Stately. Burberry Resort 2025

May 30, 2024May 30, 2024 | Design & Culture by Ed

Daniel Lee is finally getting it right at Burberry. Resort 2025 is his best collection so far, and it seems to be a moment where the designer really knows what he wants to make out of the brand. I think he’s gradually taking a smart approach of making Burberry the British Ralph Lauren. Less superfluous runway styling, more stately clothes that are interweaved with a sense of authentic Britishness. The resort lookbook nicely co-ordinates high and low, making the checkered apparel look as good as the more daring pieces – especially all the gorgeous suede leatherwork with hand-cut florals and the furry fringes of mint-green and caramel-beige bolero jackets. The collection also offers a truly charming, cross-generational appeal. “It’s giving a modern spin on British tradition,” Lee remarked about the immaculately cut yet plain-seeming brown wool men’s blazer, worn by model Will Chalker. It’s part of Burberry’s remit to serve men’s suits; Lee smartly pushes a sense of Savile Row restraint, but not in a conservative stuffed-shirt sort of way. “It’s a modern interpretation of what you think King Charles would wear,” remarked the designer. Well, I can definitely see the King fronting Burberry’s next campaign. “Trans-seasonal, with a soft tactility” is also something Lee said about the collection. “Everything has to look good on a hanger. Worth the money. Because ultimately we’re making expensive clothes we want people to want to wear for a very long time.” The realization is that each piece has to live alone and justify its usefulness and quality, but it’s the way you put them together that creates character. You can see that when Lee styles a cargo pant with a pointy mule, and tops the look with a polished chestnut leather belted moto-jacket. Very 1990s Spice Girl. But also pieces will age well.

Here are some very good Burberry by Daniel Lee pieces you can update your trans-seasonal wardrobe with…

ED’s DISPATCH:

Burberry Calf Hair Point-toe Pumps

Burberry Strapless Leather-trimmed Checked Wool Mini Dress

Burberry Embroidered Quilted Leather Ballet Flats

Burberry Belted Cotton-gabardine Trench Coat

Burberry Wool-jacquard Throw

Burberry Calf Hair And Leather Shoulder Bag

Burberry Printed Satin-jersey T-shirt

Collage by Edward Kanarecki.
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Spanish Lesson. Louis Vuitton Resort 2025

May 25, 2024 | Design & Culture by Ed

Twelve years ago, in his final show for Balenciaga, Nicolas Ghesquière referenced Spanish culture with finesse and grace by revisiting the famous, stiff ruffles from a Cristobal Balenciaga dress circa 1968. This was one of the greatest Ghesquière collections ever, and an absolute sublimation of his tenure at the brand. In 2024, the designer returns to Spain again, physically, and with Louis Vuitton. The Hypostyle Room of Antoni Gaudi’s Park Güell in Barcelona was a fitting background for Nicolas’ off-kilter take on Velazquez, Goya, as well as the legendary filmmaker Luis Bunuel – even though the results felt a bit heavy-handed (which was never the case at his Balenciaga). The resort 2025 collection began with a parade of tailored, mostly neutral looks, all worn with straw gaucho hats and mirrored racing shades. Ghesquière said that the first exits were modeled on the sailor’s traditional vareuse – note their wide collars – but their broad shoulders and upside-down triangle shapes borrowed equally from the 1980s silhouettes of his youth. By the end, though, the strictness of his jupe tailleurs and coat dresses was replaced by the voluptuous drape of silk skirts and trousers, their chiaroscuro folds of silk nodding in the direction of the Spanish masters he referred to. The white cloak made you immediately think of the architectural habits of priests captured by Francisco de Zurbaran. Meanwhile, pops of polka dots and ruffles nodded more to the culture of flamenco, than Balenciaga’s heritage. When Ghesquière comes to work, he delivers collections that have all these Easter eggs to decipher.

Collage by Edward Kanarecki.
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Is Gucci Really A Feeling? Gucci Resort 2025

May 16, 2024May 16, 2024 | Design & Culture by Ed

It’s really interesting to observe how badly Sabato De Sarno‘s Gucci tries to force everyone into thinking the brand – in its current situationship – is a “feeling“. You rather catch feelings, especially the good ones, instinctively and spontaneously. Genuinely. Not when somebody signals it in such a straightforward manner. De Sarno’s first resort collection traveled from Milan to London, and it aimed to somehow tell a story that connects the city and the Italian brand. I didn’t grasp that press release blah-blah at all. Just like I didn’t entirely get the point of the location – Tate Modern – and the plant-filled runway setting. If you want to position a brand as an art-loving platform, instead of stripping a London museum to bare walls and place tons of greenery inside, why not focus around some actual artworks that are contextually or emotionally close to the designer?

