Masterclass. Wales Bonner AW24

This Paris Fashion Week, there are brands that scream and shout into the void. But there are also brands like Wales Bonner that focus on quiet gestures with grand impacts. The autumn-winter 2024 collection, titled “Dream Study“, was the result of Grace Wales Bonner‘s time spent in Howard University’s Moorland-Springarn Research Centre, imbuing a contemporary collegiate wardrobe with nostalgic sentiment for its illustrious alumni. What really caught her interest in the storied Black university’s archives, though, were the yearbooks. “Particularly the ones from the 1990s,” she explained. “Every year they have a homecoming, with performances of different hip-hop artists coming to celebrate. So it was kind of both exploring the history of the place, but also this kind of musical intersection that’s always been something important to me. So I was thinking about conscious and cosmic hip-hop. How it kind of takes on the mantle of intellectual thinking, and kind of takes it further.” Models (Tyler Mitchell and Imaan Hammam among them) wore academic staples, beautifully adorned, as well as relaxed cashmere knitwear, tailoring trimmed with crocheted Indian mirror-work, while outwear pieces were crafted from vintage kantha quilts. Note the feather brooches which were dotted with pearls, lapiz lazuli and amethyst beads. It’s fascinating to watch how Wales Bonner does this: teaching, foregrounding academic literary references (with every show, there’s a reading list), creating delightful, never-overworked collection (just over 30 looks), and building long-term collaborations with entities as far apart in fashion as adidas and Anderson and Sheppard of Savile Row.

Collage by Edward Kanarecki.
Don’t forget to follow Design & Culture by Ed on Instagram!

Hey, did you know about my newsletter – Ed’s Dispatch? Click here to subscribe!

NET-A-PORTER Limited

Recreation. Bode AW24

For autumn-winer 2024, Emily Adams Bode Aujla explores the evolution of athletic wear and character-building through the lens of American institutional sport and competition. The charming, vintage-y collection confirms once again that Bode could potentially head to Ralph Lauren in the future and be a stately successor of the all-American style. This season, the designer reimagines leisure and athletic apparel from the 1770s-1970s, and muses on sports and recreation being vital to our understanding of virtue, community, and history. Fantastic lace pieces were appliquéd with figures playing sports. There were colorful lurex sweaters decorated with field hockey sticks, knitted cardigans with intarsia basketball players, and a particularly elegant white silk jacquard with a tonal football print. The inspiration also manifested itself in more practical ways; like the handsome dark gray three piece suit; the waterproof, super-light zip jacket and matching pants decorated with patches; or the simple, unlined wool jacket inspired by the kind that football players wear to stay warm on the bench. Elsewhere even simple knit sweaters and t-shirts inspired by the design of hockey or football jerseys proved just as special.

Autumn 2024 also marks the third outing for Bode Aujla’s dedicated womenswear collection, and it’s worth noting that it’s developing into something pretty remarkable. Between the beaded 1920s slip dresses, the lavishly embellished knits and bra tops, the 1930s-inspired bias cut chiffon dresses, and super delicate (and super sexy) silk underpinnings and matching pointelle tank tops and panties, a sense of real pleasure and indulgence permeates her women’s clothes. Lately, there’s been lots of conversations regarding the ways in which women designers approach making clothes for women; oftentimes, the focus is on the fact that they design for women’s “real lives” meaning wearable, meaning comfortable, meaning suited for a wide range of bodies. Beyond all this, Bode Aujla is also tapping into women’s fantasies; their desire to wear beautiful things just for themselves. If anyone happens to join in their fun, well, that’s a bonus.

And here are couple of Bode goodies that have caught my eye lately…

ED’s SELECTION


Oslo Fair Isle Intarsia Wool Cardigan

Brodie Jacquard-knit Alpaca-blend Sweater



Grenier Fringed Embroidered Silk-twill Jacket


Frog And Pony Cropped Flocked Striped Cotton-blend T-shirt



Corinthia Embroidered Silk-blend Crepe De Chine And Guipure Lace Chemise

Collage by Edward Kanarecki.
Don’t forget to follow Design & Culture by Ed on Instagram!

Hey, did you know about my newsletter – Ed’s Dispatch? Click here to subscribe!

