Egypt in NYC. Chanel Pre-Fall 2019

Chanel‘s Métiers d’Art shows are the only ones I look at. I love the craftsmanship involved here – it’s different level comparing to the ridiculous ready-to-wear collections, but looks more wearable than in the couture outings. This time, Karl Lagerfeld took his guests to New York’s Metropolitan Museum of Art to pull off an Ancient Egypt-inspired collection. To be honest, most of the clothes looked hideous and even the beauty of the surrounding tombstones and artifacts couldn’t hide this fact. BUT. Some of the details were impressive. The Amarna-inspired make-up. The gold-painted legs of every model. And the opulent appreciation of jewels and everything that’s shiny – a feature of every Egyptian king and queen. Would today’s Nefertiti dress in a Chanel tweed jacket made out of golden threads? Absolutely yes. But will real Chanel customers be able to wear any of this without looking ‘dressed up’ for a theme party? Who knows.

Collage by Edward Kanarecki.

The MET was Heaven.

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Maria Carla Boscono by Juergen Teller.

I very rarely write about such mainstream events as the MET Gala, but this year was awkwardly… good. A heaven’s gift, even. Noting this year’s Heavenly Bodies: Fashion and the Catholic Imagination theme, the guests had to give a thought to their appearance. Actually, it could have gone all wrong. But, surprisingly, some of the looks will become somewhat iconic! And that’s something to cherish. It’s truly pleasing to know that there are actors, musicians and celebrities that want to break the norms and dare to stand out on the red carpet – especially at MET, where boredom should leave right away.

I know I might look really late with this fellow ranking of the best looks, comparing to all the others in the industry (well, my final exams are in progress, so please do excuse me!). But still, posting this feels like a right thing to do.

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How I love Frances McDormand in this Valentino haute couture ensemble. She looks so non-chalant, yet chilled out. And she smoked a cigarette, while wearing that magnificent headwear. Thanks God for Pierpaolo Piccioli, who really nailed it with that collection, and thanks God for Frances, a woman to adore and admire.

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Well, Rihanna in John Galliano‘s major Maison Margiela pope fashion. No explanation needed I guess.

 

Anthony Vaccarello‘s Saint Laurent gang of dark angels that featured Zoë Kravitz, Charlotte Gainsbourg, Anja Rubik, Kate Moss, Mica Arganaraz and Charlotte Casiraghi. Hell yes.

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Solange in Iris Van Herpen is somewhere between an alien dominatrix and a Goddess. Can be two at a time, why not.

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Possibly, Greta Gerwig wanted to look elegantly invisible. Well, that dramatic The Row dress was the MET Gala’s most serene fashion moment, but in the best possible way. A nun goes to the ball! Love.

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Susie Cave‘s velvet Gucci gown is pure romance, as if taken straight from a romantic era ballad.

I’m picky, I know. But those were my ultimate favourites. Amen.

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Comme Des Garçons at The MET

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Autumn-winter 2000

Today, Rei Kawakubo‘s revolutionary and incomparable contribution to fashion will be honored at The MET ball, ahead of the exhibition opening this Thursday. Only the second show dedicated to a living designer in the institution’s history (the first was Yves Saint Laurent in 1983), it’s a testament to the radical experimentation with garments of the 74-year-old, whose dedication to ‘the art of in-between’ has earned her a cult fandom. Forget the celebs, who I doubt will wear any Comme Des Garçons with passion tonight (really, don’t make me laugh, Katy Perry). Here are my seven alternative red carpet looks, coming straight from Kawakubo’s universe.

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Autumn-winter 2012 – This collection shaped my love for fashion. That’s a fact.

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Autumn-winter 2017

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Spring-summer 2015

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Autumn-winter 2016

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Spring-summer 1997

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Spring-summer 2017

All collages are by Edward Kanarecki, the author of the blog.