Khaite’s spring-summer 2022 show was incompatible with Instagram, from the intentional lack of photographers to the (also intentional) dim, hazy lighting. This was Cate Holstein‘s intention. Set in the bowels of a Lower East Side apartment building, there were wild green vines climbing up the walls, tumbling from the rafters, and snaking across the floor, as if we’d descended into an overgrown, long-forgotten basement. It was something of a metaphor for New York’s resilience and regeneration, and echoed a collection designed for the equally resilient New York woman. Much of Holstein’s focus this season was on the touch and feel of the clothes – and not just in the materials but how a garment might alternately embrace or liberate the wearer. Gigi Hadid’s opening look was a luminous ivory satin coat lightly filled with down, “like your duvet cover, but more elevated,” said Holstein at a preview. “I think it’s still important to be gentle to ourselves,” she added. A crinkled organza bubble dress would be almost weightless on the body, while a new hand-stitched satin harness might feel satisfyingly snug over a T-shirt. A chrome sequined mini was deliberately heavy, she noted, “to ground you.” These are details that can’t be captured in two dimensions, but make all the difference IRL. “I think we’ve really established the brand’s character, so now it’s about pushing our materials and construction techniques,” said the designer. Holstein pointed out a ruched sequined dress in glittering pale gold, styled here with an oversized chocolate bomber. The effect was of a woman heading to a glitzy party – maybe her first since lockdown – and on her way out the door, she throws on her everyday jacket, not a fancy evening coat. Why fuss when you can be comfortable? Now more than ever, she’s less inclined toward prescriptive full looks and deeply curious to see how each customer puts their own unique spin on a Khaite piece.
Collage by Edward Kanarecki.
Tom Ford really delivered this season! The collection was phenomenal – I would even say it’s one of the best outings of this New York Fashion Week. For spring-summer 2022, Ford is ready for the good times to start rolling again. Though there were laidback, athleisure-y shapes, these were not clothes for staying home, or going unnoticed. Quite the opposite: racer back tanks and basketball shorts or track pants were stitched all over in neon sequins: fuchsia and orange or acid green and pool blue. To finish the look: an oversize satin blazer in another bright color and accessories in the form of a crystal studded choker and barrettes, and a towering pair of satin heels. In his thoughtful show notes, Ford observed that LA has changed him, and that Instagram has changed everybody. “Photogenic clothes today by their very nature mean that they are not at all timid… My clothes this season are simple in cut but not in impact.” Then he went on to quote the imminently quotable Diana Vreeland: “I know it’s a lot but is it enough?” No to gowns and tuxedos, but a resounding yes to sparkle, the more the better. In addition to the sequins and satin, there were jean jackets encrusted with gilt chains, leopard spot lamé tailoring, and masses of gold necklaces worn over shirts unbuttoned down to there and knotted at the navel, and lots and lots of metallic ribbed knits. “Mostly,” Ford wrote, “I think that this is a hopeful collection and at a moment when we all need hope. We need that now more than ever.” Envisioning the light at the end of the tunnel, he just amped up the glam factor.
Collage by Edward Kanarecki.