Throwback Sunday – Céline Pre-Fall’10

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When you come to a certain conclusion that her 2010 pieces for Céline would look perfect in 2017: that’s the power of Phoebe Philo‘s fashion. Those masculine, mid-lenght coats; beige cardigans with leather pockets; evening tops with feather inserts. It’s hard not to love the flared pants or this simple, little black dress styled with red tights. Pre-Fall 2010 was her third collection for the French house and it’s interesting to observe how she incorporated some of the brand’s heritage codes. The knit with a vintage automobile print used to be Céline Vipiana’s long-time signature, while the belt buckles had the brand’s old logo on them.

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Ania Kuczynska’s Wave

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Ania Kuczyńska‘s latest capsule collection entitled Black Celebration 1986 is an intimate exploration of memories and associations, likely kept in deep, black-and-white tones. This Polish designer, who’s the founder of Warsaw’s beloved eponymous label, continues to combine and fuse inspirations in the least expected ways. The name of the collection might ring a bell – of course, we’re speaking of Depeche Mode’s most (as for me) melancholic album, which might be a perfect backdrop for these elusive, analog snaps by Stanislaw Boniecki. But Ania goes further, nodding to new wave tendencies in Polish film and music (from Roman Polanski’s intriguing dramas to Krzysztof Komeda’s cinematic tunes). New wave era had a magnetising, truly absorbing aura – the same feelings surrounds Kuczyńska’s garments. Unisex turtlenecks à la the existentialists; below-the-knee pleated skirts; t-shirts with shoulder-exposing cuts. It’s not about pursuing the newness, but rather, focusing on essentials, perfecting them. Kuczyńska’s house codes evolve – and this collection is a beautiful addition to her creative language.

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