Woman’s World. Celine AW15

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Oh gosh. I am drooling over this collection. Give me a reason why shouldn’t I? Phoebe Philo precisely described her woman for fall. “I just want to be a woman“. A woman with ups and downs, which one day is the queen of the world in bicolor satin dresses and second day sophisticated poet or artist in black turtleneck. She wants to be seductive and ooze with sweetness. But she’s more than attractive – she’s confident, open-minded, smart and knows what’s worth for her.

The best part of this job is finding out more about myself,” Philo said after the show. “It gets deeper and deeper into the roots.” And where those roots went deep today was into a new sense of playfulness. Big, fluffy pom-poms? Otters and foxes and deer as naive animal prints? Duvet coats? “Dressed-up-ness,” Philo called it. “I was never in the head space to approach it before. I find glamour and sexuality awkward. When do they feel authentic? What’s real, what’s not?” Big, rhetorical questions. And Philo addressed them with a collection that, by her own opinion, was a little Latin American. “The blood is hotter,” she said. “The approach is more dramatic.” Of course, Phoebe understands that not every lady feels like going for intense colours. “That’s why there were other times when it was more gritty, more Northern soul, less passionate.”

This is probably the most diverse and eccentric collection Phoebe Philo presented at Celine, but at the same time easy and wearable. Year ago Celine was minimal – now the house is blooming just like the designer. Pregnancy changes women, as my mum says. Phoebe Philo is approving. What’s a definite must-have? Everything.

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Belle Epoque. Dries Van Noten AW15

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Although I adore Dries Van Noten, this new collection feels tired. So many themes at one time, so incoherent. Feathers, satin, brocade, flower, brrr. A Belle Epoque mash with all Van Noten archive collections. Of course, there were some good looks – the dandy girl, the military coats – but it all looked too crap in one collection. Even these velvet shoes which are art didn’t win me over. But because it’s Dries Van Noten, I won’t cross-out this collection off my list.

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Sophisticated. Barbara Casasola AW15

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Bringing on the Latin American heat and temper, Barbara Casasola shows a sophisticated side of her aesthetics. Black turtlenecks styled with flared skirts and black ballerinas (or yellow, if you want to cheer it up). The pleating was the spotlight this season—a touch Miyake-esque, but Casasola put her own signature spin on that look. And her showpiece efforts featuring multicolored silk fringe simultaneously contrasted with the pleats theme and carried the collection’s symbolic weight. The fringe appeared as if they were doing a little dance in celebration.

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British Rose. Erdem AW15

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Beautifully embroidered dresses styled with horse-riding boots? Definitely yes. That’s a cool masculine touch in a very feminine area. And it really makes the whole look great and not so banal. This season, the British “Valentino-aspiring” designer, Erdem Moralioglu, brings British aristocrat’s daughter to the world of hunting and romance, giving her not only fancy floral dresses, but croco-patent boots. She shows a bit of nipples, she exposes her shoulders. The new character of Erdem’s woman is curious and intriguing… and she’s not scared of covering a magnificently embroidered skirt with a burgundy turtleneck.

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The Bitter Tears of Petra Von Kant. Roksanda AW15

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Inspired with lesbian psychodrama The Bitter Tears of Petra von Kant, Roksanda broke the system with her refreshing and bold collection. Roksanda Ilincic went layers and fur, keeping in mind natural fabrics like wool. The silhouette was belted and the dresses had warm turtlenecks worn under; the film which inspired Roksanda strongly reflected the current mood of the AW15 line – very feminine, ultra-dramatic and colourful, just like the set of the drama. As the previous collections by Roksanda were very optimistic, this one brings on melancholy and irony… not that I am a pesymistic person, but this direction matches Roksanda’s aesthetics much clearer to me.

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