Boundary Free Globalism. Area AW20

Finally, somebody brought life back to the sleepy first days of New York fashion week. You can always count on Area’s Beckett Fogg and Piotrek Panszczyk to deliver something unexpected, fun and bold. And intelligent. The duo’s The autumn-winter 2020 line-up was one of their most intensive yet, exploring fabrics, history, new technologies, collaboration, and cultural impact through garments that truly do not look like anything else on the market. Fogg and Panszczyk began their research this season with their venue, The Africa Center. The nonprofit cultural hub and museum was moved to the Upper East Side’s Museum Mile almost 10 years ago, but development stalled when funding fell out. The brand has inked a partnership with the center in the hopes of spotlighting African culture and craft in the USA. Weaving techniques native to Africa helped inform the show’s opening looks, too, but an Area collection is never just about one thing. There was plenty of other references: Japanese tropical postcards, the pleating and draping of Madame Grès, leather costumes by Eiko Ishioka for Francis Ford Coppola’s Dracula, interior design by the New York–based duo Myreality (the chair bags!) and Romeo Gigli’s heart motifs. Most important is the idea of boundary-free globalism. As designers, the pair pull inspiration from wherever they please, but what makes their clothing so interesting is the way they melt these ideas together in a spectacular alchemy. It’s reflective of the way they see the world, and how they see New York in particular: a borderless community of free spirits. Clothes-wise, those are garments for the daring ones who love being extra 24/7, that’s for sure. But then, some of the pieces put separate – like knitwear, tailoring and coats, all pimped up with rhinestones – are great for everyday style. I wish some big musician finally discovered Area and wore their extraordinary garments on tours and the red carpet.

Collage by Edward Kanarecki.

Modern Uniforms. Peter Do AW20

Peter Do is the “old Céline” guard, who developed his aesthetic and style under Phoebe Philo. Add a succesful Instagram performance and thoughtful visual communication, and it’s a label that immediately got on everybody’s lips. It’s Do’s second official season, and here’s what we’ve got: modern uniforms of exceptionally tailored pieces which are both functional and fashion-forward. The autumn-winter 2020 palette is a treat: gray, accented with rose, scarlet, and hunter green. The black, all-sequinned blazer and matching pleated skirt is a great alternative to eveningwear. The label also debuts with footwear, which is all about heavy, polished-leather boots with metallic elements. Some looks felt over-sophisticated, like the oddly sharp cuts of the jackets’ lapels, but when you put the clothes apart, those are some very, very good wardrobe essentials.
Collage by Edward Kanarecki.

Personality. Rachel Comey AW20

Rachel Comey might be called a New York fashion week veteran, and simultaneously she’s one of the coolest, off-the-radar designers showing here. Returning to her tradition of hosting a dinner-show, Comey used her slot to signal boost the cause of women’s rights. Between courses, Comey loaned the mic to Lourdes Rivera of the Center for Reproductive Rights, which will be at the Supreme Court on March 4 as the justices hear a case on restrictions to abortion access in Louisiana; and writer Aminatou Sow, who spoke about the political power of friendship. The Comey models came across as a distinctly empowered in their oversized tweed coats, slick leather knee-length shorts, impeccably slouched trousers and tops and jackets with ballooning sleeves. The range of sturdy textures here gave the outing its sense of earthy toughness; a burst of florals, insertions of sorbet pinks into the palette, and playful elements like metallic fringe made the line-up even more appealing. This was a collection heavily indebted to menswear, but the accent was always on the feminine. In the end, it’s not the clothes, but the person wearing them. Comey’s garments are here to be elevated by the wearer’s personality.

Collage by Edward Kanarecki.