Detox. Acne Studios AW18

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They come back looking amazing, great skin, relaxed”, is how Jonny Johansson sees his friends and colleagues that have chosen to move away from urban environments to live in the countryside. Airy, light and cozy are the words to describe Acne Studios‘ latest collection – one of the best in a while. What the Scandinavian label has in offer for autumn-winter 2018? Well, everything is lovely, that’s first. Whether we’re speaking of the loosely fit, buttoned maxi-dresses in toned florals or plaid blanket coats, it’s a wardrobe that’s ready to please you in autumn, both in the city or in the forest (mushroom-picking!). Also, I can’t get enough of the colour palette, which reminds me of an idyll, late September rural landscape. You might ask yourself a question, why is the collection presented as early as Vetements or Proenza Schouler? Johansson’s decision for Acne Studios follows a certain ‘detox’ philosophy. Showing earlier, close in time to the menswear presentation, lets Johansson focus creatively on a specific concept and, to some extent, escape the regular Paris fashion week rush for limelight. And now, off to the country.

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Collage by Edward Kanarecki.

Majestic. Valentino Haute Couture SS18

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Dear Pierpaolo Piccioli, without any doubts, I’m calling your latest haute couture collection for Valentino the best of the season. It’s so captivating, delightful, grandiose, majestic! So many big words are here to describe every single piece of the show, from the boldly-coloured feather jellyfish headwear by the miliner Philip Treacy to the voluminous, ball gowns in lady-like tulle and pure silk. Pierpaolo reaches the heights of Valentino Garavani, the master, with this incredible collection. It’s a comeback to couture that really looks like couture, updated with very deluxe tank-tops, flares fit for dames and clean-cut outerwear (which makes an entrance – just see that statuesque, yellow coat!). Piccioli combines jewel-toned colours with pastels, and at some points goes for elegant black and white. But what I love the most about this impressive outing is its easiness. It’s fun, its rich, it’s wearable, yet not ordinary. Since Maria Grazia Chiuri’s departure to Dior (duh…), I haven’t seen anything particularly interesting about Piccioli’s solo direction. But now, he seems to blossom, in a good, fashion dream way. Bravo!

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Collage by Edward Kanarecki.