Danish Girl. Cecilie Bahnsen AW18

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LVMH Prize finalist Cecilie Bahnsen draws on the minimalist aesthetic of her Danish heritage for her eponymous, Copenhagen-based label. The Royal College of Art graduate’s selection of ethereal gowns, elegant dresses and sophisticated separates are a showcase of girlie silhouettes with a sculptural edge. Each piece is handmade with phenomenally soft, fluffy fabrics and finished with couture-like details. For autumn-winter 2018, especially look out for tulle dresses in pastel pink and those cute, quilted skirts. Copenhagen fashion week is a great source of fresh designers with Scandinavian sensibility, and this time around, it’s Cecilie that caught everyone’s eye. Also, feel free to fall in love with this velvet goodie and one of these collars coming from Bahnsen.

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Collage by Edward Kanarecki.

Femininities. Rodarte AW18

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When actors, musicians and celebrities appear in fashion, the result often results in lots of buzz and fuss. But for Kate and Laura Mulleavy, the autumn-winter 2018 Rodarte look-book is about “portraits of friends”. By “friends”, they mean their long-time muse and collaborator, Kirsten Dunst (she plays the main role in the sister’s debutant film, Woodshock –  worth watching) who poses in a red, floral gown, pregnant. She looks so blossoming. But it’s not only Dunst! There’s Grimes, whose ethereal, out-of-this-world music matches Rodarte vibes and that couture-ish Edwardiana frock; Chloe and Halle, the R&B duo, who twirl cherry-blossom umbrellas; Kim Gordon in a sharp leopard print-ensemble; Rowan Blanchard, actress/activist in a cute varsity jacket; Gia Coppola wearing a chic, faux-fur look; Miranda July, wearing a silk chiffon dotted dress; and others. Mulleavy sisters pursuit the idea of womanhood in their work for years, and this season they embrace that with double power. Choosing those women (who inspire them and represent different femininities) to model their clothes is the best possible choice the designers could make. I’m really, really in love.

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Collage by Edward Kanarecki.