That Girl. Chloé Resort 2027

For her resort 2027 collection for Chloé, Chemena Kamali turned to the archives – but not those of Gaby Aghion or Karl Lagerfeld. Instead, she looked to the late 1990s, when Stella McCartney arrived at the house with an unprecedented sense of youthful confidence. Back then, the British designer transformed Chloé into the go-to destination for women seeking a great Savile Row–esque suit that could just as easily be thrown over a frivolous lingerie top. The echoes of that masculine-feminine flirtation are back, and it’s hard not to fall for the lacey dresses, satin jackets, and ballet skirts, which never veer into saccharine territory because they’re grounded by washed denim, robust furs, vintage-inspired hardware, and sharp, down-to-business tailoring. Kamali’s work carries a natural feminine energy that’s perfectly in tune with Chloé’s enduring charm, and it makes you want to be that girl – no matter the season.

GET THE LOOK:


Chloé High-rise Straight-leg Jeans



Chloé Lace-trimmed Crinkled Silk-satin Top



Chloé Shearling-lined Quilted Shell Coat



Chloé Lola Studded Leather Platform Pumps



Chloé Paddington Python-effect Locket-detail Shoulder Bag

Collage by Edward Kanarecki.
Don’t forget to follow Design & Culture by Ed on Instagram.

Hey, did you know about my newsletter – Ed’s Dispatch? Click here to subscribe.

A Woman’s Touch. Fendi AW26 Couture

Nobody wants to have that conversation, but Maria Grazia Chiuri’s first haute couture collection for Fendi was very good. Of course, there were fillers – she just has to include those client-pleasers: the unassuming A-line, unwaisted silhouettes that tend to fall at mid-calf or ankle length. But then, at her Rome show at the Galleria Nazionale d’Arte Moderna e Contemporanea, there were genuine stunners, like an ivory cloak that looked like lace from a distance, only to reveal intricate flowers crafted from fur, leather, and fabric up close. Or the opening caftan, pieced together in black-and-white chevron stripes and modeled after a dress worn a century ago by Emilie Flöge. READ MY FULL REVIEW HERE.

Collage by Edward Kanarecki.
Don’t forget to follow Design & Culture by Ed on Instagram.

Hey, did you know about my newsletter – Ed’s Dispatch? Click here to subscribe.