NET-A-PORTER Limited

Dirty Glam. DsQuared2 AW24

 

No one does a show in Milan like Dean and Dan Caten. Their autumn-winter 2024 DsQuared2 show was about the idea of twins. Who better than the Canadian brothers should have a say in the representation of “the two sides of the coin,” as they said backstage? Drawing upon their own reality of being a sort of day-and-night double version of each other offered the Catens the occasion for an entertaining show – fun, uplifting, with the right amount of camp and lots of maximalist mashed-up styling. The cast was obviously made of sets of twins, one of which was dressed in Dsquared2’s typical grungy daywear; upon entering a “makeover machine,” the other twin emerged glammed up in the evening version of what the first was wearing. The set, a shiny white box, served as glossy backdrop for the finale coup-de-théâtre, with the Catens taking their bow – Dan looking macho in fitted black jeans and an alluring see-through glittery chiffon shirt, and Dean playing the diva in a flame-red hairdo and black corset dress slashed at the front revealing a great pair of legs, teetering with consummate confidence on ultra-high stilettos. They brought the house down. As for the clothes in the co-ed show, there was great outerwear of the outdoorsy, furry, and fringed variety; fabulous distressed and patched denim; fair isle knits, cargos, destroyed tees, trapper hats, and sequined chaps, all jumbled together and styled with slinky abandon. For evening, black dominated, with body-skimming and plunging necklines for the girls, and sultry slim tuxes with femme undertones for the boys. Haley Wollens’ styling makes DsQuared2 look hotter than ever. Fashion for the Catens is going in just one direction: sexy, sassy, with humor to spare, and entirely guilt-free.

Collage by Edward Kanarecki.
Don’t forget to follow Design & Culture by Ed on Instagram!

Hey, did you know about my newsletter – Ed’s Dispatch? Click here to subscribe!

NET-A-PORTER Limited

Like A Hug. Ottolinger Pre-Fall 2024

Ottolinger is a brand that best captures the gritty, experimental ambience of contemporary Berlin. Christa Bösch and Cosima Gadient‘s pre-fall 2024 collection seeks harmony between the idiosyncratic and a more grounded approach. “We’ve been creative and experimental for a long time, but with this collection what we wanted to achieve is like giving that big hug we all need right now”. A hug definitely comes to mind looking at all the furry and fluffy textures that enfold the models in the lookbook. The sage green jersey top and strap-embellished leggings worn with a fleecy chocolate miniskirt is a combination “that connects with what we grew up with, that’s almost dressed up but also casual” (a very good summary of style in Berlin). The furry fabric returned as a tailored jacket with wide-legged trousers, or as deep cuffs on green knickers.

The Ottolinger designers aimed to offer a collection of “softshell layers” that would be easy to master, even if many are rooted in traditional Swiss garb that’s anything but. Take, for example, the classic dirndl, the likes of which lives on mainly in vintage Oktoberfest photos, and which neither designer thinks they could wear. Unless, perhaps, it was reincarnated as a mesh crop top, a long printed dress paired with a tailored blazer, or exuberantly printed body-positive separates. Taking a cue from traditional men’s garb, lederhosen is revisited in mesh, or as shiny flared trousers in red and white chalet checks. Fun!

Collage by Edward Kanarecki.
Don’t forget to follow Design & Culture by Ed on Instagram!

Hey, did you know about my newsletter – Ed’s Dispatch? Click here to subscribe!

NET-A-PORTER Limited

Twisted. Keisukeyoshida SS24

As we’re approaching 2023’s end, I wanted to spotlight one of the most intriguing emerging designers out there: Keisuke Yoshida. “I’ve had an image of this woman in my mind,” the Japanese designer said while explaining his new collection. “In my head, she’s wearing an outfit, and I can’t tell if it is a wedding dress or a mourning dress. But somehow, I know that she’s like a mother.” Last season, Yoshida’s imaginary maternal muse had been a strict, teacher-like figure with fabric clasped tight across her throat, but this time she’s come undone. Yoshida had engineered her transformation through feminine staples, using ivory silk blouses and soft, dusty pink tailoring that bared the chest, while lapels and collars were inverted or twisted so that they poked up in awkward directions, as though they’d been pulled on in a hurry. Old wedding dresses Yoshida had found in Tokyo were reworked into one-off corsets, lace gloves, and trousers, so that embellishments of pearls and sparkly lace glistered over hands or raced across the thigh, while broken ceramics served as earrings alongside seductive secretary specs. Best of all was a would-be office-appropriate pencil skirt, out of which peeked a silk camisole whose straps dangled upside down towards the ankles. Those theatrically spiky stilettos and wide-brim hats could well have evoked Irving Penn, or old photographs of Parisian couture from the 1950s, but what makes Yoshida’s work feel right for the moment are the strange quirks he sprinkles in to humanize everything, offsetting any old-world glamour or preconceived notions of feminine mystique to create something delicately twisted.

Collage by Edward Kanarecki.
Don’t forget to follow Design & Culture by Ed on Instagram!

Hey, did you know about my newsletter – Ed’s Dispatch? Click here to subscribe!

NET-A-PORTER Limited