Whoever said a coat can’t be in the juiciest shade of canary yelllow… definitely didn’t see this one from Daniel Lee‘s pre-fall 2019 collection for Bottega Veneta.
Collage by Edward Kanarecki.
Whoever said a coat can’t be in the juiciest shade of canary yelllow… definitely didn’t see this one from Daniel Lee‘s pre-fall 2019 collection for Bottega Veneta.
Collage by Edward Kanarecki.
“We wanted a more brutal way of doing things,” confessed Dries Van Noten after his spring-summer 2017 show in Paris. “We just started to chop up garments and throw flower prints on. Everything contrasting!” Indeed, “contrast” is a fitting term for Dries’ multi-faceted outing of opulent gowns embroidered with layers of jewels and draped in silks. Intricately embellished high-necked blouses with Victorian sleeves were kept in eye-killing shades of yellow and blue, while fish-net elements peeked out from underneath her soft cashmere knits and glamorous evening-gowns. The woman portraited by Van Noten this season has nothing against street-wise: just look at the range of satin bomber jackets. Unlike Marchesa Casati, last seaon‘s muse, it’s not about one specific woman for spring. The designer shares only one tip – whoever she’s, she dresses according to her mood, from the most noir and dramatic looks, to most mesmerising colour combinations. The rest is left for you to intepret.
Jil Sander once again without Jil Sander, looks great. Just like it was with Raf Simons, and now, with Jil’s studio. The fresh perfection was presented: 50 shades of grey on coats, trousers, down to earth dresses. Jeweled dresses and flattering skirts were also here. But the highlight (and most buzzed thing on social medias yesterday) were the yellow brogues- they looked so… remarkable within all that grey. Seeing what the studio learnt from the master, now the question exists- who is going to be the new designer of this minimalistic fashion empire?