And now the clothes. Yes, resort 2025 is in some way better than De Sarno’s previous attempts, because at least it’s not repeating three styles throughout 50 looks. And there’s finally some range in terms of style. But here’s where the real problem starts. If not for the eventual Gucci logos and appearance of Jackie and Blondie bags, it’s really difficult to catch where the actual Gucciness is hiding in this collection. Not to mention De Sarno’s footprint which still feels blurry and indistinct. Some of these 1970s-inspired looks gave hints of Miu Miu and Coach. The pleated finale dresses could easily be Victoria Beckham (ironically a designer who often has trouble with finding her own voice – at least the eveningwear is emblematic!). The denim part of the line-up felt like the many iterations Pierpaolo Piccioli used to deliver at Valentino (where Sabato worked at before Gucci). Some of the outerwear and pieces covered with sequin-embellished checks could equally have a Burberry tag on and no one would question that. What was most confusing however were the vintage-y pussy-bows that instantly made you think of Alessandro Michele’s highly-memorable debut for Gucci, an instant breakthrough for not only the stagnating brand at the time, but 2010s fashion in general. Their presence seemed to say that there’s a large Gucci client base that wants that kind of style back as they don’t identify themselves with De Sarno’s reductive minimalism. So… I think Gucci fails to be a (good) feeling. Especially in times when the demand for luxury is decreasing and people investing in fashion want ingenuity and authenticity.

Collage by Edward Kanarecki.
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Stimulating. Bottega Veneta Pre-fall 2024

May 3, 2024 | Design & Culture by Ed

Bottega Veneta has released a stunningly stimulating, pre-fall 2024 collection. It’s so evident that Matthieu Blazy found his groove at the brand: his last runway shows are delightful to the senses. But it’s the pre-collections that really validate whether a designer has formed their vocabulary for a house, and Blazy definitely knows what his direction is. While other brands try to propose total looks and stay in one aesthetic lane, the Belgian designer rather pursuits the idea of style that’s diverse and truly authentic. Bottega Veneta isn’t a brand that intentionally creates Instagrammable products – even though social media is increasingly raving about Blazy’s take on the brand. People are catching up with his celebration of humanity which is conveyed in the striking artisanship Bottega stands for.

For pre-fall, “the initial talk I had with the team was what would’ve been the ready-to-wear of Bottega when they started to make the bags in the late ’60s and ’70s. Of course, the idea was almost to work on something anachronic – we don’t want to go too literal, it was the idea of a modern time traveler.” The development process involved lots of photo research, including in old Interview magazines – “Andy Warhol loved Bottega,” he explained – to see “how people layered and mixed and matched.” It led to results like the suede skirt layered over suede pants, and the trim crewneck and striped collar shirt tucked belted gray jeans. The spirit he was channeling was “bourgeois, but decontracté,” he suggested, pointing to a checked button-down worn with a leather bomber and a khaki twill pencil skirt, and another checked button-down with a full skirt. There is much more to restlessly drool over in this lookbook: the pastel pant suits, the colorful suede intrecciato separates, the homoerotic-coded bandana bag, and a vibrant horizontally striped knit dress with the nubby pile of a carpet. Each piece is a wearable, meaningful artwork – that might be the ethos of Blazy’s Bottega Veneta.

Need a Bottega wardrobe fix?

ED’s SELECTION:

Jodie Mini Knotted Leather And Shearling Tote

Printed Leather Straight-leg Pants

Canalazzo Striped Intrecciato Leather Pumps

Printed Denim Shirt

Layered Cotton-blend Poplin And Bouclé Shirt

Small Solstice Shoulder Bag

Jacquard Feather Midi Skirt

Collage by Edward Kanarecki.
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The Great. Ralph Lauren Pre-Fall 2024

May 2, 2024 | Design & Culture by Ed

This Ralph Lauren collection had to grow on me for a moment. But when I saw Anok Yai in her finale look, consisting of a cowboy hat and stunning body-skimming sequined gown, being applauded by the all-American designer – who himself wore a blue western shirt, a pair of well-worn jeans and grey New Balance trainers – I was like “wow, this is it“! The pre-fall 2024 collection, which Ralph presented a couple of days ago in New York, is a reminder that he’s a great designer. One of the greatest. A living legend. “The woman I design for has a beauty that comes from an inner confidence,” he noted in his press release. “My collection is inspired by that woman, her sense of timelessness, her individuality – a style that is forever.” The show’s opening song, Billy Joel’s “Just the Way You Are,” seemed chosen to call attention to that constancy, as did the first model Christy Turlington, whose career began in the 1980s on Lauren’s runway. Turlington wore neat tailoring, a tie tucked into the waistband of her trousers, with an RL 888 leather tote in the same shade of buff gray as her clothing. Neckties and power suits were recurring sights on the autumn runways; for Lauren they’re not seasonal affectations, but rather pieces that he’s returned to over the years, sharpening and fine-tuning them. City sophistication and red carpet drama are essential parts of his repertoire, as well. These were represented by a chunky cardigan and cocktail dress combo (so good), the pinstripe jacket he threw over a silk charmeuse shirt and long skirt in gunmetal gray. Yes to all that, forever.