Debra Shaw wearing fierce red tailoring from Mugler‘s resort 2020 by Casey Cadwallader. Fire.
Collage by Edward Kanarecki.
Believe it or not – I can’t! – but we’re heading towards a new millenium. So, how do you choose the most important collections, designers and labels of the decade? The ones that made an actual impact in the 2010s? Well, it’s not an easy task. It all began in September 2009 with New York’s spring-summer 2010 shows and ended when the autumn-winter 2019 haute couture shows wrapped in Paris. Few thousands of shows, by the way. There will be 19 posts (that’s really the only possible minimum!) reminding about the best – and if not the best, then strongly influencing – moments in fashion.
Dries Van Noten‘s 100th collection.
Autumn-winter 2017 was Dries Van Noten‘s 100th collection. And just as he did at menswear the same season, the Belgian designer was reflecting on the past, future, and most of all – the contemporary. Małgosia Bela, Nadia Auermann, Hanne Gaby, Mica Arganaraz, Carolyn Murphy, Debra Shaw and many, many more runway icons, veterans and today’s favourites walked the show. Some of them were present in Van Noten’s first show back in the late 80s, which added up to the sentimental mood. The collection was of course one of the biggest highlights in Van Noten’s career. It was all about the designer’s “codes”, which blur the lines between women’s and men’s. Masculine coats and over-sized denim pants; velvet bomber jackets styled with pencil skirts; sheer dresses worn with big jewellery and chunky boots. For the occasion, the designer showed off a remix of his favourite prints on mid-length dresses and pleated skirts, reminding everyone that he’s the master of unconventional colour palettes and textile combinations. Chic faux-fur boa, big blazer in fluoroscent fabric, a perfectly tailored, crisp white shirt and corduroy pants – that’s a look that says Dries, without even one logo on it. There’s no doubt why throughout those 100 collections, women fell in love with Dries over and over again. They continue to do so, as we step into the new decade.
Collage by Edward Kanarecki feauturing Alexandra Kehayoglou’s carpet. Dries Van Noten collaborated with the artist for his nature-inspired, spring-summer 2015 collection. Had a chance to experience Kehayoglou 48 metre-long masterpiece, which was the show’s setting, in Berlin thanks to Andreas Murkudis. Click here for more!

Believe it or not – I can’t! – but we’re heading towards a new millenium. So, how do you choose the most important collections, designers and labels of the decade? The ones that made an actual impact in the 2010s? Well, it’s not an easy task. It all began in September 2009 with New York’s spring-summer 2010 shows and ended when the autumn-winter 2019 haute couture shows wrapped in Paris. Few thousands of shows, by the way. There will be 19 posts (that’s really the only possible minimum!) reminding about the best – and if not the best, then strongly influencing – moments in fashion.
Nicolas Ghesquière‘s AW12 collection for Balenciaga – “Join A Weird Trip“!
Nicolas Ghesquière’s time at Balencaga defined the 2000s and the first years of 2010s. And his autumn-winter 2012 collection is one of the greats. The corporate spies and outer-space agents on fluorescent-lit runway: that’s a fashion moment you just can’t forget. The designer moved the fashion conversation along in a few different ways with this line-up: by proposing new silhouettes with exaggerated, even challenging proportions (bonded leather coats with shoulders out to there, sculptural padded sweaters over stiff A-line skirts with doubled front panels); by deliberately trafficking in items of “questionable” taste (those black satin sweatshirts with spacey slogans like “JOIN A WEIRD TRIP” and “OUT OF THE BLUE” are today the ultimate collector item!); and by continuing to emphasize fabric research. The IT girls wore jumpsuits made from a hi-tech parachute material, and his animal prints came two ways—as a jacquard snake on the wool bodices of the office rebels’ strapless dresses and as leopard spots that looked like liquid mercury on the executives’ jackets. Incredible. Of course, to be honest with you, any Balenciaga collection by Ghesquière is a favourite, so here’s a brief recap of the best moments starting from 2010:

SS12, AW11 and SS13.

SS10, SS11 and AW10.

AW12, SS11 and AW10.
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Collage by Edward Kanarecki.
Believe it or not – I can’t! – but we’re heading towards a new millenium. So, how do you choose the most important collections, designers and labels of the decade? The ones that made an actual impact in the 2010s? Well, it’s not an easy task. It all began in September 2009 with New York’s spring-summer 2010 shows and ended when the autumn-winter 2019 haute couture shows wrapped in Paris. Few thousands of shows, by the way. There will be 19 posts (that’s really the only possible minimum!) reminding about the best – and if not the best, then strongly influencing – moments in fashion.
Hedi Slimane‘s Saint Laurent.
Hate it or love it, but Hedi Slimane’s time at Saint Laurent was one of the most influential moments in fashion this decade. The designer not only completely rebranded the brand (from the name – no more Yves – to the worldwide store appearances), introduced new “brand ambassadors” (Courtney Love, Beck, Kim Gordon, Joni Mitchell AND Marilyn Manson, all photographed by the designer for ad campaigns) and infamously called out the critics just for being honest (the Cathy Horyn beef!), but also polarised the fashion industry into two camps: Hedi fanatics, who go crazy for his Celine today, and Hedi sceptics. The designer implemented a youthful, rock & roll and very L.A. mood to the label, sending down baby-doll dresses, vintage-looking floral frocks, super-mini skirts and heavy boots with the attitude of the most rebellious girl in town. One of the most memorable collections he “designed” for the house? Definitely the autumn-winter 2013 show. It was inspired with the lifestyle of Venice Beach, California, and nodded to Yves’ The Scandal Collection from 1971, which was called “notorious” and “disgusting” by its guests (but in the end became iconic). As Tim Blanks pointed out about this Slimane collection, “almost nothing looked new”. Sloppy cardigans, plaid shirts and sparkly dresses accessorized with strings of pearls and black bows. While grunge was long dead, Slimane brought it back to life, and what’s the most ironic – the entire collection was sold out, even though the price tags were far, far from the thrift store originals. Of course Marc Jacobs’ final Perry Ellis collection was first, but Slimane appeared to be in the right place and right time with this line-up. I’m still on fence with Slimane’s era at YSL, but one thing’s sure: it was much more disruptive (and naughty) than Anthony Vaccarello’s work today for tha maison.
Collage by Edward Kanarecki.
Balenciaga released its resort 2020 look-book just in time when the clothes start to hit the stores. Demna Gvasalia‘s pre-collections for the maison aren’t as spectacular as the main shows (the spring-summer 2020 collection we’ve seen last month was one of his best to date!), but they sum up the label’s statement pieces: Balenciaga wardrobe “basics” (like tailoring with Cristobal Balenciaga’s couture volumes), the best-selling apparel and key bags. What else? Outsize parkas with their cheekbone-grazing collars, easy-wearing printed tea dresses in souvenir prints, XXL pajama sets… all this in the least matching colours you can imagine. But somehow, everything works together more than well. The look-book-opening coat is stamped with the Balenciaga logo in the familiar block print, but even without it one can identify the sloping shoulders, buttoned collar, and boxy, exaggerated fit as signature Gvasalia. And what’s my personal favourite from the line-up? The leather blouson-jacket in bold green, as pictured above.
Collage by Edward Kanarecki.