Men’s – Suits & Intarsia. Thom Browne Pre-Fall 2022

For pre-fall 2022, Thom Browne‘s models sport inches-long falsies and tote leather lobster bags and backpacks in a display that is so provocatively Surrealist it recalls Elsa Schiaparelli’s daring 1937 dress with a crustacean across the crotch. Browne’s version relies less on the obvious pun of that exoskeletal creature – he says the lobster is just the latest of the animals he has welcomed into his zoo – and more an examination of the beauty of skirting on men. It’s a continuation of ideas he started nearly 20 years ago but have taken hold of late, with Dan Levy and Lee Pace wearing Browne’s skirts on the red carpet. This season he’s constructed half-pleated, half-straight versions of his classic kilt, worn with “one-and-a-half”–breasted blazers with self-tipped seams and covered buttons. Modular dresses in melton wool carry over from the spring 2022 collection, now in warm dove gray and mossy celadon. A selection of slim, sexy black-tie options, from midi-skirts to short suits, close out the collection. Saving the best for last, there are also jade green floral intarsias. Those of us who have followed Browne for the past two decades may think that he’s tapped all his personal references, but a wise designer always leaves himself room for more. Just before the pandemic hit, Browne and his partner, Andrew Bolton, purchased a new home in Manhattan, which they spent two years renovating. This fall they finally moved in, and their central aesthetic compromise was the hand-painted jade green floral wallpaper above their bed. The same flowers are cut in furs and wools, winding up on overcoats and embroidered into jackets. “I don’t think I’ve ever done anything as personal,” Brown summed up. The couple’s home, he says, will be off-limits to design mags, but this simple shared gesture is open to everyone to try on and try out. If the pandemic has taught us anything, it’s that who you spend your life with matters.

Need a quick Thom Browne wardrobe fix? These classics will be it: Thom Browne red & navy wool cardigan, Thom Browne grey car coat, Thom Browne multicolor check miniskirt, Thom Browne grey twill 4-bar blazer & Thom Browne grey waterproof wool derbys.

Collage by Edward Kanarecki.

Once Upon A Time. Thom Browne SS22

No one in New York does opera-level drama like Thom Browne. At his spring 2022 presentation, which was an artistic performance and a fashion spectacle at the same time, the audience could be carried off in awe in so many directions: pegasuses rode penny-farthings, a couple of bachelors haunted a raw wood house, models turned from shrubs into statues… just wow. The presentation began with a voice-over about a couple of bachelors stuck indoors, looking out over an aging garden. Classic statuary, the tradition of carving a marble block into a contrapposto David, charted the show’s three parts: part one, twenty Platonic suiting ideals; part two, the pure marble slab as tunic and maxi, fastened with a hook-and-eye up the back; part three, a trick of the eye, a flex of artistry, full force in tulle. At the end, the show’s two bachelors chained their gates, unzipped each other’s gray wool dresses, and orbited each other, never quite touching hands. Passion thrives in the littlest gestures; Browne’s show was full of beauty to pluck your heartstrings and stoke your sartorial flame. And oh, the details! Those rainbow-color tulle dresses that made up the finale, with trompe l’oeil drapery and abs (the exact Greek statues Browne visited were in The Met), were not painted, but dozens of layers of tulle built up like a topography of the human form. Teddy Quinlivan’s long sheath had an arm sewn to the torso, and the models who walked in the show’s first passage were layered in at least four Browne tailoring separates. This show was not only awesome for its theatricality but for its scale; other designers would struggle to make a single garment to Browne’s standard. Browne made about 200. Each of those 200 shirts, pants, skirts, suits, jackets, bags, shoes, and hand-made gray flowers was, in not-so-coded language, a love letter to American fashion. Browne moved his show back to New York for one season only in support of his partner Andrew Bolton’s exhibition “In America: A Lexicon of Fashion” opening at The Met this week. 

Collage by Edward Kanarecki.

Haunted Glamour. Thom Browne AW21

Most designers go for their signature codes this season – which basically means commercial and safe pieces. Thom Browne also went back to his core, but comparing to other brands (especially American ones), there’s nothing banal about his latest offering. For autumn-winter 2021, Browne’s men’s and women’s collection is an outrageous flexing of his prowess, garments made on such an extreme scale they’re almost overwhelming to look at, let alone think about wearing. There is not a shred of coziness, comfort, or relaxation here. If anything, Browne’s silhouettes have become stricter, more confining, more formal, unapologetically dramatic and glamorous. His starting points are always deceptively simple, like fusing black-tie clothing with sport apparel. But in result, we’ve got cinched and corseted, fanned out skirts, and shrunk jackets to little shrugs layered over voluminous wool piqué and flannel shirtdresses. A ball skirt that looks like layered puffers took more than 100 pattern pieces to make. A pleated trench coat required 209 patterns. The most mind-boggling pieces are made of curved plissé, inspired, Browne says, by the lines ice-skaters make on the rink and those that slalom skiers do as they race down the mountain. Underneath those bubble helmets and big-time bows are models of all genders, but Browne insists gender really doesn’t matter. He’s making beautiful, at points haunted clothes for everyone.

Collage by Edward Kanarecki.

The Essentials Gift Guide

This year, I’ve decided to create dream gift guides that might make it easier for you to go (and filter) through the festive season. Get ready for a selection of beautiful items that will spark joy and last for years. The ones that will certainly please one’s senses and deliver heavenly feelings. Treat your loved ones and yourself! Here’s the curated edit of the most covetable delights, which are the ultimate essentials.

Stay Safe & Warm

Bottega Veneta shearling scarf, Byredo perfume, Thom Browne cashmere gloves & Marine Serre face mask.

Festive Home Days

The Elder Statesman two-tone cashmere knit jumper, Balenciaga cotton track pants & JW Anderson slip-on mules

Leopard Allure

Batsheva puffed-sleeve mini dress, Paul Smith leopard-intarsia socks, Tom Ford leopard print pumps & A.P.C. cardigan

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TASCHEN

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For The Cold Days

Moncler + Rick Owens “Hikoville” padded coat

Comfort Zone

Marine Serre fleece tubular scarf & ERL logo socks

Gifts That Give Back

Gucci double-breasted velvet blazer, Coperni “Swipe” bag, Sophie Buhai silver earrings, Wales Bonner fair isle wool cardigan & JW Anderson kitten heels

Home Elegance

The Vampire’s Wife high-shine midi dress, Erdem merino wool and cashmere blanket & Bibi van der Velden 18kr yellow gold, Moonstone pearl and diamond ring

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NET-A-PORTER Limited

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The All-Time Classics

Lemaire cotton belted trench coat, Prada V-neck cardigan, Noir Kei Ninomiya tartan skirt, Maison Margiela “Tabi” bag & Dr. Barbara Sturm body brush.

Easy Glam

Dries Van Noten blazer, Simone Rocha pearl clutch mini bag, Manolo Blahnik double strap sandals & Mondo Mondo heart-motif crystal drop earrings

Can’t Go Wrong Gifts

The Row TR1 top handle tote bag, Maryam Nassir Zadeh scrunchie, Victoria Beckham sunglasses, Sophie Bille Brahe pearl earrings & Diptyque “Jasmin” candle.

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Here are other gift guides you might have missed – “Cozy Chic” for her, “Stay Home Glamour” for her and “Be Bold” for him!

Collage by Edward Kanarecki.

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TASCHEN