Retro florals, smart layering, scarves bejewelled with XXL sequins, baroque pearl earrings, chunky hand-knit tennis vests, clashed prints. Carefree eclecticism that isn’t overly extravagant, but daringly fantastic for everyday. It seemed that Miuccia Prada resorted to simpler, easier codes of fashion, leaving the darkness of last season behind. But in a way, this was Prada’s defiance in the time of difficulties. The collection, staged in New York (just like last year), was pure joy, whether we’re speaking of a blue peasant shirt-dress with naive flower embroideries worn by Freja Beha or adorable, knitted striped beanies and socks in bold colours, paired with the most ‘unmatching’ looks. There were also looks that will comfort the safer Prada customers, like light, loosely tailored blazers and classic coats. For me, what stood out in this collection, was the number of possibilities, suited for many different personalities. While the last few collections from Prada had those two or three key looks that ruled the runway, and had a tendency to be polarised between super feminine and super dark, here the designer really emphasised that sort of off-the-fashion-show reality. Take what you love, mix it the way you feel like.
Collage by Edward Kanarecki.
Design & Culture by Ed 