addition to the eternally chic marinière – what French wardrobe would be complete without it? – shirts were cut long enough to double as dresses, popovers had universal appeal, and swingy belts were fashioned from raw fabric knotted and fringed like a lanyard. My favorite look involved olive-green pants with pleats, styled absolutely effortlessly with a striped top, light-blue shirt, a navy jacket, and a pair of flip-flops (the footwear staple that very abruptly became this year’s prime menswear discourse). The perfect summer look is right here.

ED’s SELECTION:

Officine Générale Nanni Nylon Bomber Jacket


Officine Générale Gingham Seersucker Button-Down Shirt


Officine Générale Sophie Italian Wool Pants


Officine Générale Alex Brushed Plaid Button Down Shirt


Officine Générale Giovanni Wool Sport Coat

Collage by Edward Kanarecki.
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High Fashion. Marc Jacobs AW25

Marc Jacobs showed his latest collection on Monday, it’s Thursday, and I’m still on a high!!! A fashion high! And I don’t want it to end.

The king of New York fashion is one of the last designers who knows how spark true euphoria with his runway work. And also one of the last fashion creators who comprehend, cherish, and nurture what Walter Benjamin once called aura.

It’s the magnetic, almost transcendent presence certain artworks possess. Originality, authenticity, and the sense of time and place woven into an object: this is a Marc Jacobs garment, through and through, traditionally presented at a light-speed pace at The New York Public Library. In an age of fast fashion and mass production, aura is what sets apart the truly iconic from the easily replaceable. It’s that feeling when a piece doesn’t just dress the body – it tells a story. Aura is like a drug you can’t deny. READ MY FULL REVIEW HERE.

ED’s SELECTION:

Marc Jacobs Structured Floral Lace Dress


Marc Jacobs Floral Brooch Oversized Top


Marc Jacobs Aline Silk-Blend Skirt


Marc Jacobs Seamed Up Satin Sleeveless Mini Dress


Marc Jacobs Large Suede Chain Shoulder Bag

Collage by Edward Kanarecki.
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Sense Of Skin. Hed Mayner SS26

For spring-summer 2026, Hed Mayner sheds structured, voluminous layers – and opens up to a “sense of skin“. “I wanted to have something that is suspended from the body,” he said, “that when you move, it fills you with air.” The designer delivered on the promise: his signature, cocooning silhouettes never looked that refreshingly breezy and sumptuously light. A standout were his handkerchief-hem bottoms; they billowed as they walked and represented the joy Mayner has found in this new exploration. He also brought cool, buoyant languidness to his jackets, now with draped capelets that do intriguing, draped magic around the arms. The designer recently moved to Italy: it shows in the collection’s sweet nonchalance.

Collage by Edward Kanarecki.
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