Comme Des Garçons at The MET

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Autumn-winter 2000

Today, Rei Kawakubo‘s revolutionary and incomparable contribution to fashion will be honored at The MET ball, ahead of the exhibition opening this Thursday. Only the second show dedicated to a living designer in the institution’s history (the first was Yves Saint Laurent in 1983), it’s a testament to the radical experimentation with garments of the 74-year-old, whose dedication to ‘the art of in-between’ has earned her a cult fandom. Forget the celebs, who I doubt will wear any Comme Des Garçons with passion tonight (really, don’t make me laugh, Katy Perry). Here are my seven alternative red carpet looks, coming straight from Kawakubo’s universe.

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Autumn-winter 2012 – This collection shaped my love for fashion. That’s a fact.

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Autumn-winter 2017

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Spring-summer 2015

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Autumn-winter 2016

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Spring-summer 1997

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Spring-summer 2017

All collages are by Edward Kanarecki, the author of the blog.

Nanan

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Just a few steps from Wrocław’s Old Market, the sweetest patisserie tempts the locals. With it’s pastel-pink velvet walls and brass details, Nanan is a heaven for lovers of unconventional dessert tastes. No way you can miss it, while the town!

Kotlarska 32 / Wrocław

Routine Absurds. Balenciaga Pre-Fall’17

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Demna Gvasalia had spandex boots on his Balenciaga runway. He did gargantuan, big bazaar bags. The Georgian designer has even proved us that corporate dressing is not just for Angela Merkel and her wardrobe. With his every hit (and they get edgier and edgier with every season), the clothes you would rather burn than call ‘fashion’ become somewhat sudden objects of desire. Pre-fall 2017 collection is the best prove for that, as all of Gvasalia’s biggest moments at the house are refreshed and reminded. And they look fire. Every single piece. Even a scarf tied under the chin (we live in 2017, so it’s a ‘babushka hood’…) in intense fuchsia looks brilliant. A nod to Gvasalia’s Soviet origins? Probably. But feels so contemporary, even if you know it’s NOT.

Daily routine has its trashy, cringey, cheesy, but beautiful absurds. Just some food for brain.

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Collage by Edward Kanarecki; styling by Lotta Volkova; photography by Harley Weir.