Moody. Dries Van Noten SS17

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We wanted a more brutal way of doing things,” confessed Dries Van Noten after his spring-summer 2017 show in Paris. “We just started to chop up garments and throw flower prints on. Everything contrasting!” Indeed, “contrast” is a fitting term for Dries’ multi-faceted outing of opulent gowns embroidered with layers of jewels and draped in silks. Intricately embellished high-necked blouses with Victorian sleeves were kept in eye-killing shades of yellow and blue, while fish-net elements peeked out from underneath her soft cashmere knits and glamorous evening-gowns. The woman portraited by Van Noten this season has nothing against street-wise: just look at the range of satin bomber jackets. Unlike Marchesa Casati, last seaon‘s muse, it’s not about one specific woman for spring. The designer shares only one tip – whoever she’s, she dresses according to her mood, from the most noir and dramatic looks, to most mesmerising colour combinations. The rest is left for you to intepret.

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Fierce Victoriana. Givenchy AW15

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Rather than make-up, models wore jewellery at the Givenchy show. For AW15, Riccardo Tisci went classy Victoriana with blooms of sportwear – jacquard blazers, slim tank-tops and enchanting lace gowns made me think of Altuzarra which showed earlier this month. The opulent, dark side of Tisci is well known to us – he serves it to us each season. There were a lot of old signatures which seem to be flipped every three months by Tisci like a old steak on a grill party. The religious prints, the cut-out skirts or even the peplum is all a deja vu. I need some fresh air at Givenchy. Please.

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